Manuale d’uso / di manutenzione del prodotto XV-5080. del fabbricante Roland
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Notation Used in This Owner’s Manual To make operation procedures easy to understand, the following notation system is adopted: Characters and numbers in square brackets [ ] indicate buttons on the front panel. For example, [PATCH] represents the PATCH button and [ENTER] the ENTER button.
2 For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.
3 USING THE UNIT SAFELY • Before using this unit, make sure to read the instructions below, and the Owner’s Manual. .......................................................................................................... • Do not open or perform any internal modifica- tions on the unit.
4 • Do not force the unit ’ s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords — the total power used by all devices you have connected to the extension cord ’ s outlet must never exceed the power rating (watts/amperes) for the extension cord.
5 IMPORTANT NOTES In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3, please read and observe the following: Power Supply • Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
6 Contents USING THE UNIT SAFELY ...................................................................... 3 IMPORTANT NOTES ............................................................................... 5 Features ......................................
7 Signal (PART) Flow .................................................................................................................... 117 Parameters ..................................................................................................
8 Editing a Patch or Rhythm Set in the Performance Mode ................................................................ 167 Palette Function .............................................................................................................
9 Transmitting to User Memory................................................................................................... 204 Protecting the Internal Memory (Protect) .............................................................................
10 SCSI Devices That Can Be Used ................................................................................................ 239 What you need to know before making connections .....................................................................
11 Features 128-Voice Polyphony and 32- Part Multitimbrality The XV-5080 is a 32-part multitimbral sound generator that produces up to 128 simultaneous polyphonic voices.
12 Panel Descriptions Front Panel fig.0-001 A VOLUME Knob (PHRASE PREVIEW) This adjusts the volume from the A (MIX) OUTPUT jacks and PHONES jacks. The volume from the OUTPUT B, C and D jacks cannot be adjusted. You can press the knob to listen to the XV-5080 without using any external devices.
13 Panel Descriptions E (MODE) [PERFORM] (Performance) Pressed to get into Performance mode. ( p. 17) Press this button while holding down [SHIFT] to switch to Part Play mode, enabling you to make changes to the settings for the Patch and Rhythm Set assigned to each Part.
14 Panel Descriptions Rear Panel fig.0-002 K AC IN (AC Inlet) Connect the included power cable here. (Quick Start; p. 11) L (MIDI) MIDI Connectors (IN 1/2, OUT, THRU) These connectors connect the XV-5080 with other MIDI devices, enabling the sending and receiving of MIDI messages.
15 Panel Descriptions S/P DIF OUT Connector The XV-5080 features both optical and coaxial digital out connectors (conforming to S/P DIF). S/P DIF : This is a digital interface format used for consumer digital audio devices.
16 Chapter 1 Selecting and Playing a Sound Auditioning Sounds on the XV-5080 (Phrase Preview) The Phrase Preview feature allows you to audition Patches on the XV-5080 even when it ’ s not connected to a MIDI keyboard or sequencer. You can preview a Patch using a Phrase that ’ s appropriate to the Patch ’ s type or category.
17 Chapter 1 Selecting and Playing a Sound Chap.1 Playing a Patch on the XV- 5080 from External MIDI Devices (MIDI Keyboard) The XV-5080 produces sound in response to MIDI messages that it receives from an external MIDI device such as a MIDI keyboard or sequencer.
18 Chapter 1 Selecting and Playing a Sound sound generators are capable of reliably playing back music files that carry either the General MIDI or General MIDI 2 logo.
19 Chapter 1 Selecting and Playing a Sound Chap.1 Selecting a Patch Basic Procedure for Selecting a Patch Turn the VALUE dial or press [INC]/[DEC] to select the desired Patch. VALUE Dial To move quickly through the available Patches: Turn the VALUE dial while pressing it or, if you prefer, turn the VALUE dial while pressing [SHIFT].
20 Chapter 1 Selecting and Playing a Sound The following categories can be selected. Category Group Category Contents — NO ASSIGN No assign Piano PNO AC.PIANO Acoustic Piano EP EL.PIANO Electric Piano Keys&Organ KEY KEYBOARDS Other Keyboards (Clav, Harpsichord etc.
21 Chapter 1 Selecting and Playing a Sound Chap.1 Selecting Patches and Rhythm Sets from an External MIDI Device By receiving MIDI messages, the XV-5080 can switch Patches (including the Patches for each Part of a Performance) or Rhythm Sets. In Patch or Rhythm Set modes 1.
22 Chapter 1 Selecting and Playing a Sound Rhythm Sets Rhythm Set Rhythm Set Bank Select Program Group Number Number Number MSB LSB USER 1, 2, 3, 4 86 00 1, 2, 3 , 4 PR-A 001, 002 86 64 001, 002 PR-B .
23 Chapter 1 Selecting and Playing a Sound Chap.1 212), modify the third byte to the appropriate value when transmitting the above exclusive message. Setting a Patch ’ s Pitch in Octave Steps (Octave Shift) In Patch mode, you can easily change the pitch of an entire Patch.
24 Chapter 2 Using the XV-5080 Effects The XV-5080 contains four independent effects units. Multi-effects The Multi-effects offers 90 different effects. In addition to effects consisting of only one effect, such as distortion and delay, the 90 types also include a number of compound effects, which are formed by combining a number of effects.
25 Chapter 2 Using the XV-5080 Effects Chap.2 The screen appears as shown below, according to the settings values. • For MFX fig.02-004.e_70 • For A – D fig.02-005.e_70 • For 1 – 8 fig.02-006.e_70 The following shows the basic setting procedure.
26 Chapter 2 Using the XV-5080 Effects Dry Send Level Range: 0 – 127 This sets the level of the signal sent to the output destination set with Output Assign. Chorus Send Level 0 – 127 Sets how much of the Tone is sent to the Chorus. Reverb Send Level 0 – 127 Sets how much of the Tone is sent to the Reverb.
27 Chapter 2 Using the XV-5080 Effects Chap.2 REV: The Chorus output is sent only to the Reverb. fig.02-010.e M+R: The Chorus output is sent to the OUTPUT jacks and to the Reverb. fig.02-011.e Chorus Level 0 – 127 Determines the Chorus output level.
28 Chapter 2 Using the XV-5080 Effects Making Reverb Settings These settings allow you to select the desired type of Reverb, its characteristics, and the pair of OUTPUT jacks to which the Reverb unit ’ s stereo output is routed. On the Effects General page, set the following parameters.
29 Chapter 2 Using the XV-5080 Effects Chap.2 LF Damp Gain -36 – 0 dB Adjusts the amount of damping applied to the frequency range selected with LF Damp. With a setting of “ 0, ” there will be no reduction of the reverb ’ s low-frequency content.
30 Chapter 2 Using the XV-5080 Effects Performance Mode Settings Three different Multi-effects can be used in a Performance. Select which of these three Multi-effects to use with Part Output MFX Select. With this parameter, the same Multi- effects are applied to all selected Parts.
31 Chapter 2 Using the XV-5080 Effects Chap.2 A “ * ” symbol will appear at the left of the Performance name, indicating that its settings have been modified. fig.02-018.e_70 * If you turn off the power or select another Performance while the “*” symbol is displayed, your new Performance settings will be lost.
32 Chapter 2 Using the XV-5080 Effects * When you press [F2 (MFX)] once again, the MFX Param page will reappear. MFXA – C Control 1 – 4 Source Select the Control Source to be used for changing the Multi- effects parameters, and set the Sens and parameters to be changed by that Control Source.
33 Chapter 2 Using the XV-5080 Effects Chap.2 Pressing [F4 (Chorus)] in the General page calls up the Chorus page, in which you can make the following settings. • For Type: 1 (CHORUS) Rate (Chorus Rate) 0.05 – 10.00 Hz Adjusts the modulation speed of the chorus effect.
34 Chapter 2 Using the XV-5080 Effects Making Reverb Settings These settings allow you to select the desired type of Reverb, its characteristics, and the pair of OUTPUT jacks to which the Reverb unit ’ s stereo output is routed. On the Effects General page, set the following parameters.
35 Chapter 2 Using the XV-5080 Effects Chap.2 • For Type: 2 (SRV ROOM)/3 (SRV HALL)/4 (SRV PLATE) Pre Delay (Pre Delay Time) 0.0 – 100 ms Adjusts the time delay from when the direct sound begins until the reverb sound is heard. Time (Reverb Time) 0 – 127 Adjusts the time length of reverberation.
36 Chapter 2 Using the XV-5080 Effects Rhythm Set Mode Settings You can apply Multi-effects, Chorus or Reverb to each of a Rhythm Set ’ s Tones. You can control the amount of effect to be applied to each Rhythm Tone by adjusting its send level to the Multi-effects, Chorus and Reverb.
37 Chapter 2 Using the XV-5080 Effects Chap.2 Routing Tones to Effects This sets the output destination and level for the currently selected Tone, as well as its send level with respect to the Chorus and Reverb. On the Effects General page, set the following parameters.
38 Chapter 2 Using the XV-5080 Effects Making Chorus Settings The XV-5080 ’ s Chorus effect unit can also be used as a stereo delay unit. These settings allow you to select chorus or delay, the characteristics of the selected effect type, and the Chorus output routing.
39 Chapter 2 Using the XV-5080 Effects Chap.2 • For Type: 2 (DELAY) Center (Delay Center) 200 – 1000 ms, Note Sets the delay time for the delay located at the center of the stereo field. Left (Delay Left) 200 – 1000 ms, Note Sets the delay time for the delay located at the left side of the stereo field.
40 Chapter 2 Using the XV-5080 Effects • For Type: 1 (REVERB) Type (Reverb/Delay Type) Selects a type of reverb or delay. ROOM1: This is a short reverb with high density. ROOM2: This is a short reverb with low density. STAGE1: This is a reverb with greater late reverberation.
