Manuale d’uso / di manutenzione del prodotto BR-900CD del fabbricante Boss Audio Systems
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Owner’s Manual Owner’s Manual ********** 2SX Thank you, and congratulations on your choice of the BOSS BR-900CD Digital Recording Studio. Before using this unit, carefully read the sections entitl.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: BROWN: As the colours of the wires in the mains lead of this apparatus may not correspond with the col.
3 013 • In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit. ......................................................................
4 IMPORTANT NOTES 291a In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following: Power Supply: Use of Batteries 301 • Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
5 IMPORTANT NOTES Handling CD-ROMs 801 • Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly.
6 Before Using CD-R/RW Discs Two different types of recordable disc can be used with the BR-900CD—namely, CD-R discs and CD-RW discs. What is a CD-R disc? CD-R (Compact Disc Recordable) is a CD to which data can be written. It is not possible to erase or move the data that has been written.
7 Notes When Using Mics When you insert a CD-R/RW disc to built in CD-R/RW drive... When you insert a CD-R/RW disc to built in CD-R/RW drive, lock the CD-R/RW disc at correct position according to “Insert a CD-R/RW disc” below. Please be careful to lock a CD-R/RW disc correctly.
8 Contents USING THE UNIT SAFELY ................... 2 IMPORTANT NOTES .......................... 4 Before Using CD-R/RW Discs ............. 6 Notes When Using Mics .................... 7 Introduction to the BR-900CD .......... 14 Features ...........
9 Section 1 Recording and Playback .. 47 Recording ....................................... 48 Selecting the Recording Track ................................. 48 Changing V-Tracks.................................................... 49 Changing the Position of the Input Sound (Pan).
10 Section 3 Using Effects ........... 83 Using the Insert Effects ................... 84 Effect Patches and Banks .......................................... 84 Editing Insert Effect Settings.................................... 85 Saving Insert Effects Settings (Write) .
11 Track EQ Parameter Functions ...... 112 Parameter List .......................................................... 112 Fixing the Pitch of Vocals (Pitch Correction) .......................... 113 The Pitch Correction ................................
12 Section 5 Using the CD-R/RW Drive ..... 139 Creating Audio CD ........................ 140 Precautions ............................................................... 140 Setting the Time Between Songs (Pre-Gap) ......... 140 Writing Songs to Discs .
13 Section 8 Other Convenient Functions . 185 Adjusting the Display Contrast ...... 186 Using a Foot Switch or Expression Pedal .......................... 187 When Using a Foot Switch ..................................... 187 When Using an Expression Pedal .
14 Introduction to the BR-900CD Features Simple operation The BR-900CD is designed to be operated as easily as a cassette tape recorder, even by beginners. The BR-900CD allows anyone to readily enjoy the benefits of digital recording as soon as it’s taken out of the box.
15 Introduction to the BR-900CD The Pitch Correction feature allows you to freely adjust the pitch of vocals, assuring that you can obtain reliable, high- quality performances. The Mastering Tool Kit allows you add compression to songs that have been mixed down and provides a variety of other effects.
16 Introduction to the BR-900CD Memory Cards Supported by Your BR-900CD The BR-900CD uses CompactFlash cards as the storage media for recording and playback.
17 Panel Descriptions Front Panel Input section SENS knob Use this knob to adjust the sensitivity at the input jacks (e.g., GUITAR/BASS, MIC1, MIC2, and LINE). PEAK indicator This indicator shows how strong the input level is at the various input jacks (e.
18 Panel Descriptions [EFFECTS] Use this button to turn on and off the insert effects (p. 35, p. 84) or call up the screen for editing the various settings. This button is used to make settings for the Mastering Tool Kit. REC/PLAY section AUTO PUNCH This button is used to make settings for the automatic punch in/out function.
19 Panel Descriptions The relationship between the indicator and the track conditions is given below. Off: This track contains no recorded data. Green: An audio track that contains recorded data. Flashing in red: The track is selected as the recording destination, and is in recording standby.
20 Panel Descriptions [PAN/EQ] Pressed to access a screen where you can set the pan (left/ right location of the sound) for the playback of each track or for the input sound (p. 42, p. 49). This, also, adjusts the tone (Low, High) for each track (p. 42, p.
21 Panel Descriptions CD-R/RW drive Before you use the CD-R/RW drive, it is important that you first of all read “Before Using CD-R/RW Discs” (p. 6). 1. Disc tray Place the CD-R/RW discs on this tray. 2. Access indicator This indicator will light up whenever data is being read from or written to a CD-R/RW disc.
22 Panel Descriptions Rear Panel fig.00-204 1. GUITAR/BASS jack High-impedance input jack to directly connect your guitar or bass. 2. MIC2 jack (XLR types) These jack allows a mic to be connected. XLR jack is provided. The BR-900CD can supply phantom power to a condenser microphone connected to this connector (p.
23 Panel Descriptions Inserting Batteries 1. Make sure that the power of the BR-900CD is turned off. 2. Remove the battery cover on the rear panel. * When turning the unit upside-down, get a bunch of newspapers or magazines, and place them under the four corners or at both ends to prevent damage to the buttons and controls.
24 MEMO.
25 Quick Start.
26 Connecting Peripheral Devices Make connections as shown in the diagram below. When making any connections, make sure that all devices are turned off. fig.00-301 To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.
27 Connecting Peripheral Devices Quick Start * When using the FS-5U foot switch (sold separately), set the polarity switch as shown below. If the polarity switch is not set correctly, the foot switch may not operate properly. fig.00-304 * You can also use an FS-6 (optional) for the foot switch.
28 Turning On / Off the BR-900CD Turning On the Power Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
29 Quick Start Listening to a Demo Song Selecting a song (Song Select) Upon power-up, the song that was selected before the power was turned off is selected, and the data of that song is loaded. As soon as the data has been loaded, the Play screen appears in the display.
30 Listening to a Demo Song In addition to the procedures given above, you can also change your current position in the song using the procedures given below.
31 Quick Start Recording/Playing Back a Song (1) Preparing the Memory Card The BR-900CD writes the recorded data directly to the inserted memory card. Therefore, for recording or playback, the memory card must be inserted. “Memory Cards Supported by Your BR-900CD” (p.
32 Recording/Playing Back a Song 4. To continue with the initializing, press [ENTER] (YES). To cancel the operation, press [EXIT] (NO) (or [UTILITY]). When [ENTER] (YES) is pressed, initializing begins. When the initializing has been completed, “Completed!” appears in the display.
33 Recording/Playing Back a Song Quick Start fig.00-405 1. Press [UTILITY]. 2. Press CURSOR [ ] [ ] to move the cursor to “NEW,” and press [ENTER]. “Type” appears in the display. fig.00-406d 3. Turn the TIME/VALUE dial to select the desired data type.
34 Recording/Playing Back a Song Press the INPUT SELECT button of the instrument that you want to record Select the input source to record. The indicator of the selected button will light. fig.00-409 [GUITAR/BASS/MIC2] Select to record the instrument connected to the GUITAR/ BASS jack or MIC 2 jack.
