Manuale d’uso / di manutenzione del prodotto CS6X del fabbricante Yamaha
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SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Y amaha electronic pr oducts may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page.
PRECAUTIONS PLEASE READ CAREFULL Y BEFORE PROCEEDING * Please keep these precautions in a safe place for future reference. W ARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards.
4 Introduction Thank you for pur chasing the Y amaha CS6x/CS6R Control Synthesizer . Y our new CS6x/CS6R synthesizer incorpor ates the highly-acclaimed A WM2 synthesis engine , allo wing the cr eation of super-r ealistic sounds.
5 Basics Section The Controls & Connectors ................................6 Befor e Use ........................................................ 12 P o w er Supply ........................................................12 Connections ...........
FOO T VOL UM PHONE S IN DIVI DU AL OUTPUT 2 1 OUT PUT L / MONO R A / D INPUT GAIN LINE 1 MIC / LINE 2 OCT A VE VOLUME DOWN UP CUT OF F RE SON ANC E A TT ACK 1 2 DEC A Y S CON TRO L R FIL TER EF FE EG .
MIDI HOST SELEC T TO HOST BREA TH FOO T SWI TCH FOO T CO NTR OLL ER T ME OUT IN THRU SUST AI N VOI CE P E RF O R M UTILITY C AR D EDIT COMP AR E JOB ST ORE MODE GATE TIME ON / OFF PLA Y / STO P REC ON.
8 Basics Section Basics Section THRU DEC / NO IN C / YES EXI T ENT ER EF BY P AS S MAS TER KEYBO A RD S YS TE M CUR SOR A B C 1 2 SH IFT P AGE P ART / ELE ME NT DA TA CARD 3.3V 8 LC D ( L i q u i d C r y s t al D i s p la y ) Th i s i s a ba c k l i t 2 - l i n e d i s p l a y.
9 Basics Section POWER BAN K PRO GR AM P AR T A B C D E F G H 12341234 ELEMENT SE LECT ELEMENT ON / OFF 12345678 9 10 1 1 12 13 14 1 5 16 GENE RAL QED ARPE GGIO C ONTR OL COM LFO EFFECT OSC PITC H FIL.
10 Basics Section Basics Section Rear Panel CARD 3.3V AC INLET POWER ON OFF CARD 3.3V GAIN VOLUME BREATH PH ONES LINE 1 MIC LINE 2 A D INPUT POWER ON OFF AC INLET 1 PO W E R s wi tch ( P a g e 1 9 ) Us e t h i s to s w i t c h t h e s yn t h e s i ze r on o r o ff .
11 Basics Section MIDI OUT THRU IN HOST SELECT Mac PC-1 PC-2 MIDI TO HOST BREATH SUST AIN FOOT SWITCH FOOT CONTROLLER FOOT VOLUME INDIVIDUAL OUTPUT 1 2 OUTPU T R L MONO PHONES LINE 1 MIC LINE 2 A D IN.
12 Before Use This section explains ho w to connect to an A C pow er source , audio and MIDI devices, and a computer system. Only switch the synthesizer on after you ha v e made all the necessary connections. It is recommended that y ou r ead this section before using the synthesizer .
13 Basics Section Connections Connecting to External Audio Equipment Since the synthesizer has no built-in speak ers, you need to monitor its sound output via e xternal audio equipment.
14 Basics Section Connecting a pair of headphones does not affect audio output fr om the OUTPUT (L/MONO and R) jacks. Y ou can monitor the same sounds via headphones and at the OUTPUT jacks. How ev er , you cannot monitor the sounds from INDIVIDU AL OUTPUT 1 and 2 with headphones.
15 Basics Section Connecting External MIDI Equipment Y ou can connect an external MIDI device using a MIDI cable (a v ailable separately) and contr ol it fr om this synthesizer . Y ou can also use an external MIDI k eyboar d or sequencer to contr ol the synthesizer’s internal sounds.
16 Basics Section Contr olling Another MIDI Device via MIDI THRU With the abov e MIDI connections, y ou can send MIDI data fr om the MIDI OUT connector while MIDI data from the e xternal sequencer can be sent to an e xternal MIDI synthesizer via the MIDI THR U jack.
17 Basics Section 2: MIDI Interface to MIDI IN and OUT Using the computer’ s MIDI interface Using an external MIDI inter face Y ou will need to an appropriate MIDI application (sequencer , editor , etc .
18 Basics Section Connecting V arious Controllers The CS6x has sev er al controller jacks on the r ear panel, including FOOT SWITCH, SUST AIN, FOOT CONTR OLLER, FOOT V OLUME and BREA TH. Y ou can connect optional controllers lik e a F oot Switch (the FC4 or FC5), F oot Controller (the FC7) and Br eath Controller (BC3, etc .
19 Basics Section Powering Up Power -on Procedure When you ha v e made all the necessary connections betw een your synthesizer and an y other de vices, make sur e that all v olume settings are turned do wn all the w a y to zero.
If you ha v e a Memory Card inserted in the instrument’s C ARD slot or an optional Plug-in Board installed, you ma y see other scr eens befor e the V oice or P erformance Pla y Mode scr een is display ed. If a pre viously used Memory Car d is inserted in the C ARD slot, you will see a scr een while files in EXT Memory are being loaded.
21 Basics Section Basic Operations This section gives some basic e xplanations about oper ating the synthesizer . Selecting a Mode Ther e ar e se ver al oper ation Modes — V oice Play Mode , P erformance Play Mode , Phrase Clip Mode , etc . — each of which enables you to w ork efficiently with the synthesizer’s various functions.
22 Basics Section 4 Phr ase Clip Edit Mode (P age 146) Pr ess the [EDIT] k e y while in Phrase Clip Pla y Mode . T o exit to another Mode , simply press the respectiv e k ey for that Mode or press the [EXIT] k e y to return to Phr ase Clip Pla y Mode .
23 Basics Section Selecting a Screen Y ou can switch between screens using the [P A GE] knob and pressing [SHIFT], PR OGRAM/P AR T , [EXIT] and [ENTER] ke ys. [P AGE] Knob Usually , there ar e se ver al scr eens and sub-scr eens in each Mode . Use the [P A GE] knob to switch between scr eens.
24 Basics Section [ENTER] Key Normally , the [ENTER] k ey is used to apply parameter settings. In some cases, ho w e ver , the following scr een appears pr ompting y ou to press the [ENTER] ke y . The [ENTER] ke y has other functions, as described in other sections in this manual.
25 Basics Section [DA T A] Knob Use this knob to change the value of the parameter at which the cursor is positioned. Turn the knob clockwise to increment the v alue one click (step) at a time , or turn it anti-clockwise decrement it.
26 Basics Section Demo Playback Sev er al demo songs are supplied with this synthesizer . Y ou can play them back as follo ws. Make sur e synthesizer is ready for pla yback.