41 Chapter 2 Using the XV-5080 Effects Chap.2 Settings in General MIDI Mode Please refer to Making Effects Settings ([F5 (Effects)]) (p. 227). Parameters for Each Multi- Effects The multi-effects feature 90 different kinds of effects. Some of the effects consist of two or more different effects connected in series or in parallel.
42 Chapter 2 Using the XV-5080 Effects 37: CHORUS -> FLANGER(p. 63) 38: CHORUS/DELAY(p. 64) 39: FLANGER/DELAY(p. 64) 40: CHORUS/FLANGER(p. 64) 41: STEREO PHASER(p. 65) 42: KEYSYNC FLANGER(p. 65) 43: FORMANT FILTER(p. 66) 44: RING MODULATOR(p. 67) 45: MULTI TAP DELAY(p.
43 Chapter 2 Using the XV-5080 Effects Chap.2 73: KEYBOARD MULTI 74: RHODES MULTI 75: JD MULTI LoFi (Effects that intentionally degrades the sound quality) 50: LOFI COMPRESS 51: LOFI NOISE 76: STEREO .
44 Chapter 2 Using the XV-5080 Effects 1: STEREO EQ (Stereo Equalizer) This is a four-band stereo equalizer (low, mid x 2, high). fig.2-04 Freq/Gain LowFreq (Low Frequency) Select the frequency of the low range (200 Hz/400 Hz). LowGain Adjust the gain of the low frequency.
45 Chapter 2 Using the XV-5080 Effects Chap.2 3: DISTORTION This effect produces a more intense distortion than Overdrive. fig.2-06 Distortion Drive # Adjust the degree of distortion. The volume will change together with the degree of distortion. Amp Simulator Type (Amp Simulator Type) Select the type of guitar amp.
46 Chapter 2 Using the XV-5080 Effects 5: SPECTRUM Spectrum is a type of filter which modifies the timbre by boosting or cutting the level at specific frequencies. It is similar to an equalizer, but has 8 frequency points fixed at locations most suitable for adding character to the sound.
47 Chapter 2 Using the XV-5080 Effects Chap.2 7: AUTO WAH The Auto Wah cyclically controls a filter to create cyclic change in timbre. fig.2-10 Auto Wah Filter (Filter Type) Select the type of filter. LPF: The wah effect will be applied over a wide frequency range.
48 Chapter 2 Using the XV-5080 Effects Level (High Frequency Level) Adjust the volume of the high frequency rotor. Output Level (Output Level) # Adjust the output level. 9: COMPRESSOR The Compressor flattens out high levels and boosts low levels, smoothing out unevenness in volume.
49 Chapter 2 Using the XV-5080 Effects Chap.2 11: HEXA-CHORUS Hexa-chorus uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound. fig.2-14 Hexa Chorus Rate # Adjust the rate of modulation. Depth Adjust the depth of modulation.
50 Chapter 2 Using the XV-5080 Effects 13: SPACE-D Space-D is a multiple chorus that applies two-phase modulation in stereo. It gives no impression of modulation, but produces a transparent chorus effect. fig.2-16 Chorus Rate # Adjust the rate of modulation.
51 Chapter 2 Using the XV-5080 Effects Chap.2 Output Level (Output Level) Adjust the output level. 15: STEREO FLANGER This is a stereo flanger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a jet airplane taking off or landing.
52 Chapter 2 Using the XV-5080 Effects 16: STEP FLANGER The Step Flanger effect is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note-value of a specified tempo. fig.2-19 Flanger Rate (LFO Rate) Adjust the rate of modulation.
53 Chapter 2 Using the XV-5080 Effects Chap.2 frequencies of the feedback, set this parameter to BYPASS. Feedback # Adjust the proportion (%) of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. FBK Mode (Feedback Mode) Select the way in which delay sound is fed back into the effect.
54 Chapter 2 Using the XV-5080 Effects Modulation Rate # Adjust the speed of the modulation. Depth Adjust the depth of the modulation. Phase Adjust the spatial spread of the sound. EQ Gain Low (Low Gain) Adjust the gain of the low frequency range. High (High Gain) Adjust the gain of the high frequency range.
55 Chapter 2 Using the XV-5080 Effects Chap.2 Balance Balance (Effect Balance) # Adjust the volume balance between the direct sound and the delay sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the delay sound will be output.
56 Chapter 2 Using the XV-5080 Effects 21: TIME CONTROL DELAY This effect allows you to use a specified controller (the controller selected in EFX Control Source) to control the delay time and pitch in realtime. Lengthening the delay will lower the pitch, and shortening it will raise the pitch.
57 Chapter 2 Using the XV-5080 Effects Chap.2 Pitch B Coarse (Coarse Pitch B) #2 Adjust the pitch of Pitch Shift B in semitone steps (-2-+1 octaves). Fine (Fine Pitch B) #2 Make fine adjustments to the pitch of Pitch Shift B in 2-cent steps (-100-+100 cents).
58 Chapter 2 Using the XV-5080 Effects 24: REVERB The Reverb effect adds reverberation to the sound, simulating an acoustic space. fig.2-30 Reverb Type (Reverb Type) Select the type of Reverb effect.
59 Chapter 2 Using the XV-5080 Effects Chap.2 Output Level (Output Level) # Adjust the output level. 26: OVERDRIVE → CHORUS This effect connects an overdrive and a chorus in series. fig.2-32 Overdrive Drive Adjust the degree of overdrive distortion.
60 Chapter 2 Using the XV-5080 Effects 28: OVERDRIVE → DELAY This effect connects an overdrive and a delay in series. fig.2-34 Overdrive Drive Adjust the degree of overdrive distortion. The volume will change together with the degree of distortion. Pan (Overdrive Pan) # Adjust the stereo location of the overdrive sound.
61 Chapter 2 Using the XV-5080 Effects Chap.2 32: ENHANCER → CHORUS This effect connects an enhancer and a chorus in series. fig.2-38 Enhancer Sens (Enhancer Sens) # Adjust the sensitivity of the enhancer. Mix Level (Enhancer Mix Level) Adjust the ratio with which the overtones generated by the enhancer are combined with the direct sound.
62 Chapter 2 Using the XV-5080 Effects 34: ENHANCER → DELAY This effect connects an enhancer and a delay in series. fig.2-40 Enhancer Sens # Adjust the sensitivity of the enhancer. Mix Level (Enhancer Mix Level) Adjust the ratio with which the overtones generated by the enhancer are combined with the direct sound.
63 Chapter 2 Using the XV-5080 Effects Chap.2 Output Level (Output Level) Adjust the output level. 36: FLANGER → DELAY This effect connects a flanger and a delay in series. fig.2-42 Flanger Pre Delay (Flanger Pre Delay Time) Adjust the time delay from when the direct sound begins until the flanger sound is heard.
64 Chapter 2 Using the XV-5080 Effects Depth (Flanger Depth) Adjust the modulation depth of the flanger effect. Feedback (Flanger Feedback Level) Adjust the proportion (%) of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.
65 Chapter 2 Using the XV-5080 Effects Chap.2 41:STEREO PHASER This is a stereo phaser. With the Step effects, you can also make stepped changes in the pitch of sounds to which the Phaser effect is applied. fig.2-51 Phaser Type (Phaser Type) Selects the type of Phaser.
66 Chapter 2 Using the XV-5080 Effects Depth (LFO Depth) Adjust the modulation depth of the flanger sound. Fbk # Adjust the proportion (%) of the flanger sound that is to be returned to the input. Positive (+) settings will return the signal to the input with the original phase, while negative (-) settings produce an inverted phase.
67 Chapter 2 Using the XV-5080 Effects Chap.2 setting is the vowel 2. Rate Sets the frequency at which the two vowels will be switched. Depth Sets the effect depth. Manual Sets the point at which the two vowels will be switched. When set to 50, Vowels 1 and 2 switched in the same amount of time.
68 Chapter 2 Using the XV-5080 Effects Output Level (Output Level) Adjust the output level. 45:MULTI TAP DELAY The Multi Tap Delay has four delays. Each of the Delay Time parameters can be specified as a note length of the selected tempo. You can also set the panning and level of each delay sound.
69 Chapter 2 Using the XV-5080 Effects Chap.2 Output Level (Output Level) Adjust the output level. 46:REVERSE DELAY Reverse Delay is a delay effect that adds the reverse of the input sound as the delay sound. fig.2-56 Delay 1 (Delay Time 1) Adjust the delay time from the original sound until the delay 1 sound is heard.
70 Chapter 2 Using the XV-5080 Effects 47:SHUFFLE DELAY Shuffle Delay adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel. fig.2-57 Delay Time (Delay Time) # Adjust the delay time from the original sound until the delay sound is heard.
71 Chapter 2 Using the XV-5080 Effects Chap.2 HF Damp Adjust the frequency above which delayed sound fed back to the delay input will be cut. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS. Feedback # Adjust the proportion (%) of the delay sound that is to be returned to the input.
72 Chapter 2 Using the XV-5080 Effects Pan 1:2:3 (Output Pan 1:2:3) Specify the stereo location of the pitch shift 1 – 3 sound. L64 is far left, 0 is center, and 63R is far right. Output Level (Output Level) Adjust the output level. 50:LOFI COMPRESS This is an effect that intentionally degrades the sound quality.
73 Chapter 2 Using the XV-5080 Effects Chap.2 HPF: The frequency region below the Cutoff Freq setting will be cut. Cutoff (Cutoff Frequency) Adjust the frequency at which the filter will begin cutting. Radio Noise Detune # Simulates the tuning noise of a radio.
74 Chapter 2 Using the XV-5080 Effects Output Level (Output Level) # Adjust the output level. 53:OVERDRIVE 2 This is an overdrive that provides heavy distortion. fig.2-63 Overdrive Drive # Adjust the amount of distortion. The volume will change together with the degree of distortion.