35 Recording/Playing Back a Song Quick Start Adjusting the input sensitivity When input from GUITAR/BASS/MIC2 or MIC1 is selected, adjust their input sensitivity with the relevant SENS knob.
36 Recording/Playing Back a Song GTR: Effect patches for use with guitars. MIC: Effect patches for use on the sound from the MIC input (i.e., vocals). LIN (LINE): Effect patches for use on the sound from CDs, MDs, and other external devices from the LINE input.
37 Recording/Playing Back a Song Quick Start (6) Using the Rhythm What is the Rhythm? When you record, it is convenient to use the built-in Rhythm. The “Rhythm” is a dedicated Rhythm track that ca.
38 Recording/Playing Back a Song Preset Arrangements (P) The preset arrangements contain preset data. Their settings cannot be changed, and you cannot create a new preset arrangement. Song Arrangements (S) Song arrangements can be written; however, the data for song arrangements are stored along with the song data to the memory card.
39 Recording/Playing Back a Song Quick Start (7) Basic Recording Selecting the recording track 1. Press either [1]–[7/8] at REC TRACK to select the recording track. If the button flashes in red, that track is ready for recording. fig.00-423 The status of each track can be determined from the indicator on the button.
40 Recording/Playing Back a Song INPUT: Only the instrument sounds or other input sources are recorded to the tracks. Sounds played back from other tracks are not recorded. BOUNCE: As the sounds on different tracks are played back, they are recorded together onto another track.
41 Recording/Playing Back a Song Quick Start (8) Playing Back Recorded Music 1. Press [ZERO] to move to the time location 00:00:00-00.0. fig.00-431 2. Press [PLAY].
42 Recording/Playing Back a Song 4. Press [PLAY]. The [REC] and REC TRACK button indicators change from flashing in red to being continually lit and recording begins. [PLAY] lights up. Only what you are currently playing is recorded to the new track. The music that is being played back is not recorded.
43 Recording/Playing Back a Song Quick Start Adjusting the tone (Track EQ) “Track EQ” is an independent two-band equalizer featured on each track that allows you to adjust the high- and low- frequency tonal qualities separately. 1. Press [PAN/EQ].
44 Recording/Playing Back a Song When using CHO/DLY Select from “CHORUS,” “ DELAY,” or “DBLN” (doubling). fig.00-438d When using REV Select from “HALL” or “ROOM.
45 Recording/Playing Back a Song Quick Start ( 11 ) Bouncing (Putting multiple tracks together) fig.00-444a 1. Press [REC MODE] repeatedly until “BOUNCE” is indicated for REC MODE at the left of the screen. fig.00-444d ■ : V-Tracks with recorded data.
46 MEMO.
47 Section 1 Recording and Playback.
48 Recording Selecting the Recording Track 1. Press either [1]–[7/8] at REC TRACK to select the recording track. If the button flashes in red, that track is ready for recording. fig.01-101 The status of each track can be determined from the indicator on the button.
49 Recording Section 1 Changing V-Tracks The BR-900CD is a eight-track multitrack recorder, and each track consists of eight V-Tracks. You can select any one of these V-Tracks for recording or playback. Therefore, by making use of the many V-Tracks, you can use the BR-900CD just as if it were a 64-track multitrack recorder.
50 Recording Recording Operations 1. Press [REC MODE] repeatedly until “INPUT” is indicated for REC MODE at the left of the screen. fig.01-109d 2. Press [REC]. [REC] flashes in red and the BR-900CD enters the recording standby state. fig.01-110 3.
51 Section 1 Repeating Playback (Repeat) By using the “Repeat function” you can repeatedly play back a specified part. Repeating playback allows you to check the mixing balance or perform loop recordings (p.
52 Repeating Playback (Repeat) Setting the Repeat Portion with Accurate Timing Normally, the repeat start and end points are registered at the exact position where [REPEAT] is pressed. This may make it difficult for you to set the repeat portion exactly as you desire.
53 Section 1 Re-recording Only a Mistake ( Punch-in/out) You may occasionally make a mistake while recording, or the performance may not turn out as you expect.
54 Re-recording Only a Mistake (Punch-in/out) Manually punching in and out using a foot switch In operating the foot switch during playback of a song (manual patch in and out), press the foot switch once to punch in, then press it again to punch out. In order to use a foot switch When you are using a foot switch (BOSS FS-5U, Roland DP-2, etc.
55 Re-recording Only a Mistake (Punch-in/out) Section 1 Erasing a registered auto punch in/out location ■ To erase an auto punch-in location, press and hold AUTO PUNCH [ON/OFF] and then press [IN]. ■ To erase an auto punch-out location, press and hold AUTO PUNCH [ON/OFF] and then press [OUT].
56 Re-recording Only a Mistake (Punch-in/out) Repeatedly Recording Over the Same Location (Loop Recording) The repeat function (p. 51) allows you to play a certain portion of a song (the loop portion) over and over again.
57 Section 1 Canceling an Operation (Undo/Redo) Occasionally when the recording you make may not turn out as you wish, or the settings you make for an editing operation are incorrect, and you want to reverse what you have done. At these times, you can use the “Undo function.
58 Putting Multiple Tracks Together ( Bounce) Although the BR-900CD allows the simultaneous playback of eight tracks, when you run out of tracks, the BR-900CD also lets you copy the recordings of multiple tracks together onto one track (V-Track). This is called “bounce” (also known as bounce recording or ping-pong recording).
59 Putting Multiple Tracks Together (Bounce) Section 1 6. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the recording-destination track/V-Track. Here, set this to “34V2” (V-Track 2 of Tracks 3 and 4). fig.01-602d ■ : V-Tracks with recorded data.
60 Putting Multiple Tracks Together (Bounce) 5. Press [REC]. The CD-R/RW drive’s motor begins spinning. “Now Checking...” appears in the display. The message disappears approximately ten seconds later, indicating that preparations for bouncing have been completed.
61 Section 1 Loading Songs Created with the BR-864/BR-532 You can load songs created with the BR-864 or BR-532 into the BR-900CD via memory cards. Loading Songs Created with the BR-864 First, save the song data created with the BR-864 to a memory card, then insert the memory card into the BR- 900CD.
62 Displaying the Song Information Displaying the Remaining Available Recording Time Follow the procedure below to either display the elapsed recording time in the recording standby and recording screens. 1. Press [UTILITY]. 2. Press CURSOR [ ] [ ] to move the cursor to “SYS,” and press [ENTER].
63 Section 2 Editing.
64 Registering Time (Locator) Using the locator function, you can register any desired time in a song as a “ locator point ” so that you can jump to that point later with just the press of a button. This function is quite useful during editing. Registering a Locator Point 1.
65 Section 2 Search for the Music’s Start and End (Scrub/Preview) Scrub function When editing a sound, some times you need to know exactly where the sound starts, or exactly where the recording with an auto punch in starts. To enable you to find these points accurately, the BR-900CD is equipped with the Scrub function.