27 Basics Section V oices and Per for mances Playing a V oice Based on an A WM2 synthesis engine , this synthesizer offers v arious kinds of pr eset V oices (256 Normal V oices and 8 Drum V oices). Y ou can also create y our original V oices and store them into the instrument’s internal memory (INT) or an e xternal Memory Card (EXT).
Now y ou can pla y a selected V oice when you play the ke yboar d on the CS6x or the external ke yboar d connected to the CS6R. Try auditioning other V oices. Details about selecting V oices using the [D A T A] knob or the [DEC/NO] and [INC/YES] ke ys are given on P age 76.
29 Basics Section Playing a Per formance In P erformance Play Mode , you can select and pla y an y of 128 internal and 64 external (Memory Card) P erformances. A P erformance is a set of V oices used with the built-in (or an e xternal) sequencer . P erformances also let you set the synthesizer up for multitimbr al oper ation.
30 Basics Section 3 Select a Per formance Number using the [DA T A] knob or the [INC/YES] and [DEC/NO] keys Turn the [D A T A] knob clockwise or pr ess the [INC/YES] ke y to incr ement the P erformance Number . Turn it anti-clockwise or press the [DEC/NO] ke y to decr ement the P erformance Number .
31 Basics Section An Over view of the CS6x/CS6R In this section, an ov ervie w of the man y features of the CS6x/CS6R is giv en. The CS6x/CS6R hardw ar e is made up of a number of sections, as sho wn in the following diagr am.
32 Basics Section T one Generator Section This section plays back sounds accor ding to information r eceiv ed from the k e yboard and contr ollers. The following e x ample illustrates the path tak en b y the signal fr om an Element in V oice Mode .
33 Basics Section • A dv anced DX/TX Plug-in Boar d (PLG150-DX) The sounds of the DX7 are a v ailable on this Plug-in Boar d. Unlike with PCM-based solutions, this does not use sampled wa v eforms. Instead, it uses the actual FM sound gener ator engine of the DX- series synthesizers to give a completely faithful r epr oduction.
34 Basics Section Ef fects Section The effects can be used to change the sound of a V oice or P erformance . Ther e are tw o Insertion Effect Units plus a R ev erb Unit (with 12 types of re v erb) and a Chorus Unit (with 23 types of chorus).
35 Basics Section About the Modes The CS6x/CS6R has various Modes which y ou can select accor ding to the task y ou wish to perform. V OICE P E R F O R M UTILI TY C AR D ED IT COM P AR E JO B ST O RE .
36 Basics Section V oices A V oice is a sound created from the man y par ameters set in the synthesizer . In V oice Play Mode , you can select and play an y of these V oices. In P erformance Play Mode , sev eral differ ent V oices (known as P arts in this Mode) can be lay ered and pla y ed simultaneously via ke yboar d or a sequencer .
37 Basics Section An Over view of V oices/W aves Each V oice consists of up of up to four Elements. Each Element itself uses a high-quality wa v eform. Internally , there are tw o V oice Types: Normal V oices and Drum V oices. Normal V oices ar e mainly musical instrument-type sounds that can be pla yed o v er the range of the k e yboard.
38 Basics Section W aves W av es ar e wa v eforms used as Elements that make up a V oice . 479 high quality preset W av es are av ailable . As shown in the follo wing illustr ation, when creating a V oice , you can select the W av e to be used as an Element and then set its le vel, pitch, tone and other par ameters.
39 Basics Section Per for mances A P erformance consists of up to 20 P arts, each of which can a Normal V oice , Drum V oice , Phrase Clip, A/D Input P art or Plug-in 1/2 P art. By switching on the La y er Switch par ameter for different P arts (up to four), you can pla y back rich la yer ed sounds in P erformance Play Mode .
40 Basics Section Easy Real-time Editing Sound Control Knobs (CS6x only) The Sound Control knobs allo w y ou for on-the-fly alter ation of the tonal characteristics and effects applied to the V oice or P art of a P erformance that is currently selected.
41 Basics Section Ideal for Playing Live Man y featur es of this synthesizer make it ideal for liv e performances. These featur es are e xplained here .
42 Basics Section 1 Arpeggiator The arpeggiator is particularly suited to dance/techno music genres. Y ou can assign any of 128 Arpeggio Types to each V oice , P erformance or Clip Kit, and adjust the tempo.
43 Basics Section Selecting the Arpeggio T ype 1 Pr ess the [EDIT] k e y in V oice Play Mode . Y ou will enter V oice Edit Mode at the screen wher e you pr e viously exited. 2 Turn Knob [A] fully anti-clockwise until Common is display ed on the bottom line .
44 Basics Section Setting the T empo Y ou can use Knob [C] to adjust the tempo between 25 and 300 BPM. This par ameter setting is used by the Arpeggiator . Use Knob [C] to jump to the T empo parameter . Now use Knob [C], the [D A T A] knob or the [INC/YES] and [DEC/NO] ke ys to set the tempo.
45 Basics Section 2 Use the Sound Control knobs and Assignable Knobs [1]/[2] to get the sound that y ou will store as a Scene . Each V oice can hav e its own settings for Assignable Knobs [1]/[2] (P ages 51, 84). 3 If you wish, y ou can set up a differ ent Scene for the other SCENE ke y .
46 Basics Section Contr olling Scenes b y F oot Contr oller (CS6x) By connecting an optional F oot Controller (such as the FC7) to the FOOT CONTR OLLER jack on the rear panel of the synthesizer , you can switch between Scenes b y foot without having to use y our hands.
3 Use Knob [B] to select “04:F ootCtrl” (F oot Controller). 4 Use the [P A GE] knob to switch to the CTL Assign2 (V oice Control Assign 2) screen. 5 Use Knob [C] to select “04:F ootCtrl” (F oot Controller). Switch to V oice Mode and you are no w r eady to use the F oot Controller to control Scenes.
48 Basics Section Foot Controller (CS6x) An optional F oot Controller (such as the FC7), connected to the FOOT CONTR OLLER jack (P age 18) on the rear panel, can be assigned a number of controller par ameters.
49 Basics Section After touch Aftertouch lets you, for e x ample , add vibrato to a sound by applying further pr essure to a note on the ke yboar d while it is being held down. (With the CS6R, an aftertouch-sensitive contr oller ke yboar d must be connected.
Contr ol Sets and External MIDI Contr ol In a Control Set, the contr ollers ar e assigned to the internal parameters of the synthesizer . Howe v er , some contr ollers w er e originally designed for a.
51 Basics Section Assigning P arameters to Knobs [1] and [2] The following pr ocedur e explains ho w y ou can assign a desired par ameter to Knob [1] or [2].
Contr olling P arameters b y F oot Controller (CS6x) By connecting an optional F oot Controller (such as the FC7) to the FOOT CONTR OLLER jack on the rear panel of the synthesizer , you can control v arious parameters b y foot without ha ving to use your hands.
