Manuale d’uso / di manutenzione del prodotto VG-99 del fabbricante Roland
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Thank you, and congratulations on your choice of the Roland VG-99. 202 Copyright © 2007 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Roland Website http://www.
This product complies with the requirements of European Directive 89/336/EEC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
3 012b • Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as lis.
4 IMPORTANT NOTES 291a In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following: Power Supply 301 • Do not connect this unit to same ele.
5 IMPORTANT NOTES 559a • When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
6 Contents IMPORTANT NOTES ............................................................................... 4 Main Features ........................................................................................ 11 Ultimate guitar modeling system provides unlimited possibilities in creating sounds .
7 Contents Setting the Overall Patch Volume Level (PATCH LEVEL) .................................................... 36 Adjusting the Overall Patch Tone (TOTAL EQ) ....................................................................... 36 Setting the Output Signal and Level (OUTPUT) .
8 Contents About MIDI Channels .................................................................................................................. 57 Bank Select and Program Change........................................................................
9 Contents Setting V-LINK .............................................................................................................................. 97 Using the VG-99 on a Stand ....................................................................
10 Contents SYSTEM ................................................................................................................................................... 166 Parameters That Can Be Assigned to Separate Controllers ........................
11 Main Features The VG-99 is the culmination of Roland’s COSM technology based guitar modeling systems. Featuring advanced software supported by the very latest custom DSP chips, the instrument als.
12 Names of Things and What They Do fig.00-020 1. D BEAM Switches the D Beam on and off. You can add a variety of effects to your sounds by moving your hand or the guitar neck within the range of the beam.
13 Names of Things and What They Do 15. BALANCE Knob Sets the mix balance. (p. 35) 16. CHAIN Button Used to make settings for the effect and COSM guitar/COSM amp connection sequence. (p. 34) 17. CONTROL ASSIGN Button This sets the functions assigned to pedals and switches.
14 Names of Things and What They Do fig.00-030 1. Security Slot ( ) 988 Connect a commercially available anti-theft security cable here. http://www.kensington.
15 Chapter 1 Chapter 1 Outputting Sounds First install the GK-3 divided pickup (optional) on the guitar to be used. For installation instructions, refer to the GK-3 Owner’s Manual. The GK-3 cannot be used with the following guitars (the pickup will not function properly even when installed).
16 Chapter 1 Outputting Sounds Top Panel Rear Panel Making the Connections Guitar with GK-3 / GK-2A / other GK-Compatible guitar GK cable Guitar Amp (for Normal Guitar) Stereo Headphones Normal Guitar Digital Recorder etc. MIDI Foot Controller FC-300 Mixer etc.
17 Chapter 1 Outputting Sounds Chapter 1 921 • To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections. 922 • This instrument is equipped with balanced type jacks (TRS=CTL3,4; XLR=SUB OUT).
18 Chapter 1 Outputting Sounds * You can connect two FS-5Us using the special Roland PCS-31 connection cable (optional). * When an FS-6 is connected to the CTL3,4 jack with an optional connection cabl.
19 Chapter 1 Outputting Sounds Chapter 1 The VG-99 has a variety of Play screen variations, each providing different information about the current state of the VG-99.
20 Chapter 1 Outputting Sounds Turn the OUTPUT LEVEL knob to set the volume to a suitable level. fig.01-070 * The output from the SUB OUT connector (XLR type) remains constant, regardless of the OUTPUT LEVEL knob setting. * You can adjust the volume level by assigning this function to the expression pedal or GK-3 GK volume control.
21 Chapter 1 Outputting Sounds Chapter 1 The VG-99’s sound characteristics vary greatly depending on how the divided pickup is installed. To ensure consistent conditions for optimal sound production, be sure to make the settings affecting the divided pickup (the GK settings).
22 Chapter 1 Outputting Sounds * If the level meter registers in excess of the maximum level, it means the level is set too high. Lower the sensitivity setting. * Depending on the guitar you are using, the level meter may move to the maximum level even when the sensitivity is set to the minimum setting.
23 Chapter 1 Outputting Sounds Chapter 1 • [F6] (MUTE OFF, MUTE ON) This setting determines whether sounds from the output jacks are output or not while tuning is in progress. 4. Play a single note, open, on the string being tuned. 5. Tune the string until the name of the string is shown in the display.
24 Chapter 1 Outputting Sounds You can switch patches consecutively with the PATCH/VALUE Dial. 1. Confirm that the Play screen is displayed. If a screen other than the Play screen is shown, press [EXIT] several times until the Play screen appears. 2. Rotate the PATCH/VALUE dial to switch the patches.
25 Chapter 2 Chapter 2 Creating Sounds First, let’s take a look at how the VG-99 is organized internally. ● COSM Guitars You can use COSM modeling to create the tones of a variety of different guitars.
26 Chapter 2 Creating Sounds About Alternate Tuning Maybe insert a sentence in the beginning of this: The Alternate Tuning feature allows you to change the tuning of a COSM guitar without changing the actual pitch of the guitar’s strings.
27 Chapter 2 Creating Sounds Chapter 2 1. Press [ALTERNATE TUNING]. 2. Press PAGE [ ] to display Page 1. fig.01-060d 3. Select A or B with [F2] (A/B) or the F2 knob. * You cannot select this when AB LINK is on. 4. Switch the function on or off with the F3 knob.
28 Chapter 2 Creating Sounds 10. If you want to save the edited settings, perform the Write procedure (p. 38). * If you do not want to save, press [EXIT] to return to the Play screen. * Although parameter assignments set with Control Assign are saved with the Write procedure, the BEND parameter values in Step 8 are not saved.
29 Chapter 2 Creating Sounds Chapter 2 1. Press [ALTERNATE TUNING]. 2. Press PAGE [ ] to display Page 1. fig.01-060d 3. Select A or B with [F2] (A/B) or the F2 knob. * You cannot select this when AB LINK is on. 4. Switch the function on or off with the F3 knob.
30 Chapter 2 Creating Sounds 1. Press [ALTERNATE TUNING]. 2. Press PAGE [ ] to go to Page 2. fig.01-060d 3. Switch the function on or off with the F3 or F6 knob. 4. If making detailed parameter settings for HARMONY, press [F3] (HARMO) or [F6] (HARMO).
31 Chapter 2 Creating Sounds Chapter 2 * You can use POLY FX in only one channel at a time (A or B). 1. Press [POLY FX] for the channel, either A or B, in which you want to use it. 2. Press PAGE [ ] several times to display Page 1. fig.01-060d 3. Switch the function on or off with the [F1] (ON/ OFF) or the F1 knob.
32 Chapter 2 Creating Sounds You can freely set the order in which the effects and COSM amps are connected. 1. Press [CHAIN]. The Chain screen is displayed. * If the effects and COSM amps are off, OFF is indicated. 2. Select the channel for which you want to change the connection sequence with [F1] (A/B).