75 Chapter 2 Using the XV-5080 Effects Chap.2 55:STEREO COMPRESSOR fig.2-65 Compressor Attack Adjust the attack time of an input sound. Sustain Adjust the time over which low level sounds are boosted until they reach the specified volume. Post Gain Adjust the output gain.
76 Chapter 2 Using the XV-5080 Effects 57:GATE The Gate effect cuts the reverb ’ s delay according to the volume of the sound input to the effects device.
77 Chapter 2 Using the XV-5080 Effects Chap.2 Threshold (Reset Threshold) Sets the volume level at which the reset begins. Monitor (Reset Monitor) Determines whether the sound used as the reset trigger is output (ON) or not (OFF). This parameter is disabled when Reset is set to OFF or Source.
78 Chapter 2 Using the XV-5080 Effects Chorus Rate (LFO Rate) # Adjust the modulation frequency of the chorus sound. Depth (LFO Depth) Adjust the modulation depth of the chorus sound. Phase Adjust the spaciousness of the chorus sound. Pre Delay (Pre Delay Time) Adjust the delay time from the original sound until when the chorus sound is heard.
79 Chapter 2 Using the XV-5080 Effects Chap.2 Step Rate Switch (Step Rate Switct) Determines whether the pitch is changed in a stepped fashion (ON) or not (OFF). Step Rate (Step Rate) # And adjust the rate at which the pitch will change. EQ Gain Low (Low Gain) Adjust the low frequency gain (amount of boost or cut).
80 Chapter 2 Using the XV-5080 Effects The teeth in SAW1 and SAW2 point at opposite directions. fig.2-73a Rate # Adjust the frequency (speed) of the change. Depth # Sets the depth to which the effect is applied. EQ Gain Low (Low Gain) Adjust the low frequency gain (amount of boost or cut).
81 Chapter 2 Using the XV-5080 Effects Chap.2 Output Level (Output Level) Adjusts the output level. 65: STEREO AUTO WAH This is a stereo auto wah. fig.02-065m.e Auto Wah Filter Type Selects the type of filter. LPF: The wah effect will be applied over a wide frequency range.
82 Chapter 2 Using the XV-5080 Effects amount of time. Setting this higher than 50 increases the time for Vowel 1; setting this lower than 50 decreases the time for Vowel 1. Phase # Sets the phase shift of the left and right sounds when the two vowels are switched.
83 Chapter 2 Using the XV-5080 Effects Chap.2 68: REVERSE DELAY 2 This allows you to set even longer delay times (max. 1500 ms) for the Multi-Tap Delay function. fig.02-068m.e Delay 1 – 4 (Delay Time 1 – 4) Adjusts the delay time from the direct sound until the delay 1 – 4 sound is heard.
84 Chapter 2 Using the XV-5080 Effects Feedback # Adjusts the proportion (%) of the delay sound that is fed back into the delay input. Positive (+) settings will return the signal to the input with the original phase, while negative (-) settings produce an inverted phase.
85 Chapter 2 Using the XV-5080 Effects Chap.2 High (High Gain) Adjusts the gain of the high frequency range. Positive (+) settings will emphasize (boost) the high- frequency range. Balance Balance (Effect Balance) # Sets the volume balance between the direct sound and the effect sound.
86 Chapter 2 Using the XV-5080 Effects EQ Gain Low (Low Gain) Adjusts the gain of the low frequency range. Positive (+) settings will emphasize (boost) the low- frequency range. High (High Gain) Adjusts the gain of the high frequency range. Positive (+) settings will emphasize (boost) the high- frequency range.
87 Chapter 2 Using the XV-5080 Effects Chap.2 Fast (Low Frequency Fast Rate) Adjusts the speed of the low-range rotor for the fast-speed setting. Accel (Low Frequency Acceleration) Adjusts the time over which the rotation speed of the low- range rotor will change from slow-speed to fast-speed (or fast-speed to slow-speed) rotation.
88 Chapter 2 Using the XV-5080 Effects EQ Gain Low (EQ Low Gain) Adjusts the low-range gain of the equalizer. Mid (EQ Mid Gain) Adjusts the gain of the area specified by the EQ M Fq parameter and the EQ M Q parameter. High (EQ High Gain) Adjusts the high-range gain of the equalizer.
89 Chapter 2 Using the XV-5080 Effects Chap.2 74: RHODES MULTI Rhodes Multi provides Enhancer (EH), Phaser (PH), Chorus or Flanger (CF), and Tremolo or Pan (TP) effects connected in series. fig.02-074m.e Sequence Enhancer (Enhancer Switch) Turns the Enhancer on/off.
90 Chapter 2 Using the XV-5080 Effects Tremolo/Pan Type Selects either Tremolo or Pan. ModWave (Modulation Wave) Selects the way in which tremolo or pan will be modulated. Tri: The sound will be modulated like a triangle wave. Sqr: The sound will be modulated like a square wave.
91 Chapter 2 Using the XV-5080 Effects Chap.2 modified. 250Hz (250Hz Gain) Specifies the gain (amount of boost or cut) at 250 Hz. 500Hz (500Hz Gain) Specifies the gain (amount of boost or cut) at 500 Hz. 1000Hz (1000Hz Gain) Specifies the gain (amount of boost or cut) at 1000 Hz.
92 Chapter 2 Using the XV-5080 Effects 77: STEREO LO-FI NOISE This is a stereo Lo-Fi noise. In addition to a Lo-Fi effect, this effect also generates various types of noise such as radio noise and disc noise. fig.02-077m.e Lo-Fi Type Degrades the sound quality.
93 Chapter 2 Using the XV-5080 Effects Chap.2 Output Level (Output Level) Adjusts the output level. 78: GUITAR AMP SIMULATOR This is an effect that simulates an amp. fig.02-078m.e Amp Simulator Switch (Pre Amp Switch) Turns the amp switch on/off. Type (Pre Amp Type) Selects the type of guitar amp.
94 Chapter 2 Using the XV-5080 Effects 79: STEREO OVERDRIVE This is a stereo overdrive. fig.02-079m.e Overdrive Drive # Adjusts the degree of distortion. The volume will change together with the degree of distortion. Tone Specifies the sound quality of the Overdrive effect.
95 Chapter 2 Using the XV-5080 Effects Chap.2 81: GUITAR MULTI A Guitar Multi 1 connects Compressor (Cmp), Overdrive or Distortion (ODDS), Amp Simulator (Amp), Delay (Dly), and Chorus or Flanger (CF) effects in series. * In this section, the Delay and Chorus/Flanger are depicted in diagrams.
96 Chapter 2 Using the XV-5080 Effects Amp Simulator Amp Type (Amp Simulator Type) Selects the type of guitar amp. Small: small amp BltIn: built-in type amp 2-Stk: large double stack amp 3-Stk: large triple stack amp Delay Left Time (Delay Time Left) Adjust the delay time from the original sound until the left delay sound is heard.
97 Chapter 2 Using the XV-5080 Effects Chap.2 Amp Sim (Amp Simulator Switch) Turns the Amp Simulator on/off. 3 Band EQ (3 Band EQ Switch) Turns the equalizer on/off. Cho/Flg (Chorus/Flanger Switch) Turns the chorus/flanger on/off. Compressor Attack (Compressor Attack) Specifies the duration of the attack when sound is input.
98 Chapter 2 Using the XV-5080 Effects Cutoff (Cutoff Frequency) Sets the cutoff frequency when a specific frequency band is cut off by a filter. Output Level (Output Level) Adjusts the output level. Pan (Output Pan) Adjusts the stereo location of the output sound.
99 Chapter 2 Using the XV-5080 Effects Chap.2 Feedback (Delay Feedback Level) Adjusts the proportion (%) of the delay sound that is fed back into the delay input. HF Damp Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to damp the high frequencies, set this parameter to BYPASS.
100 Chapter 2 Using the XV-5080 Effects EQ Gain Low (EQ Low Gain) Adjusts the low-range gain of the equalizer. EQ M Gain (EQ Mid Gain) Adjusts the gain of the area specified by the EQ M Fq parameter and the EQ M Q parameter. High (EQ High Gain) Adjusts the high-range gain of the equalizer.
101 Chapter 2 Using the XV-5080 Effects Chap.2 85: CLEAN GUITAR MULTI B Clean Guitar Multi 2 provides Auto-wah (AW), Equalizer (EQ), Delay (Dly), and Chorus or Flanger (CF) effects connected in series. fig.02-085m.e Seqeuence Wah (Auto Wah Switch) Turns the Auto Wah on/off.
102 Chapter 2 Using the XV-5080 Effects Chorus/Flanger Type Selects either Chorus or Flanger. Rate Sets the modulation speed for the chorus or flanger. Depth Sets the modulation depth for the chorus or flanger. Feedback (CF Feedback) Adjusts the proportion (%) of the flanger sound that is fed back into the effect.
103 Chapter 2 Using the XV-5080 Effects Chap.2 together with the degree of distortion. Level (Overdrive/Distortion Level) # Sets the volume of the Overdrive/Distortion sound.
104 Chapter 2 Using the XV-5080 Effects 87: ISOLATOR 2 This adds a filter to the ISOLATOR effect. Isolator is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges. fig.02-087m.
105 Chapter 2 Using the XV-5080 Effects Chap.2 500Hz (500Hz Gain) Specifies the gain (amount of boost or cut) at 500 Hz. 1000Hz (1000Hz Gain) Specifies the gain (amount of boost or cut) at 1000 Hz. 1250 Hz (1250 Hz Gain) Specifies the gain (amount of boost or cut) at 1250 Hz.
106 Chapter 2 Using the XV-5080 Effects Copying Effect Settings You can copy the effect settings from any Patch, Performance, or Rhythm Set into the currently selected Patch, Performance, or Rhythm Set. This can save a great deal of time and effort when setting up effects.
107 Chapter 3 Selecting Output Jacks The XV-5080 has four sets of stereo outputs. These outputs allow you to separate sounds — or groups of sounds — from the XV-5080 ’ s overall stereo mix, and to send them to their own external destinations.