53 Basics Section 1 Pr ess the [UTILITY] k ey to enter Utility Mode . 2 Use the [P A GE] knob to switch to the CTRL Other (System Control Other) scr een. 3 Use Knob [B] to select “099:PC Inc” (Progr am Change Increment). In V oice/P erformance/Phrase Clip Mode , the F oot Switch can now be used to switch between pr ogr ams.
54 Basics Section Sampling Rate and Bit Resolution As an ex ample , the illustration sho ws a sine w av e . When recor ding (sampling) the sine w av e , the A/D converter basically tak es snapshots of the wa v e’s lev els at fix ed intervals in time .
55 Basics Section Cr eating a Clip Kit Y ou can assign Phrase Clips to notes on the ke yboar d (C0 to C6) and play them liv e or using a sequencer . Y ou can also edit various par ameters for each Phrase Clip. The assignment of Phr ase Clips across the k e yboard is kno wn as a Clip Kit, and you can cr eate up to four of these .
56 Basics Section ! In Phrase Clip Edit Mode , use the [P A GE] knob to switch to the OSC Asgn screen. Normally you w ould assign the Phr ase Clip to a note on the ke yboar d (Clip K ey) her e .
57 Basics Section @ Check that note C1 is selected, then pr ess the [ENTER] ke y . The V ariation parameters for [Clip 00 1] will be displa yed. T o return to the pre vious screen, pr ess the [EXIT] ke y . # Use Knob [A] to select the V ariation number .
58 Basics Section [Clip 00 1] is no w re v ersed as V ariation 1 and looped for one bar as V ariation 2, and both V ariations can be played b y pr essing notes C1 and D1. In the same wa y , you can change the points for V ariations 3 to 8 and set up different loops to that of V ariation 1/2.
59 Basics Section 5 Other Useful Features Por tamento P ortamento is used to cr eate a smooth transition in pitch from the first note pla y ed on the ke yboar d to the next, and can be used in V oice or P erformance Mode . Y ou can switch portamento on/off using the POR T AMENTO [ON/OFF] ke y on the front panel.
1 Selecting a V oice to Edit Enter V oice Play Mode by pr essing the [V OICE] ke y . Select the V oice Number of the V oice you wish to edit (P age 75). Before editing, first enter V oice Job Mode and copy the V oice you wish to edit to internal user memory .
61 Basics Section Selecting Elements (CS6x) In V oice Edit Mode , y ou can select the Element to edit by pr essing the r espective ELEMENT SELECT ke y ([1] to [4]).
62 Basics Section • QED (Common Quick Edit) These parameters mostly contr ol the v olume and tone of the V oice and you can easily change the ov er all sound. Many of these par ameters can be set directly using the Sound Contr ol knobs on the front panel of the CS6x.
63 Basics Section 5 PCH (Pitch) and PEG (Pitch EG) Screens Set the basic pitch parameters for each Element. Y ou can detune Elements, apply Pitch Scaling and so on. Also, by setting the PEG (Pitch Env elope Generator), y ou can contr ol how the pitch changes ov er time .
64 Basics Section 7 AMP (Amplitude) and AEG (Amplitude EG) Screens Set the volume of each Element after the OSC (Oscillator), PITCH and FIL T (Filter) parameters hav e been applied, and also the final o v erall volume of the signal sent to the outputs.
65 Basics Section Ef fects In the final stages of progr amming, y ou can set the effects parameters to further change the sound’s character . T o generalize , System Effects apply to the ov er all sound, whether it is a V oice , a P erformance , a Song, etc .
Effect Bypass Y ou can temporarily switch effects off or on b y pressing the [EF B YP ASS] ke y . T o use this function, you will need to specify the effect to be bypassed in the MSTR EF Bypass scr een of Utility Mode (P age 164). Y ou can also specify more than one effect.
67 Basics Section Using as a Master Keyboard (Per for mance Mode) 2 Select “Common” using the Knob [A], then open the GEN M. Kbd (General Master K eyboard) scr een using the [P A GE] knob . Turning the [P A GE] knob while holding down the [SHIFT] ke y enables you to scr oll though parameters in the Menu scr eens (page 12 1).
68 Basics Section 9 Turn the [P A GE] knob and open the ARP Type (Arpeggio Type) screen. Set “on” for “Switch.” In steps 6 to 9 , you no w complete settings for the low er r ange for Arpeggiator performance . It will play in a V oice assigned to P art 1 based on MIDI R eceive channel 1.
69 Basics Section Selecting a Zone opens the MKB Transmit scr een. Y ou may want to select a sub screen to set up a Zone using the [P A GE] knob . But you first specify basic items in the MKB Transmit scr een, such as MIDI tr ansmit channel, enabling or disabling MIDI output to the internal tone gener ator and to the MIDI OUT connector .
70 Basics Section Y ou don’t need to make further settings for Zone 4 since it is not intended for an internal P art and has already been set to output performance information via the MIDI OUT connector in steps 5 to ) .
71 Basics Section 8 As in the same manner in steps 5 to 7 , set up for the Upper P art. Select “P artP1” for the Low er P art, go to the MIX Vce (Mix V oice) screen using the [P A GE] knob , and select another V oice (Plug-in V oice) for the Low er P art.
72 Basics Section Using as a Multitimbral T one Generator (Per for mance Mode) 4 Ne xt, use the [P A GE] knob to switch to the Mix Lev el scr een, then set the volume for the piano P art as well as, if necessary , its pan position, chorus and re v erb Send lev els.
73 Basics Section Per for ming Live while Playing Back a Song File While playing back the song file with the piano, bass and drum P arts assigned earlier , y ou can set up the P erformance so that you can also pla y another P art live . This is the same as the P erformance created earlier , but with the addition of another P art for live pla yback.
74 V oice Mode V oice Play This mode is used for playing individual v oices stor ed as 256 on-board pr esets, as w ell as the Internal (User) V oices, External V oices on Memory Card, and Plug-in Board V oices (optional). This section explains ho w to select and play v oices.
75 V oice Mode 3.V oice Categor y/Name V oice Categor y The two char acters to the left of the V oice Name denote the category of instrument or sound to which the v oice belongs. Details about Category names are giv en on P age 80. V oice Name This consists of up to 1 0 char acters.
76 V oice Mode 3 Press a PR OGRAM ke y ([1] to [16]) to select a Progr am Number . V oices can be selected by setting the Memory , Bank and Progr am Number as e xplained in the three steps given abo v e .
77 V oice Mode Selecting User Drums (INT :DR1/2 and EXT :DR1/2) • Pr ess the MEMOR Y [EXT] ke y while holding do wn the MEMOR Y [INT] ke y (or vice versa) to select the Internal/External (INT/EXT) Memory of the User Drum V oice .