33 Chapter 2 Creating Sounds Chapter 2 1. Press [NAME/KEY/BPM]. 2. Press [F2] (KEY). 3. Set the song’s key with [F1] (SELECT) or the F1 knob. * The Alternate Tuning HARMONY and FX MOD 1/2 HARMONIST functions operate in accordance with the key set here.
34 Chapter 2 Creating Sounds 1. Press [CHAIN]. 2. Use [F2] ( SEL) and [F3] (SEL ) to select the arrow indicating the connection point. 3. Use [F4] ( ← MOVE) and [F5] (MOVE → ) to shift the COSM guitar’s connection point. 4. If you want to save the edited settings, perform the Write procedure (p.
35 Chapter 2 Creating Sounds Chapter 2 For detailed about the block diagram, refer to “Signal Flow” (p. 183). 1. Press [MIXER]. 2. Press PAGE [ ] to display Page 1. Make the settings for each channel on this page. * Page 2 and later pages contain the mixer section’s common settings.
36 Chapter 2 Creating Sounds You can control the mix between the two channels according to how strongly the strings are picked. 1. Press [DYNAMIC]. 2. Press PAGE [ ] to display Page 1. 3. Switch the Dynamic function on or off with [F1] (OFF/ON). 4. Select the Dynamic function type.
37 Chapter 2 Creating Sounds Chapter 2 This sets the signals and levels output for each of the VG-99’s output jacks and connectors. 1. Press [MIXER]. 2. Press PAGE [ ] to display Page 5. 3. Set the signal and level output to MAIN OUT, SUB OUT, and DIGITAL OUT with [F1]–[F6] or with the F1–F6 knobs.
38 Chapter 2 Creating Sounds The settings made to change a sound are temporary; when you switch to a different patch, the settings revert to the values in effect before the changes were made. If you want to save the changes in the settings, carry out the Write procedure.
39 Chapter 3 Chapter 3 Creating Your Own Effect Types (CUSTOMIZE) The Customize function allows you to make even more detailed changes to settings for COSM AMP (Preamp section, Speaker section), Overdrive/Distortion, and Pedal Wah, just like designing your own original effects processors.
40 Chapter 3 Creating Your Own Effect Types (CUSTOMIZE) * You cannot customize the speaker when BASS AMP VINTAGE or BASS AMP MODERN is selected with PREAMP TYPE. 1. Press [COSM AMP]. The COSM AMP Edit screen appears. 2. Press PAGE [ ] [ ] to display the Speaker Type selection screen.
41 Chapter 3 Creating Your Own Effect Types (CUSTOMIZE) Chapter 3 1. Press [FX]. The FX Edit screen appears. 2. Press PAGE [ ] to display Page 1. 3. Press [F3] (WAH). 4. Select CUSTOM as the WAH TYPE with [F2] (SELECT) or the F2 knob. 5. Press PAGE [ ] to display Page 2.
42 Chapter 4 Global Device Settings ( SYSTEM) * The parameters described in this chapter are saved when the power is turned off. There is no need to carry out the Write procedure (p. 38). To ensure optimal conditions for producing sounds with the VG-99, making the correct settings affecting the Divided pickup (the GK settings) is required.
43 Chapter 4 Global Device Settings (SYSTEM) Chapter 4 1. Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen. 2. Press PAGE [ ] [ ] to display Page 2. 3. Use F1 (SELECT) or the F1 knob to select the pickup type.
44 Chapter 4 Global Device Settings (SYSTEM) On some guitars with the Divided pickup built in, the positions of the DOWN/S1 and UP/S2 switches are reversed from those of the Divided pickup. Set this so that the functions match. 1. Follow Steps 1–3 in “Selecting the Settings” (p.
45 Chapter 4 Global Device Settings (SYSTEM) Chapter 4 Adjust the Divided pickup sensitivity for each string. 1. Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen. 2. Press PAGE [ ] to display Page 4. 3. Rotate the F1–F6 knobs to adjust the sensitivity.
46 Chapter 4 Global Device Settings (SYSTEM) This setting determines whether the VG-99 uses a single global GK setting or if the GK settings can be specified individually for each patch. 1. Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen.
47 Chapter 4 Global Device Settings (SYSTEM) Chapter 4 You can assign up to ten user names, each containing up to eight characters. For example, you could create names that suggest the gear used in a certain setting or a place where you perform. 1. Press [GLOBAL].
48 Chapter 4 Global Device Settings (SYSTEM) Both MAIN OUT and SUB OUT feature four-band EQs. EQ (MAIN) is applied to the output from MAIN OUT; EQ (SUB) is applied to the output from SUB OUT. 1. Press [GLOBAL]. 2. Press PAGE [ ][ ] to display Page 2–5.
49 Chapter 4 Global Device Settings (SYSTEM) Chapter 4 This controls the overall reverb level settings in the individual patches. This is effective for adjusting to the acoustics of the performance venue. This setting does not affect the individual patch settings.
50 Chapter 4 Global Device Settings (SYSTEM) This setting determines whether or not the current settings for each controller (the expression pedals, the FC-300’s expression pedals, control pedals or other controllers) are applied to the patch when patches are switched.
51 Chapter 4 Global Device Settings (SYSTEM) Chapter 4 The text and icons in the LCD screen may be difficult to make out sometimes, such as immediately after the VG-99 is turned on or after extended use. The conditions at the place where you are using the VG-99 can also affect visibility.
52 Chapter 5 Using the VG-99 in Combination with an FC-300 With an FC-300 (optional) connected to the VG-99, you can perform the following operations: • Switch patches • Have patch names be shown .
53 Chapter 5 Using the VG-99 in Combination with an FC-300 Chapter 5 This sets the timing at which patches are switched when you press [ ] [ ] pedals on the FC-300. 1. Press [SYSTEM]. 2. Press PAGE [ ] to display Page 1. 3. Press [F5] (FC-300). 4. Set BANK CHANGE with [F2] (SELECT) or with the F2 knob.
54 Chapter 5 Using the VG-99 in Combination with an FC-300 This switches the FC-300’s AMP CTL 1 and AMP CTL 2 parameters on and off. When the guitar amp’s channel switch jack is connected to the F.
55 Chapter 6 Chapter 6 Using MIDI MIDI, an abbreviation for Musical Instrument Digital Interface, is a universal standard that enables musical instruments to exchange musical performance data, messages concerning changes in the sounds, and other information.
56 Chapter 6 Using MIDI Receiving Control Change Messages The VG-99 can receive Control Change messages to control specified parameters while a performance is in progress. Set the parameters to be controlled with “Using the Switches, Pedals, and MIDI to Control the Sounds (CONTROL ASSIGN)” (p.
57 Chapter 6 Using MIDI Chapter 6 While the use of MIDI allows various devices to communicate with each other, this does not mean that it enables exchanges of all information. The data that can be exchanged between any two connected devices is limited to the messages common to both devices.
58 Chapter 6 Using MIDI Bank Select and Program Change are MIDI messages generally used for switching patches. Normally, patches are switched using Program Change messages. However, if Program Changes alone are used, you’ll only be able to select up to a maximum of 128 different patches.