108 Chapter 3 Selecting Output Jacks Parameters The parameters related to Patch output settings are shown below. PATCH Effects General page ([PATCH] - [F6 (Effects)] - [F1 (General)]) This sets the output destination and level for the currently selected Tone, as well as its send level with respect to the Chorus and Reverb.
109 Chapter 3 Selecting Output Jacks Chap.3 PATCH Common General #1 page ([PATCH] - [F1 (COMMON)] - [F1 (General)]) Common Level (Patch Level) Range: 0 – 127 Sets the volume of the Patch. * You can specify the level for each Tone using the Tone Level parameter (TVA; p.
110 Chapter 3 Selecting Output Jacks Example of Settings Assigning Different Output Destinations for the Tones in a Patch In this example, let ’ s suppose we have a Patch composed of four Tones, and.
111 Chapter 3 Selecting Output Jacks Chap.3 Performance Mode Settings Signal (PART) Flow fig.03-002.e Parameters The parameters related to Part output settings are shown below.
112 Chapter 3 Selecting Output Jacks Part Chorus Send Level Range: 0 – 127 Sets how much of the Part is sent to the Chorus. Its final output destination is determined by the Chorus output setting. Part Reverb Send Level Range: 0 – 127 Sets how much of the Part is sent to the Reverb.
113 Chapter 3 Selecting Output Jacks Chap.3 SYSTEM General #1 page ([SYSTEM] - [F1 (General)]) Master Level (Master Level) Range: 0 – 127 Adjusts the volume of the entire XV-5080.
114 Chapter 3 Selecting Output Jacks Rhythm Set Mode Settings Signal (RHYTHM TONE) Flow fig.03-003.e Parameters The parameters related to Patch output settings are shown below.
115 Chapter 3 Selecting Output Jacks Chap.3 MFX Chorus Send Level Range: 0 – 127 Determines the level of the post-Multi-effects processor signal sent to Chorus.
116 Chapter 3 Selecting Output Jacks SYSTEM Output page ([SYSTEM] - [F2 (OutP&EQ)]) Output Mix/Parallel Mode Available Settings: MIX: Signals that are set to be output from jacks other than the A (MIX) OUTPUT jacks are mixed and output from the A (MIX) OUTPUT jacks.
117 Chapter 3 Selecting Output Jacks Chap.3 Settings in General MIDI Mode Signal (PART) Flow fig.03-004.e Parameters The parameters related to Part output settings are shown below.
118 Chapter 3 Selecting Output Jacks Reverb Send Level Range: 0 – 127 Sets the amount of the Chorus unit ’ s output to be sent to the Reverb. Its final output destination is determined by the Reverb output setting. Reverb Output Assign Range: A – D Selects the OUTPUT jacks to which the Reverb unit ’ s stereo output is routed.
119 Chapter 3 Selecting Output Jacks Chap.3 Digital Connections Using R- BUS The XV-5080 comes equipped with an R-BUS connector. This connector allows you to make an eight-channel digital connection using a single R-BUS cable (RBC-1/RBC-5; optional).
120 Chapter 3 Selecting Output Jacks Eight-Channel R-BUS Digital Connection fig.RBUS-1.e XV-5080 ——– > Device Equipped with R-BUS Connector (One Example) When Making the XV-5080 the Word Clock Master • XV-5080 Settings Master Clock: INTERNAL Master Freq: 44.
121 Chapter 3 Selecting Output Jacks Chap.3 Converting to the Various Digital Formats Digital Output to an ADAT Connect a DIF-AT, and you ’ ll then be able to output to an ADAT. When Making the XV-5080 the Word Clock Master fig.RBUS-2.e Settings • XV-5080 Settings Master Clock: INTERNAL Master Freq: 44.
122 Chapter 3 Selecting Output Jacks Digital Output to a TASCAM DA Series Connecting a DIF-AT then allows you to output to a TASCAM DA Series device. fig.RBUS-3.e When Making the XV-5080 the Word Clock Master Settings You cannot make these settings (the DIF-AT cannot be used as Word Clock Slave with TASCAM devices).
123 Chapter 3 Selecting Output Jacks Chap.3 Digital Output to an AES/EBU Device Connecting an AE-7000 then allows you to output to an AES/EBU device. When Making the XV-5080 the Word Clock Slave Settings fig.
124 Chapter 3 Selecting Output Jacks Synchronizing the XV-5080 to the Word Clock arriving at WORD CLOCK IN fig.RBUS-6.e Settings • XV-5080 Settings Master Clock: WORD CLOCK IN • Word Clock Master Device Settings Set the sampling rate for the device acting as Word Clock Master to 44.
125 Chapter 4 Creating Patches Types of Patches and Their Composition The basic unit of sound used in performances on the XV-5080 is called a Patch; there are two types of Patches, Four-Tone Patches and Multi-Partial Patches. The Patch type is determined by the Tone type setting, in the Patch Common screen (p.
126 Chapter 4 Creating Patches Multi-partial Patch Patches using data loaded into the XV-5080 from sampler libraries are of this type. Multi-Partial Patches are created by assigning the constituent sounds, called Partials, to the keys on the keyboard, with up to 88 Partials being assignable.
127 Chapter 4 Creating Patches Chap.4 Settings Common to the Entire Patch Setting Procedure: 1. Select the Patch you ’ re going to use. 2. Press [F1 (COMMON)]. 3. Use [F1] – [F5] to select the page containing the parameter you wish to set. * When the setting pages are displayed, you can press TONE SWITCH [1]–[4] to turn each Tone on/off.
128 Chapter 4 Creating Patches INDIV 1 – 8: The Patch is sent to the selected INDIVIDUAL 1 – 8 jack. (Mono output) TONE/KEY: The output routing is determined by the settings of each Tone/Partial. Octave&Tune (Patch Octave & Tune) Octave Shift Range: -3 – +3 Sets the pitch of the Patch in units of an octave (+/-3 octaves).
129 Chapter 4 Creating Patches Chap.4 Release Offset Range: -63 – +63 This simultaneously lowers or raises the individual TVA ENVELOPE T4 values of the Tones/Partials in the Patch.
130 Chapter 4 Creating Patches that uses multiple tones, it may stop being heard in MONO. When making large pitch changes, set the Legato Retrigger to “ON.
131 Chapter 4 Creating Patches Chap.4 Structure (Patch Structure) These parameters can be set only for Four-Tone Patches. PATCH Common Structure page ([PATCH] - [F3 (Struct)]) fig.04-011.e_70 Tone 1&2/Tone 3&4 Determines how Tone 1 and 2, or Tone 3 and 4 are connected.
132 Chapter 4 Creating Patches other Tone to be connected in the simple order of WG/TVF/ TVA. Booster (Booster Gain) Range: 0/+6/+12/+18 If the “ Type ” parameter has been set to 3 or 4, you can set the Booster strength. The Booster amplifies the incoming signal, causing it to distort.
133 Chapter 4 Creating Patches Chap.4 U.F (TMT Keyboard Fade Width Upper) Range: 0 – 127 Determines what will happen to the Tone ’ s level when a note that ’ s higher than the Tone ’ s specified keyboard range is played. Higher settings result in a more gradual change in volume.
134 Chapter 4 Creating Patches U.F (TMT Velocity Fade Width Upper) Range: 0 – 127 This determines what will happen to the Tone ’ s level when the Tone is played at a velocity greater than its specified velocity range. Higher settings result in a more gradual change in volume.
135 Chapter 4 Creating Patches Chap.4 fig.04-027.e 5. Press [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter you want to set. 6. Turn the VALUE dial or press [INC]/[DEC] to select the desired value.
136 Chapter 4 Creating Patches The following diagram shows an example of a sound – an electric organ – that combines one-shot and looped waveforms. fig.04-030.e Notes for Editing One-Shot Waveforms You cannot give a one-shot waveform a longer decay — or make it into a sustaining sound — by using an envelope.
137 Chapter 4 Creating Patches Chap.4 Gain (Wave Gain) Range: -6/0/+6/+12 Specifies the gain (amplitude) of the waveform. The value changes in 6 dB (decibel) steps — an increase of 6 dB doubles the waveform ’ s gain. If you intend to use the Booster to distort the waveform ’ s sound, set this parameter to its maximum value.
138 Chapter 4 Creating Patches Time (Tone Delay Time) Range: 0 – 127/Note Specifies the time after which the Tone will sound when using Tone Delay. When the Type parameter (STRUCT page) has a setting of 2 – 10, the outputs of Tones 1 (3) and 2 (4) will be combined with Tone 2 (4).
139 Chapter 4 Creating Patches Chap.4 Depth (Pitch Envelope Depth) Range: -12 – +12 Determines the amount of pitch enveloping to be used. Higher values will cause greater change. Negative (-) settings invert the direction of the changes made by the Pitch Envelope.
140 Chapter 4 Creating Patches point, then go back and forth between the Loop Start point and the Loop End point. REV-ONE (Reverse One-shot) The sample will be played back only once from the Loop End point to the Start point in the reverse direction.
141 Chapter 4 Creating Patches Chap.4 filter reduces the frequencies more gently than LPF2. This can be very effective with acoustic-instrument-based Tones, since nothing is done to weaken the power and energy of the sound. * This disables the Resonance setting.
142 Chapter 4 Creating Patches PATCH TVF Envelope page ([PATCH] - [F3 (TVF)] - [F2 (TVF Env)]) fig.04-044.e_70 TVF Envelope These parameters determine the amount of filter enveloping – changes to yo.
143 Chapter 4 Creating Patches Chap.4 Changing the Volume and Stereo Location ([F4 (TVA)]) The TVA (Time Variant Amplifier) controls volume changes to the Tone as well as its stereo positioning. PATCH TVA Parameter page ([PATCH] - [F4 (TVA)] - [F1 (TVA Prm)]) fig.