78 V oice Mode [D A T A] knob (or [INC/YES] or [DEC/NO] ke y) Y ou can scroll thr ough V oices in the specified Category across the Memories. Turning the [D A T A] knob clockwise (or press the [INC/YES] k e y) jumps to the next V oice number in the same Category , in ascending order .
79 V oice Mode The í Indicator If you alter an y par ameters in V oice Edit Mode , the í indicator will be display ed in the top left of the screen. This giv es a quick indication that the current v oice has been modified but not y et stored.
80 V oice Mode Menu Displa y Y ou will see the following if y ou use the [P A GE] knob while holding down the [SHIFT] k e y . Use the [P A GE] knob to mo ve the cursor to the par ameter you wish to edit, then r elease the [SHIFT] k ey to jump to the screen y ou w ere pr e viously at.
81 V oice Mode GEN Other (General Other) Ther e ar e v arious parameters for Micr o Tuning and for controlling ho w the gener ated sound is output. ■ Mode Select monophonic or polyphonic pla yback. Select whether the V oice is played back monophonically (single notes only) or polyphonically (multiple simultaneous notes).
82 V oice Mode QED Filter (Quick Edit Filter) These parameters contr ol filters which affect the tonal quality of the V oice . If y ou ar e using LPF (Low P ass Filter) and HPF (High P ass Filter) combined together , the parameters in the QED Filter page only affects LPF .
83 V oice Mode ■ Switch Switch the Arpeggiator on or off. Y ou can also set this using the [ARPEGGIO ON/OFF] ke y on the front panel of the CS6x. ❏ Settings: off, on ■ Hold Switch the Arpeggiator Hold on or off. Y ou can also set this using the [ARPEGGIO HOLD] k ey on the front panel of the CS6x.
84 V oice Mode Common Controller Ther e ar e eight Contr ol Settings. Y ou can set the Controller par ameters for P ortamento, the Pitch Bend Wheel, and for each Element in a V oice .
85 V oice Mode ■ Sr c (Sour ce) Set the Controller used to contr ol the function chosen in Dest. The following nine contr ollers are a vailable . ❏ Settings: PB (Pitch Bend Wheel), MW (Modulation .
86 V oice Mode trpzd S/H 1 S/H 2 ■ Speed Set the speed of the LFO W ave modulation. Higher values mean faster modulation speeds. ❏ Settings: 0 ~ 63, 16th (16th note), 16th/3 (16th note- triplet), 16th. (16th dot-note), 8th (8th note), 8th/3 (8th note-triplet), 8th.
87 V oice Mode LFO Fade ■ Dela y Set the delay time befor e the LFO comes into effect. A higher value means a longer dela y time . ❏ Settings: 0 ~ 127 Short dela y Long dela y ■ F adeIn (F ade-In) Set the time taken for the LFO effect to be faded in (after the Delay time has elapsed).
88 V oice Mode ■ Ctgry (Effect Category) Set the Category of the Effect. Select a desired Category and press the [ENTER] k ey . The first Effect Type in that Category will automatically be recalled. ❏ Settings: Details are giv en in the Effect Types list of the separate Data List.
89 V oice Mode EFF Rev (Reverb) Y ou can select the R ev erb Effect Type , then press the [ENTER] ke y to set its par ameters. ■ Type (R ev erb Effect Type) Set the R everb Effect Type . ❏ Settings: Details are giv en in the Effect Types list of the separate Data List.
90 V oice Mode Long Dela y ■ InsEF (Insertion Effect) Set the Insertion Effect to which the output signal from each Element is sent. The Insertion Effect is bypassed if y ou select Thru.
91 V oice Mode ■ Hold (Hold Time) Set the Hold Time . ❏ Settings: 0 ~ 127 ■ A ttack (A ttack Time) Set the Attack Time . ❏ Settings: 0 ~ 127 ■ Deca y1 (Deca y 1 Time) Set the Decay 1 Time . ❏ Settings: 0 ~ 127 ■ Deca y2 (Deca y 2 Time) Set the Decay 2 Time .
92 V oice Mode ■ Center (Center K e y) Set the basic pitch used by the Pitch par ameter . ❏ Settings: C-2 ~ G8 Y ou can also set this parameter by pr essing the respectiv e note on the ke yboar d while holding down the [SHIFT] ke y .
93 V oice Mode Element Filter Y ou can set Filter parameters to change the tonal characteristics of each Element. The follo wing ten screens ar e a vailable .
94 V oice Mode • HPF (High P ass Filter) This only passes signals abov e the Cutoff fr equency . Y ou can then use the R eso (R esonance) par ameter to add further character to the sound. Tw o types of HPF are a v ailable . HPF24D (High P ass Filter 24dB/oct Digital), A 4-pole (-24db/oct) dynamic HPF with a strong R esonance .
95 V oice Mode ■ Cutoff Set the Cutoff frequenc y . This is used as the basic frequenc y for the selected Filter Type . ❏ Settings: 0 ~ 255 ■ R eso (R esonance)/Band/Width This parameter’s function v aries accor ding to the selected Filter Type .
96 V oice Mode FEG Release Y ou can set R elease Time and R elease Level par ameters for the Filter Envelope Gener ator (FEG). Combined with the FEG Time and FEG Lev el settings, these can be used control the change in sound fr om the moment a note is released.
97 V oice Mode FL T Scale (Filter Scale Break Point) Y ou can set four Filter Scaling Br eak P oints for each Element. Filter Scaling controls the filter cutoff frequenc y accor ding to the positions of the notes on the ke yboar d. There ar e four Br eak P oints used to divide and assign different settings acr oss the k eyboar d.
98 V oice Mode ■ A ttack (A ttack Time) Set the Attack Time . ❏ Settings: 0 ~ 127 ■ Deca y1 (Deca y 1 Time) Set the Decay 1 Time . ❏ Settings: 0 ~ 127 ■ Deca y2 (Deca y 2 Time) Set the Decay 2 Time . ❏ Settings: 0 ~ 127 AEG Level Y ou can set various Le v el parameters for the Amplitude Envelope Gener ator (AEG).
■ Le v el (R elease Le v el) This shows the R elease Level. (Fix ed at zer o.) Amplitude Env elope Gener ator Settings Ther e ar e four Time settings (contr olling the speed of changes in output lev el) and fiv e Lev el settings (controlling the output le v el).
100 V oice Mode AMP Scale (AMP Scaling Break Point) Y ou can set four Amplitude Scaling Br eak P oints for each Element. Amplitude Scaling contr ols the amplitude according to the positions of the notes on the k eyboard. There ar e four Br eak P oints used to divide and assign different settings acr oss the k e yboard.
101 V oice Mode ■ AMod (Amplitude Modulation Depth) Set the amount (depth) by which the LFO w a v eform varies (modulates) the amplitude of the sound. A larger setting means a lar ger modulation depth. ❏ Settings: 0 ~ 127 Element EQ (Equalizer) Y ou can set the following two Equalizer par ameters for each Element.