59 Chapter 6 Using MIDI Chapter 6 MIDI Omni Mode When set to MIDI Omni mode, the VG-99 receives messages on all MIDI channels, regardless of the MIDI channel settings. You can use Omni mode whenever you do not need to use specific MIDI channels in controlling the VG-99.
60 Chapter 6 Using MIDI MIDI PC OUT This setting determines whether or not Program Change messages are output when the VG-99’s patches are switched. 1. Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.
61 Chapter 6 Using MIDI Chapter 6 Setting the TX PC MAP To set Program Change messages to be transmitted with individual patches, make the settings described below. Patch parameters are settings made individually for each patch. The Write procedure is required to save changes in the settings.
62 Chapter 6 Using MIDI The table below shows the correspondence between the factory default Program change Map and the Program Change messages received when RX PC MAP is set to FIX. * When setting “OMNI MODE” (p. 170) to OFF, be sure to match “MIDI CH (MIDI Channel)” (p.
63 Chapter 6 Using MIDI Chapter 6 When Transmitting Data to Another VG-99 Connect the devices as shown below, then match the Device IDs for the transmitting and receiving devices. 1. Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.
64 Chapter 6 Using MIDI 1. Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen. 2. Press PAGE [ ] to display Page 1. 3. Use [F6] (SELECT) or the F6 knob to select the synchronizing signal. This specifies the setting to be stored as the SYNC CLOCK setting.
65 Chapter 6 Using MIDI Chapter 6 Selecting the Controller Used to Control the Hold Function (HOLD CTL) 1. Press [GUITAR TO MIDI]. The GUITAR TO MIDI screen appears. 2. Press [F5] (SYSTEM). 3. Use [F1] (SELECT) or the F1 knob to select the controller you want to set.
66 Chapter 6 Using MIDI Setting the MIDI Transmit Channel (BASIC CH) This sets the MIDI channel used for output of string performance data from the VG-99. Set the MIDI channels according to the POLY/MONO mode as shown below. • When set to POLY mode The performance data for all of the strings is transmitted over the basic channel.
67 Chapter 6 Using MIDI Chapter 6 Patch parameters are settings made individually for each patch. The Write procedure is required to save changes in the settings. Carry out the Write procedure as needed. Setting the Transmission Mode (MODE) 1. Press [GUITAR TO MIDI].
68 Chapter 6 Using MIDI Adjusting the Feel Produced in Playing the Guitar (PLAY FEEL) This selects the response of the synth sound relative to the picking dynamics. Changing this setting depending on the performance style used with the guitar or the tone allows you to express dynamics more naturally.
69 Chapter 6 Using MIDI Chapter 6 Selecting How the Hold Functions (HOLD TYPE) This selects the Hold function type when the controller set with the HOLD CTL parameter (p. 65) is adjusted. 1. Follow Steps 1–2 in “Setting the Transmission Mode (MODE)” (p.
70 Chapter 6 Using MIDI The MIDI channel over which the messages are output in POLY mode is only the basic channel. In MONO mode, the messages are output over the six channels spanning from the basic channel up to the channel numbered five above the basic channel.
71 Chapter 7 Chapter 7 Using the VG-99 Connected to a Computer Via USB By using USB with the VG-99, you’ll be able to exchange digital audio signals and MIDI messages with your computer. Installing and Setting the USB Driver Use of the VG-99’s USB functionality requires that the USB driver first be installed on the computer.
72 Chapter 7 Using the VG-99 Connected to a Computer Via USB About the Included Software In addition to the USB drivers, the included “VG-99 Software CD- ROM” also contains special software that can be used when the VG- 99 is connected with a computer.
73 Chapter 7 Using the VG-99 Connected to a Computer Via USB Chapter 7 The following section describes the VG-99’s USB-related functions. Make these settings in accordance with how you plan to use the VG- 99. 1. Press [SYSTEM]. 2. Press PAGE [ ] to go to Page 2.
74 Chapter 7 Using the VG-99 Connected to a Computer Via USB 1. Press [SYSTEM]. 2. Press PAGE [ ] [ ] to go to Page 2. 3. Press [F2] (USB). 4. Press PAGE [ ] to go to Page 2. 5. Change the setting’s value with [F2] (SELECT), [F3] (OFF/ON) or the F2, F3 knobs.
75 Chapter 7 Using the VG-99 Connected to a Computer Via USB Chapter 7 In the computer application, set the audio input port to the VG-99. You can freely set the point at which signals are sent to the computer with “USB OUT” (p.
76 Chapter 8 Other Functions The sensitivity of the D Beam controller can vary depending on the amount of light in the vicinity of the controller and the object (e.g., hand, guitar neck) used to operate it. Perform this adjustment so you can control the tone in the intended range.
77 Chapter 8 Other Functions Chapter 8 You can disable the D Beam controller for the entire device. If you are using the VG-99 rack-mounted or otherwise not using the D Beam controller, we recommend disabling the D Beam controller by setting D BEAM DISAB to OFF.
78 Chapter 8 Other Functions 4. To turn off the D Beam controller, press the button you pressed in Step 1 again so the indicator goes off. While the ribbon controller has been adjusted at the factory for optimum performance, the responsive range may vary with the width of the finger used to activate the controller.
79 Chapter 8 Other Functions Chapter 8 The ribbon controller allows you to change sounds by “scratching” or tracing your finger along the ribbon. You can apply various effects to the sound by changing the functions assigned to this controller.
80 Chapter 8 Other Functions pedal, MIDI device, or any of a variety of other controllers. You can press the D BEAM or RIBBON CONTROLLER [PITCH] button to use T-ARM, which changes the pitch of the COSM guitar like a tremolo arm. 1. Press [CONTROL ASSIGN] 2.
81 Chapter 8 Other Functions Chapter 8 You can press the D BEAM or RIBBON CONTROLLER [FILTER] button to apply the FILTER effect and add nuance to the tone in Channel A or B, or both channels. 1. Press [CONTROL ASSIGN] 2. Press PAGE [ ] [ ] to go to Page 2 for the D Beam, or Page 3 for the ribbon controller.
82 Chapter 8 Other Functions You can assign parameters to the F1–F6 knobs to control the parameters as you play. Additionally, you can check (display) the assigned parameters by pressing [F1]–[F6]. 1. Press [CONTROL ASSIGN] 2. Press PAGE [ ] to go to the last page.
83 Chapter 8 Other Functions Chapter 8 Displayed screen Controller PITCH D BEAM T-ARM/ D BEAM FREEZE Control of TREMOLO ARM/ FREEZE with the D Beam control- ler FILTER D BEAM FILTER Control of FILTER .
84 Chapter 8 Other Functions 3. Select the function you want to assign with PAGE [ ] [ ], [F1]–[F6], and the F1–F6 knobs. You can assign two different functions to one controller. For example, you can assign separate functions to the GK VOL (1) and GK VOL (2) displayed in the screen.