144 Chapter 4 Creating Patches Keyfollow (Tone Pan Keyfollow) Range: -100 – +100 Use this parameter when you want each note ’ s keyboard position to affect its stereo location.
145 Chapter 4 Creating Patches Chap.4 Applying Vibrato or Tremolo ([F5 (LFO&CTL)]) The LFO (Low Frequency Oscillator) can alter various Tone settings in a back-and-forth, cyclic manner.
146 Chapter 4 Creating Patches Fade (LFO Fade) Mode (LFO Fade Mode) Sets how the LFO will be applied. Available Settings: ON-IN: The LFO will fade in after the key is pressed. fig.04-051.e ON-OUT: The LFO will be immediately applied when the key is pressed, and will then fade out.
147 Chapter 4 Creating Patches Chap.4 PITCH ENV: Pitch envelope TVF ENV: TVF envelope TVA ENV: TVA envelope Destination Selects the parameters to be controlled. (p. 218) Sens (Sensitivity) Range: -63 – +63 Adjusts the amount of change that will occur in response to controller changes.
148 Chapter 4 Creating Patches Creating Multi-Partial Patches When creating and playing Multi-Partial Patches, you must have a separate device to load samples from a sampler library or other source to the XV-5080. First, load a Patch or Performance from the sound library (such as the optional L-CDX Series).
149 Chapter 4 Creating Patches Chap.4 Assign (Assign Type) Selects the range over which the Split settings are applied. MULTI: The settings affect all Partials. SINGLE: The settings affect a single selected Partial. MIDI (MIDI Switch) Range: OFF/SELECT/SET Determines whether or not selections and settings are be made with a MIDI keyboard.
150 Chapter 4 Creating Patches Editing Samples PATCH WG SMT#1 page ([PATCH] - [F2 (WG)] - [F2 (SMT)]) fig.04-061.e_70 SMT (Sample Mix Table) The SMT number is displayed. No. (Sample Number) Specify the number of the Sample to be assigned. Name (Sample Name) The name of the assigned sample will be displayed.
151 Chapter 4 Creating Patches Chap.4 PATCH WG SMT#2 page ([PATCH] - [F2 (WG)] - [F2 (SMT)]) fig.04-063.e_70 SMT Velocity Control (SMT Velocity Control Switch) Range: OFF/ON Determines whether Velocity messages from a MIDI keyboard or sequencer will be recognized (ON), or ignored (OFF).
152 Chapter 4 Creating Patches ONE SHOT: The sample will be played back only once, from the Start point to the Loop End point. ALT (Alternate): When the sample has been played back from the Start point to the Loop End point, playback will repeat to the Loop Start point, then go back and forth between the Loop Start point and the Loop End point.
153 Chapter 4 Creating Patches Chap.4 keyboard to select the pertial. PATCH TVF Parameter page ([PATCH] - [F3 (TVF)] - [F1 (TVF Prm)]) fig.04-066.e_70 TVF Filter Type (TVF Filter Type) Selects the filter type. A filter typically reduces, or attenuates, a specific frequency range within a Tone in order to accentuate its other frequencies.
154 Chapter 4 Creating Patches PATCH TVF Envelope page ([PATCH] - [F3 (TVF)] - [F2 (TVF Env)]) These parameters determine the amount of filter enveloping – changes to your original cutoff frequency setting that occur over time – the effect of velocity on the TVF envelope, and the basic characteristics of the TVF envelope itself.
155 Chapter 4 Creating Patches Chap.4 Making the Volume Change ([F4 (TVA)]) Press [F5 (Global)] to turn Global on and display the " ✔ " to the left of the function name; the same settings are applied to all Partials used in the Patch being edited.
156 Chapter 4 Creating Patches Level (TVA Envelope Level 1 – 3) Range: 0 – 127 Each TVA envelope level value determines an amount of change to be applied to the original Tone level setting.
157 Chapter 4 Creating Patches Chap.4 Rate (LFO Rate) Range: 0 – 127 Adjusts the basic modulation rate, or speed, of the LFO. Detune (LFO Rate Detune) Range: 0 – 127 Changes the rate of the LFO.
158 Chapter 4 Creating Patches Destination Selects the parameters to be controlled. (p. 218) Sens (Sensitivity) Range: -63 – +63 Adjusts the amount of change that will occur in response to controller changes. Negative (-) values invert the change. Negative (-) settings will invert the phase.
159 Chapter 5 Creating a Performance How a Performance Is Organized With Performances, you can combine a total of up to 32 separate Patches and Rhythm Sets to enjoy ensemble performances featuring rich tones. In other words, using Performances allows you to control 32 separate tones with a single XV-5080.
160 Chapter 5 Creating a Performance * This setting is linked to the setting for the Solo Part Select parameter (Performance Common page; p. 160). * Even with Solo Part specified here, no sound will be produced if the MIDI Rx (Performance MIDI #1 page) for the selected part is switched to “OFF.
161 Chapter 5 Creating a Performance Chap.5 5. Turn the VALUE dial or press [INC]/[DEC] to select the desired value. * If you make a mistake when setting a parameter’s value, or you don’t like the change you have made, just press [UNDO] to restore the original value of the parameter.
162 Chapter 5 Creating a Performance K.L (Part Keyboard Range Lower) Range: C -1 – G9 Specifies the lowest note that will cause the Part to play its sound. K.U (Part Keyboard Range Upper) Range: C -1 – G9 Specifies the highest note that will cause the Part to play its sound.
163 Chapter 5 Creating a Performance Chap.5 Bend Range (Part Pitch Bend Range) Range: 0 – 48/PATCH Sets the amount of pitch change that will occur when you move the Pitch Bend lever. The amount of change when the lever is tilted is set to the same value for both left and right sides.
164 Chapter 5 Creating a Performance Release Offset (Part Release Time Offset) Range: -64 – +63 Sets the relative proportion of change in the TVF/TVA Envelope T4 value set for each tone comprising the Patch or Rhythm Set assigned to the part. * Patches also contain a Release Time Offset setting.
165 Chapter 5 Creating a Performance Chap.5 MIDI IN1 (Part MIDI IN 1 Receive Switch) Range: OFF/ON Sets whether each Part will receive MIDI messages (ON) or not (OFF) from the MIDI IN 1 connector. MIDI IN2 (Part MIDI IN 2 Receive Switch) Range: OFF/ON Sets whether each Part will receive MIDI messages (ON) or not (OFF) from the MIDI IN 2 connector.
166 Chapter 5 Creating a Performance Expression (Receive Expression Switch) Range: OFF/ON Sets whether the MIDI channel will receive MIDI Expression messages (ON) or not (OFF). Hold-1 (Receive Hold 1 Switch) Range: OFF/ON Sets whether the MIDI channel will receive MIDI Hold 1 messages (ON) or not (OFF).
167 Chapter 5 Creating a Performance Chap.5 5. Press [ ]/[ ]/[ ]/[ ] to move the cursor to “ Type. ” 6. Turn the VALUE dial to select “ PART. ” 7. Press [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter you want to set. 8. Either by rotating the VALUE dial or by pressing [INC]/ [DEC], set the value.
168 Chapter 6 Creating Rhythm Sets How Percussion Instruments Are Organized Rhythm sets are groups of a number of different percussion instrument sounds.
169 Chapter 6 Creating Rhythm Sets Chap.6 Settings Common to an Entire Rhythm Set Setting Procedure: 1. Select the Rhythm Set you wish to use. 2. Press [F1 (Common)]. 3. Use [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter you want to set. 4. Turn the VALUE dial or by press [INC]/[DEC], to select the desired value.
170 Chapter 6 Creating Rhythm Sets Setting up Individual Rhythm Tones The parameters that can be set for each Rhythm Tone of the Rhythm Set are assigned to [F2] – [F5] as follows.
171 Chapter 6 Creating Rhythm Sets Chap.6 vibrations and the hollow sounds of brass instruments. The following diagram shows an example of a sound — an electric organ — that combines one-shot and looped waveforms.
172 Chapter 6 Creating Rhythm Sets WAVE Group (Wave Group) Selects the group for the waveform that is to be the basis of the Rhythm Tone. Available Settings: INT: Waveform stored in the XV-5080 ’ s memory. XP-A – H: Waveform on the wave expansion boards A – H.
173 Chapter 6 Creating Rhythm Sets Chap.6 RHYTHM WG Pitch page ([RHYTHM] - [F2 (WG)] - [F2 (Pitch)]) fig.06-008.e_70 Pitch (Rhythm Tone Pitch) Coarse Tune (Rhythm Tone Coarse Tune) Range: C-1 – G9 Adjusts the pitch of the Tones in semitone steps over a range of +/-4 octaves.
174 Chapter 6 Creating Rhythm Sets Time4 (Pitch Envelope Time 4 Velocity Sensitivity) Range: -63 – +63 Use this parameter when you want keyboard playing dynamics (velocity) to affect T4 (Time 4) of the pitch envelope. With higher settings, the T4 value will change more significantly depending on whether you release the key slowly or quickly.
175 Chapter 6 Creating Rhythm Sets Chap.6 Loop Mode (Loop Mode) Displays the loop mode of the loaded Sample. Available Settings: FWD (Forward): After the Sample played back from the Start point to the Loop End point, it will then be repeatedly played back in the forward direction, from the Loop Start point to the Loop End point.
176 Chapter 6 Creating Rhythm Sets cutoff frequency by raising their level. You can use this to create wah-wah effects by employing an LFO to change the cutoff frequency cyclically. LPF2: Low Pass Filter 2. This reduces the volume of all frequencies above the cutoff frequency.
177 Chapter 6 Creating Rhythm Sets Chap.6 RHYTHM TVF Envelope page ([RHYTHM] - [F3 (Key TVF)] - [F2 (TVF Env)]) fig.06-016.e_70 TVF Envelope These parameters determine the amount of filter enveloping .