102 V oice Mode ■ LoFr eq (Lo w Frequenc y) Set the low fr equenc y of the Shelving filter . Frequencies belo w this point ar e attenuated or boosted by the Lo w Gain par ameter . ❏ Settings: 50.1Hz ~ 2.00kHz ■ LoGain (Lo w Gain) Set the amount by which the fr equencies belo w the Low Fr equenc y setting are attenuated or boosted.
103 V oice Mode Drum Common Edit and Drum K e y Edit Each Drum V oice consists of multiple W aves or Normal V oices assigned to notes across the ke yboard (C0 to C6) (P age 37). Y ou can use Drum Common Edit for settings that apply to all Drum K eys in the Drum V oice .
104 V oice Mode ■ Attack Set the Attack time (the time fr om the moment the note is pressed to the point at which the maximum sound output lev el is r eached). The [A TT A CK] knob on the CS6x front panel can also be used to dir ectly adjust the Attack time .
105 V oice Mode OSC Out (Oscillator Out) Set the W ave or Normal V oice output settings for each Drum K ey . ■ Le v el Set the output lev el for each W av e or Normal V oice .
106 V oice Mode ■ RcvNtOff (R eceiv e Note Off) Select whether MIDI Note Off messages ar e receiv ed by each Drum K ey . ❏ Settings: off, on This parameter depends on the Type of Drum K ey W av e chosen in the OSC W av e screen. ■ AltGrp (Alternate Group) Set the Alternate Group to which the W av e is assigned.
107 V oice Mode ■ AMP AEG (Amplitude Env elope Gener ator) The Amplitude Envelope Gener ator contr ols the change in amplitude from the moment a note in pressed on the k e yboard to the moment it is r eleased.
108 V oice Mode Plug-in V oices The V oices held on Plug-in Boards (Single P art) ar e known as Boar d V oices. A Plug-in V oice is a Board V oice that has been processed in the synthesizer in V oice Edit Mode . There are six Common Edit scr eens and four screens for editing the Element of a Plug-in V oice .
109 V oice Mode Plug-in Common General The General par ameters ar e shown in the follo wing two scr eens. GEN Name (General Name) GEN Other (General Other) GEN Name (General Name) The parameters and settings ar e the same as for Normal V oices. See P age 80 for further details.
110 V oice Mode Plug-in Common Controller Y ou can set Pitch Bend Wheel, Modulation Wheel and other Controller par ameters for the Plug-in V oices in the following nine scr eens.
111 V oice Mode CTL A T Modulation (A T Modulation Depth) Here , you can set the depth of contr ol that k e yboard aftertouch has ov er the pitch, filter and amplitude modulation of the Plug-in V oice . ■ PMod (Pitch Modulation Depth) Set the depth of control that k e yboard aftertouch has ov er the filter pitch modulation.
112 V oice Mode OSC Assign (Oscillator Assign) Y ou can select the Board V oice that mak e up the Element in a Plug-in V oice . Use Knob [C] to select the Bank and Knob [1] to select the Boar d V oice . ■ Bank Select the Board V oice Bank of the Plug-in V oice .
PCH PEG (Pitch Envelope Generator) ■ InitLvl (Initial Le v el) Set the Initial Lev el. ❏ Settings: -64 ~ 0 ~ +63 ■ Attack Set the Attack Time . ❏ Settings: -64 ~ 0 ~ +63 ■ R elease Set the R elease Time . ❏ Settings: -64 ~ 0 ~ +63 ■ Le v el Set the R elease Lev el.
114 V oice Mode Editing Plug-in Board V oices Plug-in V oices are based on Board V oices. Howe v er , the Board V oices themselves can be edited via computer , using the included editor softwar e . Different editors are a v ailable for different Plug-in Boar ds.
115 V oice Mode VCE Initialize Y ou can reset (initialize) all parameters of a V oice to their default settings. Y ou can also selectiv ely initialize certain parameters, such as Common settings, settings for each Element/Drum K ey , and so on. Note that this does not return the V oice to its original state prior to editing.
116 V oice Mode ■ 1 Sour ce V oice Memory Select the V oice Memory containing the V oice (source) fr om which y ou will copy par ameter settings. ❏ Settings: PRE1/2 (Preset 1/2), INT (Internal Nor.
117 Perfor mance Mode Per for mance Mode In the 3rd to 7th scr eens, y ou can set the output lev els, stereo pan position and other gener al par ameters for each P art (Multi P art Edit). These ar e useful when using the synthesizer with a sequencer .
118 Perfor mance Mode 3. Perfor mance Categor y/Name Perfor mance Categor y A two-letter abbr e viation of the P erformance Category is shown to the left of the P erformance Name . This gives y ou a r ough idea of the P erformance’s sound. Perfor mance Name The name of a P erformance can consist of up to 1 0 characters.
119 Perfor mance Mode Per for mance Program Selection Ther e ar e four w ays in which y ou can select a P erformance . Using the B ANK/PR OGRAM ke ys (CS6x) Using the [DEC/NO] and [INC/YES] ke ys Usin.
120 Perfor mance Mode 3 Use Knob [B] or the [D A T A] knob or the [DEC/NO] and [INC/YES] ke ys to adjust the par ameter settings for each P art. 4 R epeat steps 2 and 3 for each of the other P arts. T o avoid losing the settings, mak e sure y ou store the P erformance before exiting to another Mode or selecting another P erformance .
121 Perfor mance Mode Per for mance Edit Y ou can set P erformance Edit par ameters. These can roughly be divided into Common par ameters, which apply to all P arts, and P art-specific par ameters. Also, there ar e v arious zone settings for Master K eyboar d Mode (P age 123).
122 Perfor mance Mode T one Generator Mode: [MASTER KEYBO ARD] ke y LED off The í (Edit) Indicator If y ou alter an y par ameters in P erformance Edit Mode , the í indicator will be displa yed in the top left of the screen. This giv es a quick indication that the curr ent P erformance has been modified but not yet stor ed.
123 Perfor mance Mode Common General Y ou can set the P erformance Name , MIDI channel and other general par ameters in the Common Edit scr eens. The following thr ee scr eens ar e av ailable for gener al settings. GEN Name (General Name) GEN MIDI (General MIDI) GEN M.
124 Perfor mance Mode ■ P oint When the Mode (see earlier) has been set to “split,” this sets the split point. The actual note of the split point will be assigned to the upper section. Y ou can also select the split point by pressing the note while holding down the [SHIFT] k ey .
125 Perfor mance Mode ■ Time Set the pitch transition time . Higher values mean longer transition times. Y ou can also set this using the POR T AMENTO knob on the front panel of the CS6x. ❏ Settings: -64 ~ 0 ~ +63 QED Filter (Quick Edit Filter) These parameters contr ol filters which go vern the tonal quality of the V oice .