85 Chapter 8 Other Functions Chapter 8 F4: MODE (GK S1, S2 only) This specifies how the switches function. * Combinations of the actions below are possible.
86 Chapter 8 Other Functions 4. If you want to save the edited settings, perform the Write procedure (p. 38). * If you do not want to save, press [EXIT] to return to the Play screen. You can assign your favorite patches to the [DIRECT PATCH 1] – [DIRECT PATCH 5] buttons, then call up these patches just by pressing the buttons.
87 Chapter 8 Other Functions Chapter 8 1. Confirm that the Play screen is displayed. 2. Press [WRITE]. The PATCH WRITE screen appears. “WRITE TO” is displayed, and the write-destination patch number and name are indicated. 3. Use the PATCH/VALUE dial to select the copy- destination patch.
88 Chapter 8 Other Functions You can set user patches to their initial conditions, with all effects switched off. This is convenient when you want to create a patch from scratch. * You cannot initialize preset patches. 1. Confirm that the Play screen for a user patch is displayed.
89 Chapter 8 Other Functions Chapter 8 You can copy and reuse portions of patch parameters (such as COSM amps, effects, and other modules). 1. Go to the settings screen for the parameters whose settings you want to copy. 2. Press PAGE [ ] several times to go to the last page.
90 Chapter 8 Other Functions The VG-99 includes a function that allows you to categorize patches into a number of different groups. This is called the CATEGORY function. Specifying the category for each patch makes searching for patches more convenient.
91 Chapter 8 Other Functions Chapter 8 1. Confirm that the Play screen is displayed. 2. Press [SYSTEM]. 3. Press PAGE [ ] [ ] to go to Page 2. 4. Press [F4] (CATGRY). The Category Name settings screen appears. 5. Use [F6] or the F6 knob to select User Category with the name you want to change.
92 Chapter 8 Other Functions Here is an example using the compressor effect. 1. Press [FX]. 2. Press PAGE [ ] to go to Page 1. 3. Press [F1] (COMP). 4. Press PAGE [ ] to display the last page (in this case, Page 3). 5. Use [F1] (SELECT) or the F1 knob to select FAVORITE.
93 Chapter 8 Other Functions Chapter 8 There are two methods you can use to save changed tones. Saving to Patches 1. Press [WRITE]. The PATCH WRITE screen appears. 2. Use the PATCH/VALUE dial to select the save- destination patch. 3. Press [WRITE]. “NOW WRITING.
94 Chapter 8 Other Functions When storing Favorite Settings, you can also give the settings names. Carry out the following procedure in Step 2 of “Saving to the Favorite Settings” (p. 93). 1. Press [F5] (NAME). The Name edit screen appears. 2. Press PAGE [ ] [ ] to move the cursor to the position with the character you want to enter.
95 Chapter 8 Other Functions Chapter 8 9. You can scroll through the list using [F3] and [F4] or the F3 and F4 knobs. 10. Press [F5] (EXIT). The list disappears from the screen. 11. Press [EXIT] several times to return to the Play screen. The VG-99 features a function called Internal Pedal system.
96 Chapter 8 Other Functions The VG-99 features the V-LINK function. With the VG-99 connected to another V-LINK compatible device, you can use your guitar performance to control playback of video images. V-LINK is a function that synchronizes the performance of music and video.
97 Chapter 8 Other Functions Chapter 8 1. Press [SYSTEM]. 2. Press PAGE [ ] [ ] to go to Page 2. 3. Press [F3] (V-LINK). The V-LINK screen appears. 4. Press [F1] (CLIP).
98 Chapter 8 Other Functions You can use the VG-99 while attached to a PDS-10 stand (optional). 1. Turn the VG-99 over and remove the screws from the bottom panel. 2. Attach the mounting plate as shown in the figure, using the screws removed in Step 1 or the knob nuts included with the kit.
99 Chapter 8 Other Functions Chapter 8 By employing the separately available RAD-99 rack mount adaptor, you can use the VG-99 in a rack-mounted configuration. 1. Turn the VG-99 over and remove the screws from the bottom panel. 2. Attach the RAD-99 as shown in the figure, using the screws removed in Step 1 or the knob nuts included with the kit.
100 Chapter 8 Other Functions 1. Press [SYSTEM]. 2. Press PAGE [ ] to display Page 3. 3. Press [F1] (F.RST). 4. Select the parameters you want to restore to the original factory condition. 5. Press [F6] (EXEC). 6. To execute Factory Reset, press [WRITE].
101 Chapter 9 Chapter 9 Parameters Guide In this chapter you will find detailed descriptions for each of the VG-99’s parameters used to control them. By making settings for the various elements that make up the tone of a guitar, you can create a wide variety of sounds.
102 Chapter 9 Parameters Guide COSM GUITAR AC (Acoustic Guitar) (p. 105) Parameter/ Range Explanation STEEL (Steel String Guitar) This is the sound of steel strings. NYLON (Nylon String Guitar) This is the sound of nylon strings. SITAR This is the sound of a Coral electric sitar.
103 COSM GUITAR Chapter 9 Parameters Guide Chapter 9 E.GTR (Electric Guitar) Setting the parameter of electric guitar. CLA-ST/MOD-ST TE/LP/P90/RICK/335/L4 LIPS VARI Parameter/ Range Explanation PU SEL (Pickup Select) REAR Use the rear pickup. R+C Use both center and rear pickups.
104 Chapter 9 Parameters Guide COSM GUITAR E. GTR Common Parameters Besides the other COSM E.GTR parameters, the VG-99 also includes the following shared parameters. Parameter/ Range Explanation ANGLE -315–+315mm This simulates the angle of the pickup rela- tive to the strings.
105 COSM GUITAR Chapter 9 Parameters Guide Chapter 9 AC (Acoustic Guitar) Setting the parameter of acoustic guitar. STEEL Parameter/ Range Explanation MIX LEVEL COSM GUITAR 0–100 Specifies the level of the COSM GUITAR. NORMAL PU (Normal Pickup) 0–100 Adjusts the volume of the normal pickup.
106 Chapter 9 Parameters Guide COSM GUITAR NYLON SITAR BANJO Parameter/ Range Explanation BODY 0–100 Adjusts the body resonation. Raising the val- ue produces more of a sense of the guitar body in the sound. Lower the value in condi- tions where feedback is prone to occur.
107 COSM GUITAR Chapter 9 Parameters Guide Chapter 9 RESO VARI Parameter/ Range Explanation SUSTAIN You can specify how the resulting volume will be affected by chang- es (loud/soft dynamics) in the guitar string vibrations that are input. 0–100 Adjusts the range (time) over which low- level signals are boosted.
108 Chapter 9 Parameters Guide COSM GUITAR AC Common Parameters Besides the other COSM AC parameters, the VG-99 also includes the following shared parameters. Parameter/ Range Explanation EQ (Equalizer) A four-band equalizer with high and low ranges is provided.