66 Search for the Music’s Start and End (Scrub/Preview) Changing the Scrub Points Besides switching the scrub point in the Play screen (p. 65), you can also use the following method to switch the scrub point. 1. Press [UTILITY]. 2. Press CURSOR [ ] [ ] to move the cursor to “SCR,” and press [ENTER].
67 Section 2 Editing the Performance on a Track ( Track Editing) The BR-900CD allows you to edit your songs by performing editing functions such as copying and moving data recorded on the tracks. Data is saved in its edited form when you return to the Play screen from the Track Edit screen.
68 Editing the Performance on a Track (Track Editing) 4. Turn the TIME/VALUE dial to select “AB” and press [ENTER]. fig.02-306d 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to copy from, and track/V- Track to copy to. 6.
69 Editing the Performance on a Track (Track Editing) Section 2 fig.02-319d 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to copy from, and track/V- Track to copy to. 6. Press [ENTER]. fig.02-314d 7. Use [CURSOR] and the TIME/VALUE dial to specify the beginning of the portion “S” (Start) of data you want to copy.
70 Editing the Performance on a Track (Track Editing) fig.02-319d 4. Turn the TIME/VALUE dial to select “ALL” and press [ENTER]. fig.02-320d 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to copy from, and track/V- Track to copy to.
71 Editing the Performance on a Track (Track Editing) Section 2 3. Press CURSOR [ ] [ ] to move the cursor to “MOV,” and press [ENTER]. fig.02-324d 4. Turn the TIME/VALUE dial to select “AB” and press [ENTER]. fig.02-325d 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to move from, and track/V- Track to move to.
72 Editing the Performance on a Track (Track Editing) fig.02-331d 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to move from, and track/V- Track to move to. 6. Press [ENTER]. fig.02-332d 7. Use [CURSOR] and the TIME/VALUE dial to specify the beginning of the portion “S” (Start) of data you want to move.
73 Editing the Performance on a Track (Track Editing) Section 2 5. Press CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to move from, and track/V- Track to move to.
74 Editing the Performance on a Track (Track Editing) fig.02-341d 4. Turn the TIME/VALUE dial to select “AB” and press [ENTER]. fig.02-342d 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to erase from. 6. When you are ready to execute the erasure, press [ENTER].
75 Editing the Performance on a Track (Track Editing) Section 2 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to erase from. 6. Press [ENTER]. fig.02-347d 7. Use [CURSOR] and the TIME/VALUE dial to specify the beginning of the portion “S” (Start) of data you want to erase.
76 Editing the Performance on a Track (Track Editing) Exchanging Data (Track Exchange) Perform the procedure given below to exchange the data between two tracks. Example: exchanging all the data on track 1 with all the data on track 2 fig.02-352 1. Press [UTILITY].
77 Section 2 Organizing the Songs You’ve Recorded Copying a Song (Song Copy) Follow the procedure below to copy the currently selected song. 1. Press [UTILITY]. 2. Press CURSOR [ ] [ ] to move the cursor to “EDT,” and press [ENTER]. fig.02-401d 3.
78 Organizing the Songs You’ve Recorded Saving Memory on the Memory Card (Song Optimize) When you perform overdubbing or punch-in/out, the data that you rewrite (replace) actually remains on the memory card. In some cases, this unwanted data may occupy a significant amount of space on the memory card.
79 Organizing the Songs You’ve Recorded Section 2 Protecting a Song ( Song Protect) You can imagine situations where, after taking care to create a song, you accidentally overwrite it with a recording, deleting the performance itself. To prevent such accidents, you can protect song data so that it cannot be rewritten accidentally (Song Protect).
80 Creating a Master Tape / Disc This process involves recording the finished song to your recorder (cassette tape recorder, CD recorder, etc.) and making a master tape or a master disc. Recording to a Cassette Tape Recorder (Analog Connection) 1. Connect the BR-900CD’s LINE OUT jacks to the cassette tape recorder's input jacks.
81 Creating a Master Tape / Disc Section 2 3. Press CURSOR [ ] [ ] to move the cursor to “DPRT,” and press [ENTER]. The Digital Copy Protect screen appears. fig.02-502d 4. Rotate TIME/VALUE dial to select the “ON.” ON: Digital copying will be prohibited.
82 MEMO.
83 Section 3 Using Effects.
84 Using the Insert Effects The BR-900CD comes with five effects processors: an insert effects, loop effects, Track EQ, Pitch Correction, and Mastering Tool Kit. An insert effects, loop effects, and Track EQ can be used simultaneously, and you can make settings for each effect as desired.
85 Using the Insert Effects Section 3 Editing Insert Effect Settings If you wish to create a new effect sound, you should first select an existing patch that is closest to the sound you want, and then edit its settings. If you wish to save the effect settings that you edited, save them as a user patch or song patch.
86 Using the Insert Effects Saving Insert Effects Settings (Write) Follow the procedure below to enter a name (patch name) for an effect that you’ve modified, and save it as a new effect patch. * You cannot save an effect patch during the recording or playback of a song.
87 Using the Insert Effects Section 3 Changing How the Insert Effects are Used According to the Mode By default, the insert effect is inserted immediately after the input source. The reason for this is to allow for the effects- processed (wet) sound to be recorded and monitored.
88 Insert Effect Parameter Functions Algorithm List The algorithms (the available effects and their connection order) that can be used as an insert effect are shown below.
89 Insert Effect Parameter Functions Section 3 3. BASS SIM Simulates the sound of a bass guitar. Obtain the sound of a bass guitar while playing an electric guitar.
90 Insert Effect Parameter Functions 7. COSM BASS AMP This is a multi-effect designed for bass guitar. This features an amp sound that uses a preamp and speaker simulator.
91 Insert Effect Parameter Functions Section 3 11. COSM COMP VCL This is a multi-effect designed for vocals. The COSM compressor/limiter is perfect for creating a basic sound. fig.04-117 COSM Comp/Limiter De-esser Enhancer 4Band Equalizer Noise Suppressor Foot Volume Delay 12.
92 Insert Effect Parameter Functions 14. VO+GT AMP This algorithm is for use when simultaneously recording a vocal and electric guitar. For the guitar, you can produce an amp sound using a preamp and speaker simulator.
93 Insert Effect Parameter Functions Section 3 Parameter List Acoustic Guitar Simulator This simulates the sound of an acoustic guitar. It allows you to use an electric guitar to produce sounds similar to those of an acoustic guitar. If you set the pickup selector of your guitar to the front position, the desired effect will be easier to achieve.
94 Insert Effect Parameter Functions Chorus A sound with a subtly shifted pitch is added to the direct sound, making the final output sound thicker and broader. Best results will be achieved when stereo recording. * This effect can be used when the MODULATION “Type” parameter is set to “CHORUS.