126 Perfor mance Mode CTL Assign1(Controller Assign 1) Use Knobs [C], [1] and [2] to assign Contr ol Numbers to the Breath Contr oller , Knob [1] and Knob [2], respectiv ely . The selected function is shown on the left of the display . ■ BC (Br eath Contr oller) Set Control Change Number assigned to the Br eath Controller .
127 Perfor mance Mode peak (P eaking) ■ Gain Set the Gain. This attenuates or boosts fr equencies around the Fr equenc y setting. ❏ Settings: -12dB ~ 0dB ~ +12dB ■ Fr eq (Fr equenc y) Set the center frequenc y . Frequencies ar ound this point are attenuated/boosted b y the Gain setting.
128 Perfor mance Mode ■ InsEF (Insertion Effect) Assign a P art to an Insertion Effect. Select “off” if you do not wish to assign the P art to an Insertion Effect. Furthermore , if Plug-in Boards hav e been installed, they will also be selectable as Plug-in P arts 1 and 2.
129 Perfor mance Mode Par t (Settings for each Par t) Y ou can edit each P art in a P erformance . Use Knob [A] to select the P art, then set its parameters. The following six scr eens ar e av ailable , though their contents will vary accor ding to the P art selected.
130 Perfor mance Mode • If Par tAD (A/D Input Par t) has been selected An audio source connected to the A/D INPUT jack can be used as a P art. There ar e 13 different templates for Effect Type and Gain settings. Select the A/D Input P art source and the template .
131 Perfor mance Mode ■ R eso (R esonance) Set the amount of R esonance (harmonic emphasis) applied to the signal at the Cutoff fr equency . This adds further character to the sound. ❏ Settings: -64 ~ 0 ~ +63 TON EG (T one Envelope Generator) Y ou can set EG (Envelope Gener ator) par ameters for each P art.
132 Perfor mance Mode TON Other (T one Other) Y ou can set Pitch Bend R ange and V elocity Sensitivity parameters for each P art. These screens ar e not av ailable for the A/D Input P art.
133 Perfor mance Mode ■ Mode Select whether each P art is played back monophonically (single notes only) or polyphonically (multiple simultaneous notes).
134 Perfor mance Mode ■ InsEF (Insertion Effect) Sho ws the on/off status of the Insertion Effects. If “on” is display ed, this means that the P art’s signal is being sent to the Insertion Effect Unit. Insertion Effect switches for each P art are set in the EFF P art screen (P age 127).
135 Perfor mance Mode Par t Controller Y ou can set various Controller par ameters for the A/D Input P art and Multi Plug-in P arts 17 to 32. The following tw o scr eens for A/D Input P art parameters and six screens for the Multi Plug-in P art parameters are a v ailable .
136 Perfor mance Mode ■ FMod (Filter Modulation Depth) Set the amount by which the filter Cutoff fr equenc y changes when the Modulation Wheel is used. ❏ Settings: 0 ~ 127 ■ AMod (Amplitude Modulation Depth) Set the amount by which the amplitude modulation changes when the Modulation Wheel is used.
137 Perfor mance Mode ■ FMod (Filter Modulation Depth) Set the amount by which the filter Cutoff fr equenc y changes when the controller (Sour ce) is used. ❏ Settings: 0 ~ 127 ■ AMod (Amplitude Modulation Depth) Set the amount by which the amplitude modulation changes when the controller (Sour ce) is used.
138 Perfor mance Mode Master keyboard MKB T ransmit (Master Keyboard T ransmit) Y ou can set parameters for tr ansmitting k eyboar d data when in Master K eyboard Mode .
139 Perfor mance Mode MKB TxPreset1 (Master Keyboard T ransmit Preset 1) Y ou can set each zone’s initial v olume and stereo pan settings when changing P erformance Bank/Progr am.
140 Perfor mance Mode Per for mance Job Mode Y ou can execute v arious actions (Jobs) in P erformance Job Mode . F or e x ample , you can “Initialize” P erformances (including those currently being edited) or “R ecall” previous edits. When you enter P erformance Job Mode , y ou will first see the Initialize screen.
141 Performance Mode 2 Source P erformance Number Select the P erformance Number of the source P erformance . The P erformance Name is shown in the top line of the display . ❏ Settings: 00 1 ~ 128 (INT), 00 1 ~ 064(EXT) When copying, y ou can set the current P erformance number (destination) for the source P erformance number .
142 Phrase Clip Mode Phrase Clip Mode Clip Kit Name This shows the name of the Clip Kit (up to 1 0 characters in length). 4. Knob Parameter This shows the names of the functions curr ently assigned to Knobs [A] to [C] and Knob [1]/[2]. Multiple parameters can be assigned to Knob [1]/[2], depending on the Control Set settings.
143 Phr ase Cli p M ode Using the [DEC/NO] and [INC/YES] Keys If you pr ess the [INC/YES] k ey , the next Clip Kit is selected and display ed. Pr essing the [DEC/NO] k ey selects the pre vious Clip Kit. Using the [DA T A] Knob Turn the [D A T A] knob clockwise to incr ement the Clip Kit Number and anti-clockwise to decr ement it.
144 Phr ase Cli p M ode ■ Source Select the Source fr om which y ou will r ecord. Select “mic” if you ar e r ecording a micr ophone le v el device thr ough the A/D INPUT jack. Select “line” if you ar e r ecording fr om a line le v el device , such as a CD pla yer or other audio equipment, through the A/D INPUT jack.
145 Phrase Clip Mode 5 Now follo w the pr ocedure accor ding to the setting made in step 3 . If set to “manual”: R ecording will begin when you pr ess the [ENTER] k ey . If set to “le v el”: Press the [ENTER] k e y to enter R ecording Standby state .
146 Phr ase Cli p M ode Phrase Clip Edit The parameters a v ailable when editing a Clip Kit ar e explained her e . A Clip Kit is a collection of Phr ase Clips assigned across the k e yboard (notes C0 to C6) for pla yback. F or editing a Clip Kit, there ar e five Common Edit screens (for par ameters which apply to the curr ent clip kit).
147 Phr ase Cli p M ode Menu Displa y Y ou will see the following if y ou use the [P A GE] knob while holding down the [SHIFT] k e y . Use the [P A GE] knob to mo ve the cursor to the par ameter you wish to edit, then r elease the [SHIFT] k ey to jump to the screen y ou w ere pr e viously at.
148 Phr ase Cli p M ode ■ ChoSend (Chorus Send) Set the Send lev el of the signal sent fr om Insertion Effect 1/2 (or the bypassed signal) to the Chorus effect. Y ou can also adjust this par ameter using the [CHOR US] knob on the front panel of the CS6x.