109 COSM GUITAR Chapter 9 Parameters Guide Chapter 9 BASS (Bass Guitar) Setting the parameter of bass guitar. JB PB BASS Common Parameters Besides the other COSM BASS parameters, the VG-99 also includes the following shared parameters. Parameter/ Range Explanation REAR VOL (Rear Volume) 0–100 Sets the volume of the rear pickup.
110 Chapter 9 Parameters Guide COSM GUITAR SYNTH (Synthesizer) Setting the parameter of synthesizer sound. GR-300 Parameter/ Range Explanation MIX LEVEL COSM GUITAR 0–100 Specifies the level of the COSM GUITAR. NORMAL PU (Normal Pickup) 0–100 Adjusts the volume of the normal pickup.
111 COSM GUITAR Chapter 9 Parameters Guide Chapter 9 * With the GR-300 selected as the COSM guitar, expression of sounds may become unstable when the Alternate Tuning 12STR is set to ON or when pitches are shifted excessively. SENS ( Sensitivity) 0–100 Adjusts the input sensitivity for the enve- lope modulation function.
112 Chapter 9 Parameters Guide COSM GUITAR BOWED/PIPE DUAL Parameter/ Range Explanation FILTER CUTOFF 0–100 Adjusts the cutoff frequency, setting the brightness (hardness) of the sound. The sound gets brighter (harder) as the value is raised. FILTER RESO (Filter Resonance) 0–100 Adjusts the resonance (distinctiveness of the sound).
113 COSM GUITAR Chapter 9 Parameters Guide Chapter 9 FILTER BASS SOLO Parameter/ Range Explanation FILTER CUTOFF 0–100 Adjusts the cutoff frequency, setting the brightness (hardness) of the sound. The sound gets brighter (harder) as the value is raised.
114 Chapter 9 Parameters Guide COSM GUITAR PWM CRYSTL ORGAN BRASS Parameter/ Range Explanation FILTER CUTOFF 0–100 Adjusts the cutoff frequency, setting the brightness (hardness) of the sound. The sound gets brighter (harder) as the value is raised.
115 COSM GUITAR Chapter 9 Parameters Guide Chapter 9 WAVE SYNTH Common Parameters Besides the other COSM SYNTH parameters, the VG-99 also includes the following shared parameters. . Parameter/ Range Explanation WAVE SHAPE Selects the wave type on which the synth sound is based.
116 Chapter 9 Parameters Guide COSM GUITAR With the Alternate Tuning function, you can convert the pitch of each individual string of a COSM guitar, without changing the guitar’s actual tuning. Alternate Tuning includes the five following functions.
117 COSM GUITAR Chapter 9 Parameters Guide Chapter 9 Creating Harmony Scales (User Scale) When HARMO is set to any value from -2oct to +2oct, and the harmony does not sound the way you intend, use a User scale. You can set the corresponding pitches to be output for each input pitch.
118 Chapter 9 Parameters Guide POLY POLY COMP (Poly Compressor) The compressor is an effect that attenuates loud input levels and boosts soft input levels, thus evening out the volume to create sustain without distortion.
119 POLY FX (Poly Effect) Chapter 9 Chapter 9 POLY OCTAVE (Poly Octave) This supports playing technique related to octaves. * When 12STR (p. 116) in ALTERNATE TUNING is switched on, noise may occur in the octave sound. POLY SG (Poly Slow Gear) This produces a volume-swell effect (“violin-like” sound).
120 Chapter 9 Parameters Guide FX (Effects) COMP (Compressor) This is an effect that produces a long sustain by evening out the volume level of the input signal. You can switch it to a limiter to suppress only the sound peaks and prevent distortion. OD/DS (Overdrive/Distortion) This effect distorts the sound to create long sustain.
121 FX (Effects) Chapter 9 Parameters Guide Chapter 9 *1 Setting available when TYPE is set to CUSTOM. OCT FUZZ This models an ACETONE FUZZ. MUFF FUZZ This models an Electro-Harmonix Big Muff π . CUSTOM Custom OD/DS DRIVE 0–120 Adjusts the depth of distortion.
122 Chapter 9 Parameters Guide FX (Effects) WAH You can control the wah effect in real time by adjusting the EXP pedal connected to the EXP PEDAL jack or FC-300 EXP pedal. *1 Setting available when TYPE is set to CUSTOM. Parameter/ Range Explanation WAH SW OFF, ON Turns the WAH effect on/off.
123 FX (Effects) Chapter 9 Parameters Guide Chapter 9 EQ (Equalizer) This adjusts the tone as a sub equalizer. A parametric type is adopted for the high-middle and low-middle range. DELAY This effect adds delayed sound to the direct sound, giving more body to the sound or for creating special effects.
124 Chapter 9 Parameters Guide FX (Effects) DELAY Common Parameters PAN DUAL-S, DUAL-P, DUAL-L/R MOD (Modulate) This delay adds a pleasant wavering effect to the sound. HOLD Up to 2.8 seconds of performance content is recorded, then played back repeatedly.
125 FX (Effects) Chapter 9 Parameters Guide Chapter 9 WARP MOD * Recording and playback of performances and other operations are carried out with pedals while Hold is in effect. Connect external pedals (footswitches) or an FC-300. 1. Referring to “Using the Switches, Pedals, and MIDI to Control the Sounds (CONTROL ASSIGN)” (p.
126 Chapter 9 Parameters Guide FX (Effects) CHORUS In this effect, a slightly detuned sound is added to the original sound to add depth and breadth. REVERB This effect adds reverberation to the sound. Parameter/ Range Explanation CHORUS SW OFF, ON Turns the CHORUS effect on/off.
127 FX (Effects) Chapter 9 Parameters Guide Chapter 9 MOD1, MOD2 With MOD1 and MOD2, you can select the effect to be used from the following. You can select the same effect for FX-1 and FX-2. PHASER By adding varied-phase portions to the direct sound, the phaser effect gives a whooshing, swirling character to the sound.
128 Chapter 9 Parameters Guide FX (Effects) FLANGER The flanging effect gives a twisting, jet-airplane-like character to the sound. TREML (Tremolo) Tremolo is an effect that creates a cyclic change in volume.
129 FX (Effects) Chapter 9 Parameters Guide Chapter 9 T.WAH (Touch Wah) You can produce a wah effect with the filter changing in response to the guitar level. AUTO WAH This changes the filtering over a periodic cycle, providing an automatic wah effect.
130 Chapter 9 Parameters Guide FX (Effects) PITCH SHIFT (Pitch Shifter) This effect changes the pitch of the original sound (up or down) within a range of two octaves.
131 FX (Effects) Chapter 9 Parameters Guide Chapter 9 *1 HARM1 and HARM2 are set individually. *2 VOICE1 INTERVAL (VOICE2 INTERVAL) is enabled when HARM1 (HARM2) is set to USER. When HARM is set to any value from -2oct to +2oct, and the harmony does not sound the way you intend, use a User scale.