95 Insert Effect Parameter Functions Section 3 De-esser Useful for reducing ‘sibilant’ or ‘S’ sounds produced by a vocalist. On/Off OFF, ON This parameter turns the de-esser effect on/off. Sibilant 0–100 Adjusts the sensitivity relative to the input volume, which controls how the effect is applied.
96 Insert Effect Parameter Functions Equalizer A 4-band equalizer. * You can use this effect with the following algorithms when “4BAND EQ” is selected for the 4BAND EQ/WAH “Type” setting. COSM GTR AMP COSM BASS AMP COSM COMP GTR COSM COMP BSS BASS MULTI STEREO MULTI On/Off OFF, ON This parameter turns the equalizer effect on/off.
97 Insert Effect Parameter Functions Section 3 ■ When “DIGITAL” is selected Pre Filter OFF, ON This filter decreases digital distortion. When turned off, you can create an intense lo-fi sound incorporating digital distortion. Smpl Rate OFF, 1/2–1/32 Modify the sample rate.
98 Insert Effect Parameter Functions Pitch Shifter This effect changes the pitch of the original sound (up or down) within a range of two octaves. * This effect can be used when the MODULATION “Type” parameter is set to “PITCH SFT.” On/Off OFF, ON This parameter turns the pitch shifter effect on/off.
99 Insert Effect Parameter Functions Section 3 ■ With “COSM BASS AMP” or “COSM COMP BSS” algorithms Volume 0–100 Adjusts the volume and distortion of the amp. Bass GUITAR AMP: 0–100, BASS AMP:-100– +100 Adjusts the tone for the low frequency range.
100 Insert Effect Parameter Functions Speaker Simulator This simulates the characteristics of various types of speakers. When the output of the BR-900CD is connected directly to a mixer, etc., this can be used to create the sound of your favorite speakers system.
101 Insert Effect Parameter Functions Section 3 Wah The wah effect creates a unique tone by changing the frequency response characteristics of a filter.
102 Mastering Use the “Mastering Tool Kit” to produce a two-track master of the bounce tracks with the levels optimized. * In Mastering mode, the following buttons are disabled after you set the recording source and destination and return to the Play screen.
103 Mastering Section 3 5. Use the TIME/VALUE dial to select the Preset/Song/ User patch and number for the Mastering Tool Kit. “Mastering Tool Kit Patch List” (p. 205) 6. Press [EXIT] to return to the Play screen. The overall volume is adjusted by the MASTER fader.
104 Mastering 5. Press CURSOR [ ] [ ] to move the cursor to each effect and turn the TIME/VALUE dial to turn each effect on or off. Blocks that are turned on are shown in uppercase letters, while blocks that are turned off are shown in lowercase letters.
105 Section 3 Mastering Tool Kit Parameter Functions Algorithm fig.04-204 Equalizer Bass Cut Filter Enhancer Input Expander Compressor Mixer Limiter Output Parameter List Equalizer On/Off OFF, ON This parameter turns the equalizer effect on/off. Input Gain -24 – +12 dB Sets the overall volume before passing through the equalizer.
106 Mastering Tool Kit Parameter Functions Bass Cut Filter This is a filter that cuts unwanted low range noise, such as pops. On/Off OFF, ON This setting turns the Bass Cut Filter on/off. Freq 20 Hz–2.0 kHz This sets the frequency containing popping or other undesirable lower-range noises that you want to cut.
107 Mastering Tool Kit Parameter Functions Section 3 Compressor This compresses the overall output signal when the input volume level exceeds a set value. On/Off OFF, ON This parameter turns the compressor effect on/off. Lo Thres -24–0 dB This sets the volume level at which the lower-range compressor goes into effect.
108 Using the Loop Effects/Track EQ Here is an explanation of how to change the various parameters for the loop effects (chorus/delay/doubling/ reverb). For an explanation of loop effects, refer to “Loop Effect Parameter Functions” (p. 111). Loop effects do not have “patches.
109 Using the Loop Effects/Track EQ Section 3 Adjusting How the Loop Effect is Applied The following explains how you can alter the volume of the signals sent by each track to the loop effects (the send level), and control the degree to which the loop effects are applied.
110 Using the Loop Effects/Track EQ Setting the Track EQ This section explains how to edit the Track EQ settings (parameters). For a fuller description of Track EQ, refer to “Track EQ Parameter Functions” (p. 112). Track EQ do not have “patches.
111 Section 3 Loop Effect Parameter Functions Parameter List CHORUS/DELAY/DBLN (Doubling) This selects the chorus, delay, or doubling effect. FX Type This sets the type of the effect. CHORUS: A sound with a subtly shifted pitch is added to the direct sound, making the final output sound thicker and broader.
112 Track EQ Parameter Functions Parameter List This is a two-band equalizer that is independent for each track. If you adjust the equalizer while listening to the sound, you may notice a clicking noise. This is not a malfunction. If the noise is objectionable, make adjustments while the sound is not playing.
113 Section 3 Fixing the Pitch of Vocals ( Pitch Correction) The Pitch Correction The term Pitch Correction is used to describe a group of effects that are used on recorded vocal tracks to fix incorrect pitches. When compared with guitars, pianos, and other musical instruments, the human voice generally produces a relatively unstable tone.
114 Fixing the Pitch of Vocals (Pitch Correction) Using the Pitch Correction Let’s now use the BR-900CD’s pitch correction feature to clean up some mistakes in a solo vocal part. Using this feature, we will be able to correct pitches in real time and in semitone units.
115 Fixing the Pitch of Vocals (Pitch Correction) Section 3 Setting the Correction Method for Vocal Pitch (Pitch Correction Edit) Each of the preset patches 1 through 5 uses a slightly different method for correcting pitches.
116 Fixing the Pitch of Vocals (Pitch Correction) 5. Turn the TIME/VALUE dial to select the patch number to which to write the new patch. 6. After you’ve selected the destination, press [ENTER]. After the save has been completed, you are returned to the Pitch Correction patch selection screen.
117 Fixing the Pitch of Vocals (Pitch Correction) Section 3 6. Use [CURSOR] to move the cursor to “Smth” and specify the correction speed. Smth (Smooth) -100–+100 The value set here is added to the value for the “Smooth” patch parameter (p. 115).
118 MEMO.
119 Section 4 Using the Rhythm.
120 Using the Rhythm The “Rhythm” is a dedicated Rhythm track that can not only play back Rhythm sounds as a guide during recording, you can also use it to play internal Rhythm patterns and original user-created Rhythm patterns and to play and record these patterns as your own Rhythm part performances.
121 Using the Rhythm Section 4 Switching the Rhythm Mode The Rhythm mode switches each time [ARRANGE/ PATTERN/OFF] is pressed. [ARRANGE/PATTERN/OFF]: Lit (Arrangement Mode) Performance and programming of arrangements is enabled. Press [PLAY] to start the performance of the arrangement.
122 Using the Rhythm Selecting patterns This selects the pattern to be played with the Rhythm. 1. Press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is flashing. fig.03-203d 2. Select a pattern. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the Preset/Song and number.