178 Chapter 6 Creating Rhythm Sets V-Curve (TVA Level Velocity Curve) Range: FIXED/1 – 7 This setting allows you to select from seven velocity curves that determine how the force with which the keyboard is played is to affect the Tone ’ s volume. The selected curve is displayed to the below of its parameter value.
179 Chapter 6 Creating Rhythm Sets Chap.6 Other Settings ([F5 (Key Ctl)]) RHYTHM Key Control page ([RHYTHM] - [F5 (Key Ctl)]) fig.06-020.e_70 Control Bend Range (Tone Pitch Bend Range) Range: 0 – 48 Sets the amount of pitch change that will occur when you move the Pitch Bend lever.
180 Chapter 6 Creating Rhythm Sets Copying Settings from Some Other Rhythm Tone The Rhythm Tone settings in a Rhythm Set you select can be copied to the current Rhythm tone. This can save you a great deal of time and effort when editing sounds. 1. Confirm that the copy-destination Rhythm Tone is currently selected.
181 Chapter 7 Loading a Variety of Data Loading Sampler Libraries (CD-ROM) Now let ’ s try loading a sampler library (such as the optional L-CDX Series) into the XV-5080 and playing some sounds.
182 Chapter 7 Loading a Variety of Data 1. Turn off the power on the XV-5080 and any connected devices, and disconnect any cables connected to the XV- 5080. 2. Detach the cover on the top of the XV-5080. fig.07-002.e 3. The order in which the slots are used when installing the SIMMs depends on the number of SIMMs added.
183 Chapter 7 Loading a Variety of Data Chap.7 Installation de la carte d'extension Wave (French language for Canadian Safety Standard) Les cartes d'exten-sion Wave contiennent des donnees W.
184 Chapter 7 Loading a Variety of Data 1. É teindre le XV-5080 et tout l ’é quipement qui y est reli é . Ensuite, d é connecter tous les c â bles qui sont reli é s au XV-5080.
185 Chapter 7 Loading a Variety of Data Chap.7 Connecting a CD-ROM Drive fig.07-005.e 1. Turn off the power of the XV-5080 and any connected external devices. 2. Connect the XV-5080 and the CD-ROM drive with a SCSI cable (one equipped with a 25-pin D-sub type connector at the XV-5080 end).
186 Chapter 7 Loading a Variety of Data 10. Turn the VALUE dial or press [ ] or [ ] to select the file to be loaded and press [F5 (Mark)]; a “ ✔ ” is added. * Press [F4 (Mk All) if you want to set markers for all files. Press it again to remove all markers.
187 Chapter 7 Loading a Variety of Data Chap.7 About Each Sampler Library Folder Type (Display) In the case of the S-700 series <Volume>: This indicates Volume folders. <Performance>: This indicates Performance folders. <Patch>: This indicates Patch folders.
188 Chapter 7 Loading a Variety of Data About the Display of Folder Categories in Sampler Libraries S-700 Series files have the category indicated. The following categories can be selected.
189 Chapter 7 Loading a Variety of Data Chap.7 Auto Load This selects the folder (<Sample>) to which samples are automatically loaded when the XV-5080 ’ s power is turned on. * If you select Auto Load, the display will show a message for ten seconds, informing you that “Samples for automatic loading were found.
190 Chapter 7 Loading a Variety of Data Playing Back Loaded Sampler Libraries Patches and Performances loaded from CD-ROMs are recorded in the USER Group. After selecting a Patch or Performance in the USER Group, you can then play the sounds. 1. Press [USER], getting the indicator to light.
191 Chapter 7 Loading a Variety of Data Chap.7 You can also sort files. When you press [F3 (Sort)] the window for selecting the type of sort is displayed. Turn the VALUE dial or press [ ] or [ ] to select the way you want the files to be sorted, then press [F6 (OK)].
192 Chapter 7 Loading a Variety of Data fig.07-04.e_70 f 5. Turn the VALUE dial or press [ ] or [ ] to select the Sample to be transmitted, then press [F5 (Mark)]. Press [F4 (Mk All) if you want to set markers in all samples. Press this once more to remove all markers.
193 Chapter 7 Loading a Variety of Data Chap.7 Automatically Creating Multi- Partial Patches (Create Patch) This creates Partials from samples loaded to the SIMM, assigns the samples to the original key, and automatically creates a Multi-Partial Patch.
194 Chapter 8 Saving Tones and Other Data You ’ ve Created Saving Edits to the XV- 5080 ’ s Internal Memory (Write) If you turn the power off or select another Patch, Performance, or Rhythm Set after you have modified a Patch, Performance or Rhythm Set, the changes you have made will be lost.
195 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performance After changing the settings for the Patch.
196 Chapter 8 Saving Tones and Other Data You ’ ve Created Formatting a Memory Card This function initializes (formats) a memory card so that XV- 5080 data can be saved onto it. Before a new memory card or a memory card used on another device can be used on the XV-5080, it must be formatted on the XV-5080.
197 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 If samples not loaded into the SIMM memory are found in the save destination memory card, those samples will be deleted from the memory card. The sample is automatically registered to an empty bank in CARD A-H.
198 Chapter 8 Saving Tones and Other Data You ’ ve Created By pressing [F2 (View)], you can specify the category of files to be displayed. Turn the VALUE dial or press [ ] or [ ] to select the category to be loaded, then press [F5 (Mark)]. Press [F4 (Mk All) if you want to set markers for all files.
199 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 <Registering to Banks (Regstry)> 1. Press [DISK], lighting the indicator. 2. Press [F5 (Tool)]. 3. Press [F5 (Regstry)]. The Card&Disk Card Registration page appears. fig.08-05.
200 Chapter 8 Saving Tones and Other Data You ’ ve Created Saving All Data to Zip Disk ([DISK] - [F2 (SAVE)]) By connecting a SCSI-compatible Zip drive (optional ZIP- EXT-2S), you can take all of th.
201 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 [F2 ( ← Prev)]: To move back one character. [F4 (Insert)]: To insert a space. [F5 (Delete)]: To delete the character at the cursor position. The Save what from SIMM? window will appear.
202 Chapter 8 Saving Tones and Other Data You ’ ve Created Initializing a Sound This function resets all of the parameters in the current Patch, Performance, Rhythm Set or Rhythm Tone to their standard or factory default settings.
203 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 Use [ ] [ ] to move the cursor to Key, and either rotate the VALUE dial, or press [INC] [DEC] to select the key. You can also use TONE SELECT [1] – [4] to select the percussion instrument sound you wish to edit, according to the key that plays it.
204 Chapter 8 Saving Tones and Other Data You ’ ve Created Source You can specify the data to be transmitted by selecting the appropriate combination shown below. For example, if you wish to transmit the USER group Patches 001 – 020, you would specify “ PATCH USER: 001 – 020.
205 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 TYPE BLOCK ALL PR-A, B *1 PERFORM USER *2 01 – 64 PR-A, B 01 – 32 CARD 01 – 64 *6 PATCH USER *2 001 – 128 PR-A – G *3 001 .
206 Chapter 8 Saving Tones and Other Data You ’ ve Created 6. Press [EXIT] several times to return to the applicable PLAY page. * Even if the Internal Write Protect setting is “ON” (write prohibit), incoming System Exclusive messages can rewrite the User memory data if the Exclusive Protect setting is set to “OFF” (write permit).
207 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 Registering Favorite Patches in the FAVORITE LIST You can bring together your favorite and most frequently used Patches in one place by registering them in the FAVORITE LIST.
208 Chapter 9 Other Settings/Status Checks Settings Common to the Entire XV-5080 ([SYSTEM/ UTILITY] - [F1 (General)]) fig.09-001.e_70 Setting Procedure: 1. Press [SYSTEM/UTILITY], getting the indicator to light. * If the indicator is blinking, you are in UTILITY mode.
209 Chapter 9 Other Settings/Status Checks Chap.9 Setting the Tuning and Volume Settings Master The Master Tune and Master Key Shift settings are common to all Patches, Performances, Rhythm Sets, and the GM Mode. Level (Master Level) Range: 0–127 Adjusts the volume of the entire XV-5080.
210 Chapter 9 Other Settings/Status Checks 5. Either turn the VALUE dial, or press [INC]/[DEC] to select the desired value. * If you’ve made a mistake, simply press [UNDO]. The value of the parameter will be restored to what it was when you first positioned the cursor there.
211 Chapter 9 Other Settings/Status Checks Chap.9 Making the Equalizer Settings ([SYSTEM/UTILITY] - [F2 (Outp&EQ)] - [F2 (EQ)]) You can set the equalization for each of the output jacks. * ON and OFF are applied to all of the equalizers as a group.
212 Chapter 9 Other Settings/Status Checks Setting the MIDI Channel The XV-5080 produces sound, and can change its internal settings in response to MIDI messages that it receives from other devices. In order for this to occur, the MIDI transmission channels of the external device must match the MIDI reception channels of the XV-5080.
213 Chapter 9 Other Settings/Status Checks Chap.9 MIDI IN connectors The XV-5080 has two MIDI IN connectors. By providing for the use of two MIDI IN connectors, the XV-5080 readily accommodates a broad variety of performance situations.
214 Chapter 9 Other Settings/Status Checks fig.09-MIDI IN-5.e In Performance Mode The instrument operates as a Performance (32-part) sound module and a 16-part GM2 sound module (for a total of 48 parts). In this case, the MIDI IN 2 Receive switch settings for the Performance ’ s parts are disabled (always OFF).
215 Chapter 9 Other Settings/Status Checks Chap.9 Selecting Common Controllers ([SYSTEM/ UTILITY] - [F4 (Control)]) These settings allow you to choose four MIDI controllers for global use when controlling the parameters of any Patch or Performance.
216 Chapter 9 Other Settings/Status Checks SCSI ID XV-5080 Self The current SCSI ID number of the XV-5080 will be displayed..