132 Chapter 9 Parameters Guide FX (Effects) PEDAL BEND This lets you use the pedal to get a pitch bend effect. * Because of the need to analyze the pitch, chords (two or more sounds played simultaneously) cannot be played. “Chapter 5 Using the VG-99 in Combination with an FC-300” (p.
133 FX (Effects) Chapter 9 Parameters Guide Chapter 9 ROTARY This produces an effect like the sound of a rotary speaker. UNI-V This models the sound of the Uni-vibe. Although the same type of effect as a phaser, its characteristic feature is a unique twisting effect, which you can’t get from an ordinary phaser.
134 Chapter 9 Parameters Guide FX (Effects) SLICER This consecutively interrupts the sound to create the impression that a rhythm backing phrase is being played. HUMANIZER This can create human vowel-like sounds. *1 Setting available with MODE set to PICK or AUTO.
135 FX (Effects) Chapter 9 Parameters Guide Chapter 9 SLOW GEAR This produces a volume-swell effect (“violin-like” sound). DEFRET This simulates a fretless guitar. FEEDBACKER This allows you to use feedback playing techniques. * Note that the notes you want to apply feedback to must be played singly and cleanly.
136 Chapter 9 Parameters Guide FX (Effects) RING MOD (Ring Modulator) This creates a bell-like sound by ring-modulating the guitar sound with the signal from the internal oscillator.
137 FX (Effects) Chapter 9 Parameters Guide Chapter 9 LIMITR (Limiter) The limiter attenuates loud input levels to prevent distortion. SUB EQ (Sub Equalizer) This adjusts the tone as a sub equalizer. A parametric type is adopted for the high-middle and low-middle range.
138 Chapter 9 Parameters Guide FX (Effects) SUB DELAY (Sub Delay) This is a delay with the maximum delay time of 400 ms. This effect is useful for making the sound fatter. NS (Noise Suppressor) This effect reduces the noise and hum picked up by guitar pickups.
139 FX (Effects) Chapter 9 Parameters Guide Chapter 9 FV (Foot Volume) This is a volume control effect. Normally, this is controlled with the expression pedal connected to the EXP PEDAL jack or the FC-300’s EXP pedal.
140 Chapter 9 Parameters Guide COSM AMP COSM technology simulates different preamp characteristics, speaker sizes, and cabinet shapes. * You can make separate settings for Channel A and Channel B. Preamp Type List COSM AMP Parameter/ Range Explanation COSM AMP SW (COSM AMP Switch) OFF, ON Turns the COSM AMP effect on/off.
141 COSM AMP Chapter 9 Parameters Guide Chapter 9 JC CLEAN / TW CLEAN / CRUNCH / COMBO / BG LEAD / MS STACK / R-FIRE / T-AMP / HI-GAIN / METAL *1 The BRIGHT parameter setting is only partially available with some JC CLEAN, CRUNCH, or BASS AMP settings in PREAMP TYPE.
142 Chapter 9 Parameters Guide COSM AMP *1 Setting available when SP TYPE is set to CUSTOM. Parameter/ Range Explanation SP TYPE (Speaker Type) Select the speaker type. OFF This turns off the speaker simulator. ORIG This is the built-in speaker of the amp you selected with PREAMP TYPE.
143 COSM AMP Chapter 9 Parameters Guide Chapter 9 CUSTOM *1 The BRIGHT parameter setting is only partially available with some JC CLEAN, CRUNCH, or BASS AMP settings in PREAMP TYPE. Parameter/ Range Explanation CUSTOM TYPE Selects the basic type of preamp.
144 Chapter 9 Parameters Guide COSM AMP *1 Setting available when SP TYPE is set to CUSTOM. BASS AMP VINTAGE Parameter/ Range Explanation MIC TYPE This setting selects the simulated mic type. DYN57 This is the sound of the SHURE SM-57. General dynamic mic used for instruments and vocals.
145 COSM AMP Chapter 9 Parameters Guide Chapter 9 BASS AMP MODERN Parameter/ Range Explanation GAIN 0–100 Adjusts the distortion of the amp. BASS -50–+50 Adjusts the tone for the low frequency range. MIDDLE -50–+50 Adjusts the tone for the middle frequency range.
146 Chapter 9 Parameter Guide MIXER Chapter 9 Parameter Guide MIXER This mixes the signals in Channel A and Channel B. MIXER A, B (MIXER CHANNEL A, B) PATCH LEVEL TOTAL EQ This adjusts the tone of the mixed signals from Channel A and Channel B. Parametric EQ is used for the low-middle and high-middle frequency ranges.
147 MIXER Chapter 9 Parameter Guide Chapter 9 OUTPUT This setting determines which signals are output at each output and the level at which they are output. * The parameters enabled (MAIN OUT, MAIN LEVEL, SUB OUT, SUB LEVEL, D OUT, D OUT LEVEL) change according to the settings in “OUTPUT MODE” (p.
148 Chapter 9 Parameter Guide MIXER DELAY/REVERB You can apply delay and reverb jointly to Channel A and Channel B. DELAY REVERB 700 Hz–11 kHz, FLAT Parameter/ Range Explanation DELAY SW OFF, ON Turns the DELAY effect on/off. TIME 1–1800 ms, BPM –BPM This determines the delay time.
149 MIXER Chapter 9 Parameter Guide Chapter 9 DYNAMIC This function allows you use your picking dynamics to control the volume of the mix of the two channels. The volume and balance of the channels change according to the dynamics each time you pick the strings.
150 Chapter 9 Parameter Guide MASTER CONTROL ASSIGN Adjust these settings if you would like to use a pedal connected to the VG-99, or an external MIDI device (control source) to control parameters as you play. You can set two parameters as targets to each control source.
151 MASTER Chapter 9 Parameter Guide Chapter 9 PITCH PANEL CTL1/CTL2 (Control Button 1/2) Parameter/ Range Explanation SW (Switch) OFF, ON This setting switches CONTROL button on and off. TARGET PARAMETER This selects the parameter to be changed. Refer to “TARGET PARAMETER” (p.
152 Chapter 9 Parameter Guide MASTER FILTER This passes only portions of the sound’s frequency ranges, giving the sound a unique tone. You can add different types of expression to the sound by changing the frequencies (pitches) that are passed.
153 MASTER Chapter 9 Parameter Guide Chapter 9 PITCH FILTER This passes only portions of the sound’s frequency ranges, giving the sound a unique tone. You can add different types of expression to the sound by changing the frequencies (pitches) that are passed.
154 Chapter 9 Parameter Guide MASTER EXP PEDAL (Expression Pedal) Parameter/ Range Explanation SW (Switch) OFF, ON This setting determines whether control us- ing an expression pedal connected to the EXP PEDAL jack is switched on or off. TARGET PARAMETER This selects the parameter to be changed.