149 Phr ase Cli p M ode CTL Bend (Pitch Bend) Y ou can set a range of pitch change contr olled b y Pitch Bend Wheel. ■ Lo w er Set a range of pitch change b y semitone when y ou mov e the wheel do wnw ar d. With a value of “-12,” you can lo w er the pitch at a maximum of one octa ve when you mo v e the wheel down w ard.
150 Phr ase Cli p M ode V ariation Settings Y ou can play back a Phr ase Clip in up to eight different w a ys (V ariations). They are r elated to the Clip Kit as shown in the illustr ation. Select the Phrase Clip at the OSC Asgn (Oscillator Assign) screen, then pr ess the [ENTER] k ey .
151 Phr ase Cli p M ode ❏ Settings: Depends on the length of the Phr ase Clip ■ End (End P oint) Set the End P oint of the Phrase Clip’s looped section. This can also be useful for remo ving unw anted noise at the end of the Phr ase Clip. ❏ Settings: Depends on the length of the Phrase Clip.
152 Phr ase Cli p M ode ■ K e yOn Select the K ey On method. Ther e are tw o methods: normal and hold. ❏ Settings: normal: Pressing a Clip K ey starts pla yback of a Clip. Playback will continue until the ke y is released. hold: Pressing a Clip K ey triggers pla yback of a Clip.
153 Phr ase Cli p M ode Amplitude Env elope Gener ator Settings The Amplitude Envelope Gener ator has three Time parameters and one Le vel par ameter .
154 Phr ase Cli p M ode Phrase Clip Job Mode In the Mode , you can e xecute v arious oper ations (jobs) on the Phrase Clips that y ou ha ve cr eated/edited in Phrase Clip Edit Mode , such as delete , cop y and normalize . Y ou will see the 1st screen (PCLP Status) when y ou enter Phrase Clip Job Mode .
155 Phr ase Cli p M ode PCLP Rename Y ou can change the Phrase Clip Name for each Phrase Clip. A Phrase Clip Name can consist of up to eight characters. T o select each Phrase Clip, use Knob [A] to select the Clip K ey and use Knob [B] to select the Phrase Clip Number .
156 Phr ase Cli p M ode ■ Length Set the V ariation length ratio. Y ou can change the length of all the equal-sized sections b y the amount set here . If y ou select “toEnd,” the End P oint of the source Phr ase Clip will be used as the End P oint of the V ariation (after it has been divided).
157 Phr ase Cli p M ode ■ Start (Start P oint) Set the Start P oint from which the Phr ase Clip will be play ed back. By finely adjusting the Start P oint, you can a v oid playback of the noise befor e the Start P oint. This setting, how ev er , does not eliminate the noise in the original Clip.
158 Phr ase Cli p M ode PCLP FreqConver t (Frequency Conver t) Y ou can perform a Frequency Conv ert oper ation on each Phrase Clip. This halv es its sampling r ate and therefor e its size . T o select each Phrase Clip, use Knob [A] to select the Clip K ey or Knob [B] to select the Phr ase Clip Number .
159 Phr ase Cli p M ode PCLP Copy Y ou can copy the data of each Phrase Clip to another Phrase Clip. T o select each Phrase Clip, use Knob [A] to select Clip K ey or Knob [B] to select the Phr ase Clip Number . After selecting the Phrase Clip, pr ess the [ENTER] k e y to copy it to an automatically allocated (v acant) Phr ase Clip Number .
160 Phr ase Cli p M ode ■ Destination Clip K e y Select the Clip K ey to which the Sour ce Clip K ey will be copied. ❏ Settings: C0 ~ C6 PCLP Kit Key Initialize Y ou can initialize each Clip K e y to return it to its default state . This is useful when creating a ne w Phrase Clip fr om scr atch before editing.
161 Sequence Play Mode Sequence Play Mode The Demo Songs contain preset tempos b y default. When you switch to another Demo Song, its pr eset tempo will be used. Y ou can change the playback tempo. T o restore the default tempo, select “***” as the tempo setting.
162 Sequence Play Mode ■ Song File Number Assign a Song file to the Chain Step. An y Song files with the “ .MID” extension can be selected. When you select a file Number her e , the file name is shown in the top line of the display .
Utility Mode 163 Utility Mode MSTR (System Master) Y ou can set the ov er all parameters, including v olume and pitch, which mainly relate to the synthesizer’s tone generator section.
164 Utility Mode ■ V el (Ke yboard V elocity Curve) Set the V elocity Curve determining ho w the strength of the notes play ed will affect the sound output. ❏ Settings: norm, soft, hard, wide , fixed norm (Normal) The velocity is in pr oportion to the str ength.
165 Utility Mode ■ BCCurv e (TG Br eath Curv e) Set the Breath Curv e determining ho w the strength with which you blo w into the Br eath Contr oller will affect the sound output. ❏ Settings: thru, soft, hard, wide CTRL (System Controller) In V oice Mode , y ou can set par ameters for Controllers.
166 Utility Mode MIDI (System MIDI) Y ou can set ov er all MIDI parameters for the system. The following fiv e scr eens are a v ailable . MIDI Ch (MIDI Channel) MIDI Arp (MIDI Arpeggio) MIDI RxSW (MIDI R eceive Switch) MIDI Other MIDI GM/XG R eceive MIDI Ch (MIDI Channel) Set the MIDI Channel parameters.
167 Utility Mode ■ PgmChng (Progr am Change) Set to enable or disable reception of a Pr ogr am Change message coming in. With this par ameter set to “on,” the instrument can receiv e a Pr ogr am.
168 Utility Mode M.EQ Low (Master EQ Low) This Equalizer cov ers lo w frequencies. Y ou can adjust the signal lev el at the specified fr equenc y . Y ou can also select different Equalizer types (Shapes). ■ Shape Select either a Shelving or P eaking equalizer .
169 Utility Mode Details about Controller Assign settings in P erformance mode are giv en on P age 126. CTRL Assign1 (Controller Assign 1) Use Knobs [C], [1] and [2] to assign Control Change Numbers to the Breath Contr oller , Knob [1] and Knob [2], respectiv ely .
170 Utility Mode ■ Clock Select whether or not to transmit MIDI Clock messages to the Plug-in Board. ❏ Settings: off, on ■ De vNo (De vice Number) Set the MIDI Device Number of the Plug-in Boar d.
In Card Mode , you can use Memory Card, a SmartMedia™ car d av ailable at a consumer electronics shop, etc ., to sav e or load data from/to the instrument or perform other data e xchange operations betw een memories on the instrument and the Card. Using the included Card Filer softw are , you can use a computer to manage data on Memory Card.
172 Card Mode Y ou will see the 1st screen (Status) when y ou enter Card Mode . The follo wing sev en scr eens are a v ailable , each for a different oper ation.
173 Card Mode Car d Mode Operations 1 Insert the Memory Card into the C ARD slot. 2 Press the [C ARD] ke y to enter Car d Mode . 3 Use the [P A GE] knob to switch to the screen for the operation y ou wish to perform. In the first “Status” screen, y ou don’t need an y further operation described in step 2 and after .