123 Section 4 Creating Original Arrangements You can create arrangements (Song arrangements) of up to 999 measures. 1. Make sure performance of the song is stopped, then press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is lit. fig.03-301d 2.
124 Creating Original Arrangements Inserting a Step Perform the procedure below to insert a new step into the location of the present step. fig.03-305 * The parameter value of inserted step will be the same as of the targeted step.
125 Creating Original Arrangements Section 4 4. Press CURSOR [ ] [ ] and turn the TIME/VALUE dial to change the characters. * Press [ENTER] to switch between uppercase and lowercase.
126 Creating Original Patterns When creating a Rhythm arrangement by stringing together Rhythm patterns, there may be times when you do not find anything suitable among the preset Rhythm patterns, or when you want to get a Rhythm pattern that sounds exactly the way you want.
127 Creating Original Patterns Section 4 4. Use [CURSOR] and the TIME/VALUE dial to set the measure, beat, and click from which to start recording of the pattern. Measure This sets the number of measures in the pattern to be recorded. Valid Settings: 1–999 Tempo When recording, this sets the tempo for confirming the pattern.
128 Creating Original Patterns * When a coarse Quantize setting is used, the ▼ mark may indicate half-note or quarter-note timing. fig.03-405 fig.03-405a When using high-resolution Quantize settings, you may be unable to view the entire pattern, from start to finish, in the display at one time.
129 Creating Original Patterns Section 4 5. Rehearse the performance by pressing the REC TRACK [1]–[6]. You can switch the UPPER and LOWER drum sounds by pressing [RHYTHM PAD]. * At this point, adjust Fader 1 to confirm the velocity status. 6. When you have finished rehearsing, move the cursor to “STOP” and press [ENTER].
130 Creating Original Patterns Creating Patterns in Step Recording 1. Press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is flashing. fig.03-415d 2. Press [EDIT]. fig.03-416d 3. Press [CURSOR] to move the cursor to “STEP,” and press [ENTER].
131 Creating Original Patterns Section 4 7. Set the velocity (how “hard” the note is played) for the sounds to be input from the current point by adjusting Fader 1. fig.03-423d 8. Input the drum sounds. There are two ways to input drum sounds. (Method 1) Inputting with the REC TRACK buttons Use REC TRACK [1]–[6] to input the drum sounds.
132 Creating Original Patterns 9. Set the tempo and Quantize values as needed. 10. Repeat Steps 6–9 as needed. * Press [PLAY] to listen to the recording pattern. 11. When you have finished inputting sounds, move the cursor to “STOP” and press [ENTER].
133 Creating Original Patterns Section 4 Copying Patterns 1. Press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is flashing. 2. Press [EDIT]. 3. Press [CURSOR] to move the cursor to “COPY,” and press [ENTER]. The Pattern Copy screen appears.
134 Using the Drum Kits A drum kit is a variety of rhythm instrument sounds collected in a single set; the BR-900CD includes nine internal “preset drum kits.” In addition, you can also put together an additional five original “song drum kits.” Song drum kits are saved to individual songs on memory cards.
135 Using the Drum Kits Section 4 5. Press [EXIT] repeatedly to return to the Play screen. * Drum kits are stored to each individual arrangement separately.
136 Using the Drum Kits 5. Use [CURSOR] and the TIME/VALUE dial to specify the range (start and end points) of drum sounds to be loaded in terms of measures or time locations. * You cannot specify an interval between the start and end points or a length of time in less than 100 ms or excess of 13 seconds.
137 Using the Drum Kits Section 4 Copying drum sounds from other drum kits 1. Press [UTILITY]. 2. Press CURSOR [ ] [ ] to move the cursor to “TONE,” and press [ENTER]. fig.03-505d 3. Press CURSOR [ ] [ ] to move the cursor to “COPY,” and press [ENTER].
138 Using the Drum Kits Erasing drum sounds 1. Press [UTILITY]. 2. Press CURSOR [ ] [ ] to move the cursor to “TONE,” and press [ENTER]. 3. Press CURSOR [ ] [ ] to move the cursor to “ERASE,” and press [ENTER]. fig.03-523d 4. Turn the TIME/VALUE dial to specify the erase drum kit, then press [ENTER].
139 Section 5 Using the CD-R/ RW Drive.
140 Creating Audio CD Precautions In addition to CD-R discs, you can also use CD-RW discs when making audio CDs. However, it may not be possible for audio CDs created using CD-RW discs to be played on standard CD players.
141 Creating Audio CD Section 5 4. Press CURSOR [ ] [ ] to move the cursor to “AUDIO,” and press [ENTER]. The Audio CD menu screen will appear. fig.05_CDaudio 5. Press CURSOR [ ] [ ] to move the cursor to “WRITE,” and press [ENTER]. The Audio CD Write screen will appear.
142 Creating Audio CD Viewing the Remaining Time for Recording on Audio CDs Use the following procedure to see how much time you have left for recording on an audio CD. 1. Insert a CD-R or CD-RW disc into the CD-R/RW drive. 2. Press [CD-R/RW]. The CD menu screen will appear.
143 Creating Audio CD Section 5 5. Use the TIME/VALUE dial to select the song that you want to listen to. fig.05-CDplay2 6. Press [PLAY]. The message “Now Playing...” will appear, and playback of the audio CD will begin. fig.05-CDplay3 The buttons work as shown below.
144 Creating Audio CD 3. Press CURSOR [ ] [ ] to move the cursor to “AUDIO,” and press [ENTER]. The Audio CD menu screen will appear. fig.05_CDaudio 4. Press CURSOR [ ] [ ] to move the cursor to “FINAL,” and press [ENTER]. The message “Finalize CD OK?” will appear.
145 Section 5 Using the CD-R/RW Drive to Exchange Data The BR-900CD’s built-in CD-R/RW drive can be used to exchange data in the following ways: ● Storing of songs and other data on the memory car.
146 Using the CD-R/RW Drive to Exchange Data 6. Use the TIME/VALUE dial to select the song you want to back up, and press [ENTER]. The Write Speed screen will appear. fig.05-CDdawrite2 7. Use the TIME/VALUE dial to set the write speed, and press [ENTER].
147 Using the CD-R/RW Drive to Exchange Data Section 5 Loading Saved Songs to a Memory Card (Recover) Loading saved songs to a memory card one at a time (Song Recover) 1. Insert a CD-R/RW disc containing backup songs into the BR-900CD’s CD-R/RW drive.
148 Using the CD-R/RW Drive to Exchange Data Copying and Writing Waveform Data This procedure requires a computer equipped with a drive capable of writing to CD-R/RW discs. If you have a computer equipped with a CD-R/RW drive, you can use CD-R/RW discs to transfer waveform data between multiple BR-900CDs.