155 MASTER Chapter 9 Parameter Guide Chapter 9 The controllers (sources) controlling targets when a FC-300 is connected are shown below. *1 The types of parameters that can be set are the same as those described in “EXP PEDAL (Expression Pedal)” (p.
156 Chapter 9 Parameter Guide MASTER *1 The TRIGGR, TIME, and CURVE parameters are enabled when the SOURCE parameter is set to INT PEDAL. *2 The RATE and FORM parameters are enabled when the SOURCE parameter is set to WAVE PEDAL. *3 The INPUT SENS parameter is enabled when the SOURCE parameter is set to INPUT LEVEL.
157 MASTER Chapter 9 Parameter Guide Chapter 9 TARGET PARAMETER Parameter (F4) Parameter (F5) Parameter (F6) KEY/BPM/ AMPCTL - KEY BPM BPM TAP FC AMP CTL1 FC AMP CTL2 V-LINK SW D BEAM SELECT PITCH TYP.
158 Chapter 9 Parameter Guide MASTER [A] COSM GTR/ [B] COSM GTR AC RESO SUSTAIN RESO TONE LEVEL AC VARI BODY TYPE SIZE RESO ATTACK BODY LOW CUT LEVEL PU TYPE PU TONE PU LEVEL BASS BASS TYPE REAR VOL F.
159 MASTER Chapter 9 Parameter Guide Chapter 9 [A] COSM GTR/ [B] COSM GTR EQ EQ SW LOW GAIN HIGH GAIN LOW MID FREQ LOW MID Q LOW MID GAIN HIGH MID FREQ HIGH MID Q HIGH MID GAIN TOTAL GAIN STRING PAN 1.
160 Chapter 9 Parameter Guide MASTER [A] FX/[B] FX DELAY (HOLD) REC STOP CHORUS CHORUS SW CHORUS MODE RATE DEPTH PREDELAY LOW CUT HIGH CUT EFFECT LEVEL REVERB REVERB SW TYPE REVERB TIME PREDELAY LOW C.
161 MASTER Chapter 9 Parameter Guide Chapter 9 [A] FX/[B] FX MOD1 SLICER/ MOD2 SLICER PATTERN RATE TRIG SENS MOD1 HUMANIZER/ MOD2 HUMANIZER MODE VOWEL1, 2 SENS RATE DEPTH MANUAL LEVEL MOD1 SLOW GEAR/ .
162 Chapter 9 Parameter Guide MASTER [A] COSM AMP/ [B] COSM AMP BASS AMP GAIN BASS MIDDLE TREBLE LEVEL BRIGHT MIDDLE FREQ RESPONSE ENHANCER BASS AMP SP SP TYPE MIC POS MIC LEVEL DIRECT LEVEL DELAY/REV.
163 MASTER Chapter 9 Parameter Guide Chapter 9 NAME/KEY/BPM PATCH NAME CATEGORY KEY BPM AMP CONTROL TX PC (Transmit Program Change) PATCH LEVEL Parameter/ Range Explanation PATCH NAME This sets the Patch name. INSERT Insert a space at the cursor location.
164 Chapter 9 Parameter Guide GUITAR TO MIDI PATCH These parameters are set for each individual patch with the GUITAR TO MIDI function. GUITAR TO MIDI Parameter/ Range Explanation GTR TO MIDI OFF, ON This switches the GUITAR TO MIDI func- tion on and off.
165 GUITAR TO MIDI Chapter 9 Parameter Guide Chapter 9 SYSTEM These parameters are applied to the entire VG-99 in the GUITAR TO MIDI function. Parameter/ Range Explanation CC (Control Change) You can output the actions of the controllers specified with SRC as Control Change messages.
166 Chapter 9 Parameter Guide SYSTEM LCD CONTRAST DIRECT PATCH GK SETTING SYSTEM Parameter/ Range Explanation CONTRAST 1–50 Setting up the VG-99 in certain positions may make the display difficult to read. If this occurs, adjust the display contrast (legi- bility).
167 SYSTEM Chapter 9 Parameter Guide Chapter 9 CONTROL ASSIGN Parameter/ Range Explanation GK PU TYPE (GK Pickup Type) GK-3 Specifies the GK-3. GK-2A Specifies the GK-2A. PIEZO Specifies a piezo pickup. GUITAR SCALE 620–660mm, ST (648mm), LP (628mm) This sets the scale length for your guitar.
168 Chapter 9 Parameter Guide SYSTEM Parameters That Can Be Assigned to Separate Controllers CTL1-4, FC-300 EXP SW1/EXP SW2, FC-300 CTL1, 2, 4, 6, 8 FC-300 EXP3/CTL3, EXP4/CTL5, EXP5/CTL7 GK S1, S2 GK VOL, EXP PEDAL, FC-300 EXP1/EXP2 Parameter Explanation Parameters for which ✔ is indicated can be assigned to the control- lers shown here.
169 SYSTEM Chapter 9 Parameter Guide Chapter 9 FC-300 PATCH LEVEL DEC Decreases the patch level. ✔ ✔ AB BALANCE toB Increases the volume level in Channel B in the balance be- tween Channel A and Channel B. ✔ ✔ AB BALANCE toA Increases the volume level in Channel A in the balance be- tween Channel A and Channel B.
170 Chapter 9 Parameter Guide SYSTEM MIDI Parameter/ Range Explanation MIDI CH (MIDI Channel) 1–16ch This sets the channel used for transmitting and receiving MIDI messages. When controlling another synthesizer sound module using the GUITAR TO MIDI function, also refer to “GUITAR TO MIDI” (p.
171 SYSTEM Chapter 9 Parameter Guide Chapter 9 Parameter/ Range Explanation PC (Program Change) PC OUT (Program Change Out) OFF, ON This setting determines whether or not Pro- gram Change messages are output when the VG-99’s patches are switched. Program Change messages are output when this is set to ON.
172 Chapter 9 Parameter Guide SYSTEM OUTPUT * The parameters enabled (MAIN OUT, MAIN LEVEL, SUB OUT, SUB LEVEL, D OUT, D OUT LEVEL) change according to the OUTPUT MODE settings.
173 SYSTEM Chapter 9 Parameter Guide Chapter 9 USB Parameter/ Range Explanation USB IN This sets the point at which digital audio signals received via USB (from your computer) are connected within the VG-99. * Unless this is set to OFF, make sure the software is not set to thru for audio signals.
174 Chapter 9 Parameter Guide SYSTEM V-LINK CLIP ASSIGN 1–2 V-LINK PATCH Parameter/ Range Explanation This sets the Program Change messages transmitted when patches are switched. You can set different Program Changes in Channel A and Channel B. The clips (video images) on the receiving device are switched by these Program Change messages.
175 SYSTEM Chapter 9 Parameter Guide Chapter 9 *1 You cannot set the MIN or MAX parameters when the TARGET parameter is set to one of the functions below.
176 Chapter 9 Parameter Guide SYSTEM MIDI CH (MIDI Channel) • The V-LINK screen’s MIDI CH parameter is a system parameter. • When a V-LINK compatible device is connected to the VG-99, set this parameter so that the V-LINK compatible device’s MIDI channel and the MIDI channel used by the VG-99 are not the same.