174 Card Mode 4 Pr ess the [INC/YES] k e y to sav e the file . The message “Completed.” will be display ed after it has been sav ed, and y ou will be returned to the pr e vious screen. The sav e oper ation will be canceled if y ou press the [DEC/NO] ke y during e xecution.
175 Card Mode v oice ❏ Settings: Sour ce V oice Memory: INT (Internal), EXT (External), PLG1 (Plug-in 1), PLG2 (Plug-in 2) Sour ce V oice Number: all (all V oices), 1 ~ 128 ~ DR1/2 (INT/EXT), 1 ~ 64.
176 Card Mode Delete Y ou can delete files saved on Memory Car d. ■ Type (File Type) ❏ Settings: all (all data), all-voice , chain (Sequence Chain), plugin, other , all-pclip (All phrase clip) Details about File Types are giv en on P age 172. 1 Use Knob [B] to select the File Type and Knob [C] to select the File Number .
177 Appendix How to Install the Optional Plug-in Board The installation method is different depending on the instrument types, ke yboard (CS6x) and EIA sized module (CS6R). Both methods are e xplained separately on the following pages. R ead the explanation car efully for the instrument that you will use .
178 Appendix When installing the optional Plug-in board (fr om when y ou remo v e the co v er to when the co v er is r eplaced securely) all operations must be done with the A C pow er cor d disconnected. 5 R emov e the cable fr om the hook-shaped bundle tie on the plate .
179 Appendix R emo ving the Plug-in boar d fr om the ke yboard 1 R emov e the cable fr om the hook-shaped bundle tie . 2 Press do wn the hooks 2 in the direction as sho wn in the illustration and tak e the board out fr om the hooks 2 b y lifting up the one side .
180 Appendix 5 T ak e out the Plug-in board fr om the anti-static bag. When installing the board, the side with a connector and ICs must be on top. 6 Carefully plug the cable connector into the Plug-in boar d connector until the two notches on the cable connector lock into the sockets on the boar d as sho wn in the illustration.
181 Appendix << ! MIDI buffer full. >> << ! MIDI data error. >> << ! MIDI checksum error. >> << ! Change internal battery. >> << ! Card full. >> << ! File not found. >> << ! Bad card.
182 Appendix T r oubleshooting The following table pr o vides troubleshooting hints and page r efer ences for some common problems. Most pr oblems ma y be simply the result of incorr ect settings. Befor e calling for professional service , refer to the tr oubleshooting advice belo w to see if you can find and corr ect the cause of the pr oblem.
183 Appendix Sound is ver y quiet. • Has the MIDI volume or MIDI e xpr ession been set too low? • Has the filter cutoff fr equency been set too high/lo w? (P ages 40, 82, 1 06, 125, 130, 148, 152) The pitch is wrong.
184 Appendix Cannot find the Dr um V oice. • Drum V oices are selected differ ently to Normal V oices (P age 76). Cannot enter small values. • Hav e you only tried entering v alues using Assignable Knobs [A] to [C] or Knob [1]/[2]? (P age 24) Cannot move the cursor without the settings being af fected.
Specifications CS6x CS6R 61 — Initial touch, Aftertouch — A WM2, Phrase Clip, Modular Synthesis Plug-in System 64 Normal voices (256 Presets, 128 Internals [Users], 128 Externals [Memor y Cards]),.
186 Appendix Index 0~9 4 Zones .....................................................................................................68 A A/D INPUT jacks......................................................................................1 1 About Memory Cards .
187 Appendix Drum K e y Amplitude ............................................................................1 06 Drum K e y EQ (Equalizer) .....................................................................1 0 7 Drum K e y Filter .................
188 Appendix MKB TxPreset2 (Master K eyboard Tr ansmit Preset 2) ......................139 MKB TxSw1 (Master K e yboard Tr ansmit Switch 1) ..........................138 MKB TxSw2 (Master K e yboard Tr ansmit Switch 2) ..........................138 MKB TxSw3 (Master K e yboard Tr ansmit Switch 3) .
189 Appendix R eading the Displa yed Settings .............................................................120 R ear P anel .................................................................................................. 1 0 R ecor ding a Phrase Clip .
190 MEMO.
191 MEMO.
F or details of products, please contact y our nearest Y amaha or the authorized distributor listed below . P our plus de détails sur les produits, v euillez-vous adr esser à Y amaha ou au distributeur le plus proche de vous figur ant dans la liste suivante .
IMPOR T ANT SAFETY INSTRUCTIONS INFORMA TION RELA TING TO PERSONAL INJUR Y , ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST . WARNING- When using any electrical or electr onic product, basic precautions should always be followed.
FCC INFORMA TION (U.S.A.) 1. IMPORT ANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly appr oved by Y amaha may void your authority , granted by the FCC, to use the product.
Analog Physical Modeling Plug-in Board PLG150-AN Reproduce the fat and funky sounds of vintage analog synths! This board gives you a synth engine similar to the one featured in Yamaha’s amazing AN1x Analog Physical Modeling Synthesizer.
OWNER’S MANUAL OWNER’S MANUAL OWNER’S MANUAL.
Un punto importante, dopo l’acquisto del dispositivo (o anche prima di acquisto) è quello di leggere il manuale. Dobbiamo farlo per diversi motivi semplici:
Se non hai ancora comprato il Yamaha CS6X è un buon momento per familiarizzare con i dati di base del prodotto. Prime consultare le pagine iniziali del manuale d’uso, che si trova al di sopra. Dovresti trovare lì i dati tecnici più importanti del Yamaha CS6X - in questo modo è possibile verificare se l’apparecchio soddisfa le tue esigenze. Esplorando le pagine segenti del manuali d’uso Yamaha CS6X imparerai tutte le caratteristiche del prodotto e le informazioni sul suo funzionamento. Le informazioni sul Yamaha CS6X ti aiuteranno sicuramente a prendere una decisione relativa all’acquisto.
In una situazione in cui hai già il Yamaha CS6X, ma non hai ancora letto il manuale d’uso, dovresti farlo per le ragioni sopra descritte. Saprai quindi se hai correttamente usato le funzioni disponibili, e se hai commesso errori che possono ridurre la durata di vita del Yamaha CS6X.
Tuttavia, uno dei ruoli più importanti per l’utente svolti dal manuale d’uso è quello di aiutare a risolvere i problemi con il Yamaha CS6X. Quasi sempre, ci troverai Troubleshooting, cioè i guasti più frequenti e malfunzionamenti del dispositivo Yamaha CS6X insieme con le istruzioni su come risolverli. Anche se non si riesci a risolvere il problema, il manuale d’uso ti mostrerà il percorso di ulteriori procedimenti – il contatto con il centro servizio clienti o il servizio più vicino.