149 Using the CD-R/RW Drive to Exchange Data Section 5 7. Use the TIME/VALUE dial to select the waveform data files you want to import, and press [ENTER]. The screen for specifying the import destination appears. fig.05-CDwavimp2 8. Use the TIME/VALUE dial to specify the import- destination track, and press [ENTER].
150 Using the CD-R/RW Drive to Exchange Data 6. Use the TIME/VALUE dial to select the data files you want to import, and press [ENTER]. The Drum kit select screen appears. fig.05-CDton2 7. Use the TIME/VALUE dial to specify the dum kit, and press [ENTER].
151 Using the CD-R/RW Drive to Exchange Data Section 5 8. Use the TIME/VALUE dial to set the write speed, and press [ENTER]. The message “Are you sure?” appears. The range of available write speeds can sometimes be limited by the type of media being used.
152 Using the CD-R/RW Drive to Exchange Data 4. Press CURSOR [ ] [ ] to move the cursor to “DATA,” and press [ENTER]. The Data CD menu screen will appear. fig.05_CDdata 5. Press CURSOR [ ] [ ] to move the cursor to “SMF,” and press [ENTER]. The SMF menu screen will appear.
153 Using the CD-R/RW Drive to Exchange Data Section 5 5. Press CURSOR [ ] [ ] to move the cursor to “SMF,” and press [ENTER]. The SMF menu screen will appear. fig.05-CDsmf 6. Press CURSOR [ ] [ ] to move the cursor to “IMPORT,” and press [ENTER].
154 Importing Songs from CDs to Audio Tracks The BR-900CD allows you to import selected songs from a audio CD to audio tracks. (CD-R/RW Write) 1. Insert a audio CD into the BR-900CD’s CD-R/RW drive. The drive’s access indicator will begin to flash.
155 Section 6 Using MIDI.
156 MIDI Fundamentals By using MIDI to connect the BR-900CD to other MIDI- capable devices, you can perform the following: ● Play rhythm performances on external MIDI sound module ● Synchronize wi.
157 Section 6 Synchronizing with MIDI Devices Using the Rhythm to Play an External MIDI Sound Module Perform the procedure given below to use a MIDI sound module and choose the sounds you desire for the Rhythm. 1. Use a MIDI cable to connect the BR-900CD and your MIDI sound module as shown in the diagram.
158 Synchronizing with MIDI Devices Synchronizing Playback with a MIDI Sequencer The BR-900CD can operate in synchronization with a MIDI sequencer. When synchronizing with a MIDI sequencer, it is possible to synchronize the MIDI sequencer using the BR-900CD (i.
159 Synchronizing with MIDI Devices Section 6 25: 25 frame per second frame rate. This is used for SECAM or PAL format video, audio equipment, and film (used in Europe and elsewhere). 24: 24 frame per second frame rate. This is used for video, audio devices, and film in the US.
160 Synchronizing with MIDI Devices Using MMC MMC stands for “MIDI Machine Control.” This is a protocol that uses MIDI System Exclusive messages to remotely control multiple recording devices from one device. Your BR- 900CD supports the MMC protocol.
161 Section 7 Using USB.
162 Before Using USB (Overview) The BR-900CD is equipped with a USB connector, which allows you to connect the BR-900CD directly to a computer, making it easy to back up your important song data and exchange files between the BR-900CD and the computer.
163 Before Using USB (Overview) Section 7 USB Folder WAV and AIFF files loaded to the BR-900CD’s tracks, and WAV and AIFF files saved on computers (track data converted to WAV and AIFF format) will be saved here (p. 165, p. 167, p. 176, p. 178). Folders and files created on memory cards are displayed on the computer screen.
164 With Windows Backing Up the BR-900CD’s Data 1. Connect your computer and the BR-900CD with a USB cable. 2. Confirm that the recorder is stopped, then press [UTILITY]. 3. Press CURSOR [ ] [ ] to move the cursor to “USB,” and press [ENTER]. The USB screen appears.
165 With Windows Section 7 * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] returns the USB screen to the display. fig.06-106ad 8. When backup of the data is complete, press [EXIT] to return to the Play screen.
166 With Windows 7. Press [ENTER]. Conversion of the WAV or AIFF file begins. Files names are converted as shown below. * Converting songs takes approximately the same amount of time (twice as long in stereo) to complete as it does to play the source song data.
167 With Windows Section 7 Loading WAV/AIFF Files in BR- 900CD Tracks (WAV/AIFF Import) You can take WAV or AIFF files on your computer, such as files created with audio software applications, and load them to the BR-900CD’s tracks. ● Wave data in the following formats can be imported.
168 With Windows 7. Copy the WAV or AIFF files you want to import. 1) Click the “BOSS_BR-900” (or “Removable disk (*:)”) icon. 2) Drag the imported WAV or AIFF file to the “USB” folder in the “ROLAND” folder. * Only one file can be imported at a time in each import operation.
169 With Windows Section 7 Importing SMFs and Creating Patterns You can import SMFs (Standard MIDI Files) stored on memory cards as song patterns. You can easily increase your collection of song patterns by creating SMFs on your computer or other device and copying them to memory cards.
170 With Windows 7. Press BR-900CD’s [EXIT] repeatedly to return to the Play screen. * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] and then [EXIT] returns the Play screen to the display.
171 With Windows Section 7 Loading Drum Sounds from WAV/AIFF Files (Tone Load) You can import WAV and AIFF files on your computer and load these as drum sounds (TONE LOAD). ● The Rhythm and Tone Load functions cannot be used when tracks are bounced directly to a CD (p.
172 With Windows 2) Click [OK] in the “Safe To Remove Hardware” dialog box that appears. With Windows 2000/Me 1) In My Computer, right-click on the “BOSS_BR- 900” icon (or “Removable disk (*:)” icon) to “Eject” the disk. 2) Click the icon in the task tray, then click the “Stop USB Disk—drive (*:)” message displayed there.
173 With Windows Section 7 Using the BR-864 / BR-532’s Data You can use the BR-900CD to play BR-864 (or BR-532) data. * First be sure to back up the BR-864 / BR-532’s “ROLAND” folder to the computer. 1. Initializing the memory card on the BR-900CD (p.
174 With Windows 9. Press the BR-900CD’s [EXIT]. The USB screen returns to the display. * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] returns the USB screen to the display.
175 Section 7 With Macintosh Backing Up the BR-900CD’s Data 1. Connect your computer and the BR-900CD with a USB cable. 2. Confirm that the recorder is stopped, then press [UTILITY]. 3. Press CURSOR [ ] [ ] to move the cursor to “USB,” and press [ENTER].
176 With Macintosh Saving BR-900CD Track Data in WAV/AIFF Format (WAV/AIFF Export) You can convert the BR-900CD’s track data into WAV or AIFF files and save these on your computer.
177 With Macintosh Section 7 7. Press [ENTER]. Conversion of the WAV or AIFF file begins. Files names are converted as shown below. * Converting songs takes approximately the same amount of time (twice as long in stereo) to complete as it does to play the source song data.