177 GLOBAL Chapter 9 Parameter Guide Chapter 9 EQ MAIN (Equalizer Main), EQ SUB (Equalizer Sub) NS (Noise Suppressor) REVERB GLOBAL Parameter/ Range Explanation MAIN OUTPUT SELECT This selects the type of device to be connected. JC-120 Set this when connecting a Roland JC-120 guitar amp.
178 Chapter 9 Parameter Guide TUNER SUB OUT LEVEL MULTI MODE, SINGLE MODE Parameter/ Range Explanation SUB OUT LEVEL 0–200% This controls the global output level from the SUB OUT connectors. It does not affect the settings in each individual patch. To use line level (+4 dBu) as the output level, set this to 100%.
179 Chapter 10 Chapter 10 Appendices MIDI Implementation Chart Function... Basic Channel Mode Note Number Velocity After Touch Pitch Bend Control Change Program Change System Exclusive Common System R.
180 Chapter 10 Appendices Function... Basic Channel Mode Note Number Velocity After Touch Pitch Bend Control Change Program Change System Exclusive Common System Realtime AUX Messages Notes Transmitte.
181 Chapter 10 Appendices Chapter 10 V-LINK Function... Basic Channel Mode Note Number Velocity After Touch Pitch Bend Control Change Program Change System Exclusive Common System Realtime AUX Message.
182 Chapter 10 Appendices PALETTE 1–32 (Palette Change) V-LINK Function Transmitted MIDI Message Transmitted Channel CC 0 (Bank Select MSB): 0–31 ch.A / ch.B CC 32 (Bank Select LSB): 0 CLIP 1–32 (Clip Change) Program Change: 0 – 31 ch.A / ch.B COLOR EQ–FG CC 1 (Modulation) ch.
183 Chapter 10 Appendices Chapter 10 Signal Flow GUITAR OUT MAIN OUT PHONES SUB OUT DIGITAL OUT GUITAR IN CHAIN A CHAIN B USB Digital Recorder etc. Computer Audio Signal Guitar GK-3 Divided Pick up He.
184 Chapter 10 Appendices VG-99: V-Guitar System AD Conversion 24 bits + AF method DA Conversion 24 bits Sampling Frequency 44.1 kHz Program Memories 400: 200 (User) + 200 (Preset) Nominal Input Level GUITAR INPUT: -10 dBu Input Impedance GUITAR INPUT: 2.
185 Chapter 10 Appendices Chapter 10 Dimensions 384.0 (W) x 218.0 (D) x 93.5 (H) mm 15-1/8 (W) x 8-5/8 (D) x 3-11/16 (H) inches * EIA-5U rack mount type: optional rack mount adaptor RAD-99 Weight 2.
186 Chapter 10 Appendices If there has been a mistake in an operation or if the operation is not executed properly, an error message will appear in the display. Please follow the instructions indicated in the message to resolve the issue. “DATA WRITE ERROR” ● Writing to the memory for storage of user data failed.
187 Chapter 10 Appendices Chapter 10 ❏ Is each effect set correctly? → Use the “Meter function” (p. 34) in [CHAIN] to confirm the output level of each effect.
188 Chapter 10 Appendices Unable to save SYSTEM/USB USB IN settings → If the USB IN parameter is set to COSM GTR A, COSM GTR B, or NORMAL PU, then MAIN & SUB will be set the next time the VG-99 is powered up. If you plan to use COSM GTR A, COSM GTR B, or NORMAL PU, remake this setting each time you turn on the power to the VG- 99 (p.
189 Index Symbols -1OCTAVE LEVEL ...................................................... 119 +1OCTAVE LEVEL ..................................................... 119 Numerics 12STR .......................................................................
190 Index CURVE .................................................................. 156, 175 CUSTOM ...................................................... 121–122, 141 CUSTOM SPEAKER ........................................... 142, 144 CUSTOM TYPE ..
191 Index FILTER DEPTH ........................................................... 115 FILTER RESO ....................................................... 112–114 FILTER TYPE ............................................................... 115 FINE 1st–6th .
192 Index LOW GAIN .......... 104, 108–109, 115, 123, 137, 146, 177 LOW LEVEL ................................................................ 132 LOW MID FREQ . 104, 108–109, 115, 123, 137, 146, 177 LOW MID GAIN . 104, 108–109, 115, 123, 137, 146, 177 LOW MID Q .
193 Index INITIALIZE .............................................................. 88 LEVEL ............................................................. 146, 163 NAME ............................................................... 37, 163 Patch ....
194 Index SENS ...................................... 106, 111, 119, 129, 134–135 SENS 1st–6th ................................................................ 167 Sensitivity for Each String ............................................ 45 SEPARATION .
195 Index VIBRATO .............................................................. 111, 133 V-LINK ............................................................. 11, 96, 174 V-LINK Button .............................................................. 13 V-LINK PATCH .
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For EU Countries For C hi na z¬r`z <G -J&k I Zx[ « F>Y; g) 2¨ t z¬r² + b w s2Hz<GkB³-J.
This product complies with the requirements of European Directive 89/336/EEC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
Thank you, and congratulations on your choice of the Roland VG-99. 202 Copyright © 2007 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Roland Website http://www.
Un punto importante, dopo l’acquisto del dispositivo (o anche prima di acquisto) è quello di leggere il manuale. Dobbiamo farlo per diversi motivi semplici:
Se non hai ancora comprato il Roland VG-99 è un buon momento per familiarizzare con i dati di base del prodotto. Prime consultare le pagine iniziali del manuale d’uso, che si trova al di sopra. Dovresti trovare lì i dati tecnici più importanti del Roland VG-99 - in questo modo è possibile verificare se l’apparecchio soddisfa le tue esigenze. Esplorando le pagine segenti del manuali d’uso Roland VG-99 imparerai tutte le caratteristiche del prodotto e le informazioni sul suo funzionamento. Le informazioni sul Roland VG-99 ti aiuteranno sicuramente a prendere una decisione relativa all’acquisto.
In una situazione in cui hai già il Roland VG-99, ma non hai ancora letto il manuale d’uso, dovresti farlo per le ragioni sopra descritte. Saprai quindi se hai correttamente usato le funzioni disponibili, e se hai commesso errori che possono ridurre la durata di vita del Roland VG-99.
Tuttavia, uno dei ruoli più importanti per l’utente svolti dal manuale d’uso è quello di aiutare a risolvere i problemi con il Roland VG-99. Quasi sempre, ci troverai Troubleshooting, cioè i guasti più frequenti e malfunzionamenti del dispositivo Roland VG-99 insieme con le istruzioni su come risolverli. Anche se non si riesci a risolvere il problema, il manuale d’uso ti mostrerà il percorso di ulteriori procedimenti – il contatto con il centro servizio clienti o il servizio più vicino.