217 Chapter 10 Examples of Applications Using the XV-5080 Controlling the XV-5080 in Real Time Using an External MIDI Device External MIDI controllers (modulation lever, foot switch, expression pedal, etc.) can be used to modify Multi-effects settings or Tone settings in real time.
218 Chapter 10 Examples of Applications Using the XV-5080 MFX Control Destination Selects the Multi-effects parameter to be controlled using the MFX Control 1 – 4 source. The parameters that can be selected depend on which type of Multi-effects is set to MFX Type.
219 Chapter 10 Examples of Applications Using the XV-5080 Chap.10 PAN TVA ENV A-TIME TVA ENV D-TIME TVA ENV R-TIME Sens Range: -63 – +63 Adjusts the amount of change that will occur in response to controller changes. Negative (-) values invert the change.
220 Chapter 10 Examples of Applications Using the XV-5080 64:STEREO PHASER2 Rate,Step Rate 65:STEREO AUTO WAH Rate 66:ST FORMANT FILTER Rate 67:MULTI TAP DELAY 2 Delay1-4 68:REVERSE DELAY 2 Delay1-4 6.
221 Chapter 10 Examples of Applications Using the XV-5080 Chap.10 You can play these phrase loops in sync with the System Tempo. 1. On the PATCH PLAY page, select a Patch that uses a phrase loop. 2. Set the Patch Clock Source parameter (PATCH Common General #2 page) to “ SYSTEM.
222 Chapter 10 Examples of Applications Using the XV-5080 in pitch with the Control Number 6 (Data Entry MSB) and Control Number 38 (Data Entry LSB) settings. There is no change in pitch when Data Entry MSB is set to “ 64 ” and Data Entry LSB to “ 0.
223 Chapter 10 Examples of Applications Using the XV-5080 Chap.10 Applications for Matrix Control Controlling the TMT with the LFO and Changing the Tone ’ s Cycle Time Plays When TMT (Tone Mix Table.
224 Chapter 10 Examples of Applications Using the XV-5080 Using the XV-5080 as a General MIDI Sound Module The XV-5080 features a GM mode (GM2) — a convenient way to play back or create GM score data (music files for General MIDI sound module).
225 Chapter 10 Examples of Applications Using the XV-5080 Chap.10 Turning Effects On/Off fig.10-004.e_70 1. Press [EFFECTS ON/OFF]. 2. Use [ ] or [ ] to select the effects device to be turned on or off. 3. Pressing [INC] turns it on and pressing [DEC] turns it off.
226 Chapter 10 Examples of Applications Using the XV-5080 Key Mode Mono/Poly (Part Mono/Poly) Range: MONO/POLY Specifies whether the Part will play polyphonically (POLY) or monophonically (MONO). The MONO setting is effective when playing a solo instrument Patch such as sax or flute.
227 Chapter 10 Examples of Applications Using the XV-5080 Chap.10 Making MIDI Settings for Each Part ([F4 (MIDI)]) fig.10-007.e_70 PART MIDI Receive Channel (MIDI Channel) Range: 1 – 16/OFF Specifies the MIDI channel for each Part.
228 Chapter 10 Examples of Applications Using the XV-5080 GM Effects Reverb page ([F5 (Effects)] - [F3 (Reverb)]) GM mode reverb settings are made here. In GM mode, the reverb effect settings for the GM Patch assigned to each Part will be ignored (except for the Send Level parameter).
229 Chapter 10 Examples of Applications Using the XV-5080 Chap.10 Initializing GM Settings (Init) As GM Initialize initializes only GM mode settings, data stored in user memory will not be initialized. If you want to restore the factory values of all settings, carry out Factory Reset (p.
230 Chapter 10 Examples of Applications Using the XV-5080 6. Press [EXIT] several times to return to the applicable PLAY page. * Even if the Internal Write Protect setting is “ON” (write prohibit), incoming System Exclusive messages can rewrite the User memory data if the Exclusive Protect setting is set to “OFF” (write permit).
231 Appendices.
232 Troubleshooting If no sound can be heard, or if the unit does not perform as you expect, check the following points first. If this does not resolve the problem, contact your dealer or a nearby Roland service station. * If a message appears during operation, consult the following section (p.
233 Troubleshooting Appendices Effects do not apply Are [MFX], [CHORUS], and [REVERB] turned off? • Press the corresponding button to turn on the indicator. Are the various effect settings correct? • If the send levels to each effect are at 0, effects will not apply.
234 Troubleshooting the power in the proper sequence. If the device is still not being recognized, even with the setting at the maximum value, then that SCSI device cannot be used with the XV- 5080.
235 Appendices Error Messages If there has been a mistake in operation, or if the XV-5080 is unable to continue processing as you directed, an error message will appear in the display. Take the appropriate action for the displayed error message. This section gives the error messages in alphabetical order.
236 Error Messages File Name (Folder, Volume)Format Error Situation: A file name has not been assigned. Action: Assign a file name. File not Found Situation: The specified file was not found. Action: Insert the memory card that contains the specified file, and try the operation once again.
237 Error Messages Appendices Memory Card Write Protected Situation: Since a write protect sticker is affixed to the memory card, data cannot be saved to the card bank. Action: Remove the write protect sticker from the memory card. Memory Error! Cause: For some reason, wave memory cannot be read or written.
238 Error Messages Source Disk Incorrect! Cause: The operation you are attempting to execute does not support this media. Action: Do not select this media as the object of the operation. This Will Clear the File(s)/Folder(s).Are You Sure? Condition: The file(s) or folder(s) will be deleted from the disk.
239 Appendices About SCSI Connecting a SCSI device In order to load wave data from a sound library (a CD-ROM containing sounds or phrases) into the XV-5080, or to save data on a removable disk or hard disk, you will need to connect a separately available SCSI device.
240 About SCSI sure to turn it on. For details on attaching an active terminator, refer to the owner ’ s manual of your SCSI device. * On some SCSI devices, the terminator switch is always on (i.e., the terminator is always active). Attach such devices at the end of the SCSI chain.
241 Appendices Parameter List ■ Patch Parameters PATCH Common General #1 ([PATCH]-[F1(Common)]-[F1(General)])(p. 127) Group Parameter Value Common Name Patch name ASCII Characters (max.
242 Parameter List PATCH Common TMT Vel Range ([PATCH]-[F1(Common)]-[F5(V.Range)])(p. 133) Group Parameter Value TMT Velocity Control Switch TMT Velocity control switch OFF, ON, RANDOM TMT Matrix Control Switch TMT Matrix control switch OFF, ON TMT VEL RANG L.
243 Parameter List Appendices PATCH TVF Parameter ([PATCH]-[F3(TVF)]-[F1(TVF Prm)])(p. 140) Group Parameter Value TVF Filter type Filter type OFF, LPF, BPF, HPF, PKG, LPF2, LPF3 Cutoff freq Cutoff fre.
244 Parameter List PATCH LFO&Ctrl LFO1, LFO2 ([PATCH]-[F5(LFO&CTL)]-[F1(LFO1)])(p. 145) Group Parameter Value Wave Form LFO form SIN,TRI, SAW-UP, SAW-DW, SQR, RND, BEND-UP, BEND-DW, TRP, S&.
245 Parameter List Appendices PATCH Effects General ([PATCH]-[F6(Effects)]-[F1(General)])(p. 25) Group Parameter Value Patch Output Assign MFX, A – D, 1 – 8, TONE Tone Output Assign MFX, OUTPUT A .
246 Parameter List ■ Multi Partial Patch Parameters PATCH Common Split ([PATCH]-[F1(Common)]-[F3(Split)])(p. 148) Group Parameter Value Note --- Note Number A0 – C8 No. --- Partial Number --- Partial Name --- Partial Name --- L.P --- Lower Key Point A0 – C8 U.
247 Parameter List Appendices PATCH TVF Envelope ([PATCH]-[F3(TVF)]-[F2(TVF Env)])(p. 154) Group Parameter Value TVF Envelope Depth TVF envelope depth -63 – +63 Time Keyfollow TVF envelope time keyf.
248 Parameter List PATCH LFO&Ctrl Control #2 ([PATCH]-[F5(LFO&Ctl)]-[F2(Control)])(p. 157) Group Parameter Value Matrix Control 3 Source Control source3 (*1) Destination Destination Control3 D.
249 Parameter List Appendices ■ Performance Parameters PERFORMANCE Common ([PERFORMANCE]-[F1(Common)])(p. 160) Group Parameter Value Performance Name Name Performance Name ASCII Character (12 characters max) Solo Part Select Number Solo Part Number OFF, PART1-32 PERFORMANCE Key Range ([PERFORMANCE]-[F2(K.
250 Parameter List PERFORMANCE MIDI #2 MIDI Filter ([PERFORMANCE]-[F4(MIDI)])(p. 165) Group Parameter Value MIDI Message Program Change Receive program change switch OFF, ON Bank Select Receive bank s.
251 Parameter List Appendices PERFORMANCE Effects MFX Control #2 ([PERFORMANCE]-[F5(Effects)]-[F3(MFX Ctl)])(p. 31) Group Parameter Value Source Control 1 MFX control source 1 (*1) Control 2 MFX contr.
252 Parameter List ■ Rhythm Set Parameters RHYTHM Common ([RHYTHM]-[F1(Common)])(p. 169) Group Parameter Value Common Name Rhythm set name ASCII Characters (max.
253 Parameter List Appendices RHYTHM WG WMT Vel Range ([RHYTHM]-[F2(Key WG)]-[F4(V.Range)])(p. 174) Group Parameter Value Velocity Control Switch Velocity Control Switch OFF, ON, RANDOM L.F Velocity fade width lower 0 – 127 V.L Velocity range lower 1 – UPPER V.
254 Parameter List RHYTHM Key Control ([RHYTHM]-[F5(Key Ctl)])(p. 179) Group Parameter Value CONTROL Bend Range Bend range 0 – 48 Envelope Mode Envelope mode NO SUS, SUSTAIN Mute Group Mute group OF.