178 With Macintosh Loading WAV/AIFF Files in BR-900CD Tracks (WAV/AIFF Import) You can take WAV or AIFF files on your computer, such as files created with audio software applications, and load them to the BR-900CD’s tracks. ● Wave data in the following formats can be imported.
179 With Macintosh Section 7 7. Copy the WAV or AIFF files you want to import. 1) Double-click the “BOSS_BR-900” icon. 2) Drag the imported WAV or AIFF file to the “USB” folder in the “ROLAND” folder. * Only one file can be imported at a time in each import operation.
180 With Macintosh 5. Import the SMF. 1) Double-click the “BOSS_BR-900” icon. 2) Drag the imported SMF to the “SMF” folder in the “ROLAND” folder. fig.03-435d When you have finished importing the SMF, the Idling screen returns to the display.
181 With Macintosh Section 7 Loading Drum Sounds from WAV/AIFF Files (Tone Load) You can import WAV and AIFF files on your computer and load these as drum sounds (TONE LOAD). ● The Rhythm and Tone Load functions cannot be used when tracks are bounced directly to a CD (p.
182 With Macintosh 7. Press BR-900CD’s [EXIT] repeatedly to return to the Play screen. * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] and then [EXIT] returns the Play screen to the display.
183 With Macintosh Section 7 Using the BR-864 / BR-532’s Data You can use the BR-900CD to play BR-864 / BR-532 data. * First be sure to back up the BR-864 / BR-532’s “ROLAND” folder to the computer. 1. Initializing the memory card on the BR-900CD (p.
184 MEMO.
185 Section 8 Other Convenient Functions.
186 Adjusting the Display Contrast Depending on where the BR-900CD is situated, the display contents may be difficult to read. If this is the case, perform the procedure given below to adjust the contrast (1 to 21). fig.00-309 1. Press [UTILITY]. 2. Press CURSOR [ ] [ ] to move the cursor to “SYS,” and press [ENTER].
187 Section 8 Using a Foot Switch or Expression Pedal You can connect an optional foot switch (such as the BOSS FS-5U or Roland DP-2) or expression pedal (such as the Roland EV-5 or BOSS FV-300L) to the FOOT SW/EXP PEDAL jack on the rear panel, allowing you to use your foot to control a number of functions.
188 Tuning an Instrument (Tuner) The BR-900CD has a built-in “chromatic tuner function” that allows you to tune your instrument quickly. The built-in tuner supports both guitar and bass guitar. As an example here, we will explain how to use the tuner to tune your guitar.
189 Tuning an Instrument (Tuner) Section 8 Tuning 1. Play a note using the string you are tuning. The screen will indicate the note name that is closest to the pitch of the string you played. * Cleanly play a single note only on the string you wish to tune.
190 Mixing the Output from an External MIDI Device with the Output from Your BR-900CD ( Audio Sub Mix) The Audio Sub Mix function allows you to mix the signal input from LINE IN with the signal output to LINE OUT.
191 Section 8 Using Condenser Microphones ( Phantom Power) Most condenser microphones need a supply of power known as phantom power in order to operate. Accordingly, the BR-900CD can supply phantom power at +48 V to condenser microphones connected to any of the XLR-type connectors for MIC 1 and MIC 2.
192 Copying Difficult Songs (Phrase Trainer) Your BR-900CD features a built-in “Phrase Trainer.” The Phrase Trainer records from the device connected to the input jacks (e.g., CD players or MD player) and then allows you to play back a part of that recording repeatedly to allow you to practice that portion again and again.
193 Copying Difficult Songs (Phrase Trainer) Section 8 3. To emphasize the bass sound, press CURSOR [ ] [] to select “Low Boost,” and turn the TIME/VALUE dial and adjust the value so that the bass sound is more easily heard. fig.05-303d 4. Press CURSOR [ ] to select “C.
194 Initializing the BR-900CD’s Settings Initializing All the BR-900CD’s Settings The following settings are initialized together at one time. • System Settings • Effects (User Patches/Song Patches) • Rhythm (Arrangements/Patterns/Drum Kits) 1.
195 Initializing the BR-900CD’s Settings Section 8 Initializing the Effect Settings Follow the procedure below to initialize the user effect patches or song effect patches. 1. Press [UTILITY]. 2. Press CURSOR [ ] [ ] to move the cursor to “INI,” and press [ENTER].
196 Initializing the BR-900CD’s Settings Initializing the Memory Card Be aware that when initialized, any existing data on the card will be erased. * If you initialize the memory card supplied with the BR- 900CD, the demo songs on the card will be lost.
197 Section 8 Conserving Battery Power ( Power Save) Your BR-900CD is equipped with a power save function that limits the current dissipation during use.
198 Utility Parameter List Utilities include the following: • “System parameters” for setting functions affecting the entire BR-900CD • “Sync parameters” for setting synchronized performance functions • “Scrub parameters” for setting scrub functions About the System Parameters This section describes the System parameters.
199 Utility Parameter List Section 8 MTC Type Valid Settings: 30, 29N, 29D, 25, 24 (Initial value: 30) This sets the type of MTC output from the MIDI OUT connector. 30: 30 frames per second non-drop format. This is used by audio devices such as analog tape recorders, and for NTSC format black and white video (used in Japan and the U.
200 MEMO.
201 Section 9 Appendices.
202 Effect Patch List ■ GTR (GUIT AR/BASS) No. Patch Name Algorithm 01 JC Clean COSM GTR AMP 02 HiGainLd COSM GTR AMP 03 Over Drv COSM GTR AMP 04 Phased COSM GTR AMP 05 Crunch COSM GTR AMP 06 MS Str.
203 Effect Patch List Section 9 ■ MIC No. Patch Name Algorithm 01 Vo Comp1 COSM COMP VCL 02 Vo Comp2 COSM COMP VCL 03 Kick Cmp COSM COMP VCL 04 SnareCmp COSM COMP VCL 05 BrassCmp COSM COMP VCL 06 Vo.
204 Effect Patch List ■ SML (SIMUL) No. Patch Name Algorithm 01 EQ + JC VO+GT AMP 02 DELAY+JC VO+GT AMP 03 CMP+TWIN VO+GT AMP 04 EQ+twin VO+GT AMP 05 CMP+SMAL VO+GT AMP 06 EQ+CRNCH VO+GT AMP 07 EQ+M.
205 Section 9 Mastering Tool Kit Patch List ■ MTK (MASTERING TOOL KIT) No. Patch Name 01 Mix Down 02 PreMastr 03 Live Mix 04 Pop Mix 05 DanceMix 06 JinglMix 07 HardComp 08 SoftComp 09 CleanCmp 10 Da.
206 Arrangement / Pattern List Preset Arrangement List Each of the preset Arrangement (except Metro4/4) is set so that a three-measure BREAK, followed by V1 (verse) comes after the E (ending).
207 Arrangement / Pattern List Section 9 Preset Pattern List Pattern Name (Abbreviation shown in display) Initial Tempo Beat Measure IN V1 F1 V2 F2 E ROCK1 130 4/4 1 2 2 2 2 4 ROCK2 130 4/4 2 2 2 2 2 .
208 Parameter List (*1) If you want to save the settings as the currently selected song data, hold down [STOP] and press [REC]. (*2) Stored in the BR-900CD.
209 Parameter List Section 9 Recorder Parameter (*1) Parameter Name Display Initial Value Valid Settings Recording Track - - Track 1–6, Track 1/2–7/8 V-Track V-TRACK 1 1–8 Auto Punch On/Off - OF.
210 Parameter List CD Parameter Parameter Name Display Initial Value Valid Settings Pre Gap Pre Gap 2.0 sec 0.0–3.4 sec (*3) Scrub Parameter (*3) Parameter Name Display Initial Value Valid Settings .
211 Section 9 Troubleshooting If the BR-900CD does not function as you expect, please check the following points before assuming that a malfunction has occurred. If this does not resolve the problem, contact a nearby Roland service center or your dealer.
212 Troubleshooting Problems with the Memory Card “Unsupported Card!” is displayed ❍ Do you have a compatible (CompactFlash) memory card inserted in the BR-900CD? ❍ Is the memory card fully and securely inserted? Memory card data was damaged If memory card data has been damaged, the following causes are possible.
213 Section 9 Error Messages If you attempt an incorrect operation or if an operation could not be executed, the display will indicate an error message. Refer to this list and take the appropriate action. Battery Low! Cause: The batteries are depleted (6 x AA dry-cell batteries).
214 Error Messages Disc Not Ready! Cause: There is no CD-R/RW disc in the drive. Solution: Place a CD-R/RW disc in the drive. Drive Busy! Cause: If this message appears after you have been using the memory card with the BR-900CD, the data on the card has become fragmented, causing delays in reading and writing data.
215 Error Messages Section 9 Not Available in Mastering Mode! Cause: You cannot carry out this operation with “MASTERING” selected as the recording mode. Solution: First press the [REC MODE] button to switch the recording mode to “INPUT” or “BOUNCE,” then proceed with the operation.
216 DIGITAL RECORDING STUDIO Date: Jan. 11, 2005 Model BR-900CD Version: 1.00 MIDI Implementation 1. TRANSMITTED DATA * This message is transmitted according to a SMF data regardless of the followings when the data is played.
217 MIDI Implementation Section 9 ■ System Exclusive Message Status Data Bytes Status F0H iiH,ddH,..., eeH F7H Byte Description F0H Status of Exclusive Message iiH ID Number 7EH Universal Non Realti.
218 MIDI Implementation ● LOCATE (MCP) ❍ Format 2 - LOCATE [TARGET] Status Data Bytes Status F0H 7FH, Dev, 06H, 44H, 06H, 01H, hrH, mnH, scH, frH, ffH F7H Byte Description F0H Status of Exclusive .
219 MIDI Implementation Chart Section 9 M I D I I m p l e m e n t a t i o n C h a r t Function... Basic Channel Mode Note Number : Velocity After Touch Pitch Bend Control Change Prog Change System Exc.
220 Specifications BR-900CD: Digital Recording Studio ● Tracks Track: 8 V-Track: 64 (8 V-Tracks per each Track) * Up to 2 tracks can be recorded simultaneously, and up to 8 tracks can be played back simultaneously.
221 Specifications Section 9 ● Power Supply DC 9 V; Supply AC Adaptor (PSC series), Dry battery x 6 ● Current Draw 900 mA (Average using AC adapter and CD-R/RW) 300 mA (When powered by batteries; .
222 Index Symbols + ...................................................................................... 69, 72, 75 Numerics 24 ...................................................................................... 159, 199 25 ......................
223 Index Section 9 CHO/DLY ............................................................ 43–44, 108–109 CHORUS ..................................................................... 44, 108, 111 Chorus ..............................................
224 Index EQ ....................................................................................... 43, 110 Equalizer ....................................................................... 43, 96, 105 ERASE ..........................................
225 Index Section 9 Initializing ................................................................................. 194 All ....................................................................................... 194 Effect setting .....................
226 Index MCK ......................................................................................... 158 MEAS .......................................................................................... 21 Measure ....................................
227 Index Section 9 Pattern Number ........................................................................ 123 PCR ........................................................................................... 205 PEAK ..................................
228 Index Rhy Send ................................................................................... 109 RhyMIDI ch ...................................................................... 157, 199 RHYTHM ..............................................
229 Index Section 9 TONE ........................................................................................ 149 Tone .................................................................................... 94, 111 Tone Load .........................
PAN EQ Low EQ High CHO/DLY Send REV Send PAN EQ Low EQ High PAN EQ Low EQ High PAN EQ Low EQ High PAN EQ Low EQ High PAN EQ Low EQ High TRACK 1 TRACK 2 TRACK 3 TRACK 4 TRACK 5 TRACK 6 TRACK 7/8 PAN EQ.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: BROWN: As the colours of the wires in the mains lead of this apparatus may not correspond with the col.
Owner’s Manual Owner’s Manual ********** 2SX Thank you, and congratulations on your choice of the BOSS BR-900CD Digital Recording Studio. Before using this unit, carefully read the sections entitl.
Un punto importante, dopo l’acquisto del dispositivo (o anche prima di acquisto) è quello di leggere il manuale. Dobbiamo farlo per diversi motivi semplici:
Se non hai ancora comprato il Boss Audio Systems BR-900CD è un buon momento per familiarizzare con i dati di base del prodotto. Prime consultare le pagine iniziali del manuale d’uso, che si trova al di sopra. Dovresti trovare lì i dati tecnici più importanti del Boss Audio Systems BR-900CD - in questo modo è possibile verificare se l’apparecchio soddisfa le tue esigenze. Esplorando le pagine segenti del manuali d’uso Boss Audio Systems BR-900CD imparerai tutte le caratteristiche del prodotto e le informazioni sul suo funzionamento. Le informazioni sul Boss Audio Systems BR-900CD ti aiuteranno sicuramente a prendere una decisione relativa all’acquisto.
In una situazione in cui hai già il Boss Audio Systems BR-900CD, ma non hai ancora letto il manuale d’uso, dovresti farlo per le ragioni sopra descritte. Saprai quindi se hai correttamente usato le funzioni disponibili, e se hai commesso errori che possono ridurre la durata di vita del Boss Audio Systems BR-900CD.
Tuttavia, uno dei ruoli più importanti per l’utente svolti dal manuale d’uso è quello di aiutare a risolvere i problemi con il Boss Audio Systems BR-900CD. Quasi sempre, ci troverai Troubleshooting, cioè i guasti più frequenti e malfunzionamenti del dispositivo Boss Audio Systems BR-900CD insieme con le istruzioni su come risolverli. Anche se non si riesci a risolvere il problema, il manuale d’uso ti mostrerà il percorso di ulteriori procedimenti – il contatto con il centro servizio clienti o il servizio più vicino.