255 Parameter List Appendices ■ GM Mode Parameters GM Control ([GM]-[F2(Control)])(p. 225) Group Parameter Value Modify Cutoff offset Cutoff offset -64 – +63 Resonance offset Resonance offset -64 .
256 Parameter List GM Effects General ([GM]-[F6(Info)])(p. 228) Group Parameter Value Infometion Mod Modulation information 0 – 127 Breath Breath information 0 – 127 Foot Foot information 0 – 12.
257 Parameter List Appendices ■ MFX Prameters 1:STEREO EQ(p. 44) Parameter Value Freq/Gain LowFreq Low frequency 200, 400 Hz LowGain Low gain -15 – +15 dB Mid1 Freq Middle 1 frequency 200 – 8000.
258 Parameter List 8:ROTARY(p. 47) Parameter Value Rotary Speed Speed SLOW, FAST Woofer Slow Rate Low frequency slow rate 0.05-10.00 Hz Fast Rate Low frequency fast rate 0.05-10.00 Hz Acceleration Low frequency acceleration 0-15 Level Low frequency level 0-127 Separation Separation 0-127 Tweeter Slow Rate High frequency slow rate 0.
259 Parameter List Appendices 15:STEREO FLANGER(p. 51) Parameter Value Flanger Rate Rate 0.05-10.00 Hz Depth Depth 0-127 Feedback Feedback level -98-+98% Phase Phase 0-180 degree Pre Delay Pre delay time 0.
260 Parameter List 20:QUADRUPLE TAP DELAY(p. 55) Parameter Value Delay Delay 1 Delay time 1 200-1000 ms, note *1 Delay 2 Delay time 2 200-1000 ms, note *1 Delay 3 Delay time 3 200-1000 ms, note *1 Del.
261 Parameter List Appendices 26:OVERDRIVE → CHORUS(p. 59) Parameter Value Overdrive Drive Drive 0-127 Pan Pan L64-0-63R Chorus Pre Delay Chorus pre delay time 0.0-100.0 ms Rate Chorus Rate 0.05-10.00 Hz Depth Chorus depth 0-127 Balance Chorus balance D100:0W-D0:100W Output Level Output level 0-127 27:OVERDRIVE → FLANGER(p.
262 Parameter List 35:CHORUS → DELAY(p. 62) Parameter Value Chorus Pre Delay Chorus pre delay time 0.0-100.0 ms Rate Chorus rate 0.05-10.00 Hz Depth Chorus depth 0-127 Balance Chorus balance D100:0W-D0:100W Delay Time Delay time 0.
263 Parameter List Appendices 43:FORMANT FILTER(p. 66) Parameter Value Overdrive Switch Switch OFF, ON Drive Drive 0 – 127 Filter Vowel 1 Vowel 1 a, e, i, o, u Vowel 2 Vowel 2 a, e, i, o, u Rate Rate 0.
264 Parameter List 47:SHUFFLE DELAY(p. 70) Parameter Value Delay Time Delay time 0 – 1800 ms , note *2 Shuffle Rate Shuffle rate 0 – 100 % Acceleration Acceleration 0 – 15 Feedback Feedback -98 .
265 Parameter List Appendices 51:LOFI NOISE(p. 72) Parameter Value Lo-Fi Type LOFI type 1 – 9 Post Filter Type Post Filter Type OFF, LPF, HPF Cutoff Cutoff Frequency (*1) Radio Noise Detune Radio de.
266 Parameter List 57:GATE(p. 76) Parameter Value Gate Mode Mode GATE, DUCK Attack Time Attack time 0 – 127 Hold Time Hold time 0 – 127 Release Time Release time 0 – 127 Gate Key Key Key SOURCE,.
267 Parameter List Appendices 62:TREMOLO(p. 79) Parameter Value Tremolo Mod Wave Modulation wave TRI, SQR, SIN, SAW1, SAW2 Rate Rate 0.05 – 10.0 Hz, note *2 Depth Depth 0 – 127 EQ Gain Low Low gain -15 – +15 dB High High gain -15 – +15 dB Output Level Output level 0 – 127 63:AUTO PAN(p.
268 Parameter List 68:REVERSE DELAY 2(p. 82) Parameter Value Delay 1-4 Delay time 1-4 0-1500 ms, note *2 Feedback 1, 4 Feedback level 1, 4 -98-+98% HF Damp 1, 4 HF damp 1, 4 200-8000 Hz, BYPASS (*1) L.
269 Parameter List Appendices 72:ROTARY MULTI(p. 86) Parameter Value Sequence OD/Dist Overdrive/Distortion Switch OFF,ON Amp Sim Amp Simulator Switch OFF,ON 3 Band EQ 3 Band EQ Switch OFF,ON Rotary Ro.
270 Parameter List 74:RHODES MULTI(p. 89) Parameter Value Sequence Enhancer Enhancer Switch OFF, ON Phaser Phaser Switch OFF, ON Cho/Flg Chorus/Flanger Switch OFF, ON Tre/Pan Tremolo/Pan Switch OFF, O.
271 Parameter List Appendices 77:STEREO LOFI NOISE(p. 92) Parameter Value Lo-Fi Type LOFI type 1 – 9 Hum Type Hum Type 50, 60 [Hz] LPF Hum LPF (*1) Level Hum Level 0 – 127 Post Filter Type Post Fi.
272 Parameter List 81:GUITAR MULTI A(p. 95) Parameter Value Sequence Comp Cmp Switch OFF,ON OD/Dist Overdrive/Distortion Switch OFF,ON Amp Sim Amp Simulator Switch OFF,ON Delay Delay Switch OFF,ON Cho.
273 Parameter List Appendices 83:GUITAR MULTI C(p. 98) Parameter Value Sequence OD/Dist Overdrive/Distortion Switch OFF,ON Wah Wah Switch OFF,ON Amp Sim Amp Simulator Switch OFF,ON Delay Delay Switch .
274 Parameter List 85:CLEAN GUITAR MULTI B(p. 101) Parameter Value Sequence Wah Wah Switch OFF, ON 3 Band EQ 3 Band EQ Switch OFF, ON Delay Delay Switch OFF, ON Cho/Flg Chorus/Flanger Switch OFF, ON Wah Filter type Filter type LPF, BPF Rate Rate 0.05-10.
275 Parameter List Appendices 88:STEREO SPECTRUM(p. 104) Parameter Value Band Gain 250Hz 250Hz gain -15-+15 dB 500Hz 500Hz gain -15-+15 dB 1000Hz 1000Hz gain -15-+15 dB 1250Hz 1250Hz gain -15-+15 dB 2000Hz 2000Hz gain -15-+15 dB 3150Hz 3150Hz gain -15-+15 dB 4000Hz 4000Hz gain -15-+15 dB 8000Hz 8000Hz gain -15-+15 dB Band Width Q Q 0.
276 Parameter List ■ System Parameters SYSTEM General #1 ([SYSTEM/UTILITY]-[F1(General)])(p. 209) Group Parameter Value Setup LCD Contrast LCD contrast 1 – 10 Patch Remain Patch remain switch OFF,.
277 Appendices Waveform List No. Wave Name 1 StGrand pA L 2 StGrand pA R 3 StGrand pB L 4 StGrand pB R 5 StGrand pC L 6 StGrand pC R 7 StGrand fA L 8 StGrand fA R 9 StGrand fB L 10 StGrand fB R 11 StG.
278 Waveform List No. Wave Name 251 UprightBs 2C 252 Ac.Bass A 253 Ac.Bass B 254 Ac.Bass C 255 Slap Bass 1 256 Slap & Pop 257 Slap Bass 2 258 Slap Bass 3 259 Jz.
279 Waveform List Appendices No. Wave Name 501 DIGI Bell 1+ 502 JD Cowbell 503 Bell Wave 504 Chime 505 Crystal 506 2.2 Bellwave 507 2.2 Vibwave 508 Digiwave 509 DIGI Chime 510 JD DIGIChime 511 BrightD.
280 Waveform List No. Wave Name 751 Rock Tom M f 752 Rock Tom H f 753 Rock Flm L1 754 Rock Flm L2 755 Rock Flm M 756 Rock Flm H 757 Jazz Tom L p 758 Jazz Tom M p 759 Jazz Tom H p 760 Jazz Tom L f 761 .
281 Waveform List Appendices No. Wave Name 1001 REV MplTom2 1002 REV MplTom4 1003 REV 808Tom 1004 REV VerbTomH 1005 REV VerbTomL 1006 REV DryTom H 1007 REV DryTom M 1008 REV RkClH1 p 1009 REV RkClH1mf.
282 MIDI Implementation Model XV-5080 Date May. 20, 2000 Version 1.00 1. Receive data ■ Channel Voice Messages * Not received in Performance mode when the Receive Switch parameter (PERFORM/ PART) is OFF. ● Note off Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H n = MIDI channel number:0H - FH (Ch.
283 MIDI Implementation Appendices * In Performance mode the Part pan parameter (PERFORM/PART) will change. ❍ Expression (Controller number 11) Status 2nd byte 3rd byte BnH 0BH vvH n = MIDI channel number:0H - FH (Ch.
284 MIDI Implementation ❍ General Purpose Controller 8 (Controller number 83) Status 2nd byte 3rd byte BnH 53H vvH n = MIDI channel number:0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) * The Tone Level parameter (PATCH/TONE) of Tone 4 will change.
285 MIDI Implementation Appendices ● OMNI OFF (Controller number 124) Status 2nd byte 3rd byte BnH 7CH 00H n = MIDI channel number:0H - FH (Ch.1 - 16) * The same processing will be carried out as when All Notes Off is received. ● MNI ON (Controller number 125) Status 2nd byte 3rd byte BnH 7DH 00H n = MIDI channel number: 0H - FH (Ch.
286 MIDI Implementation Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 03H Sub ID#2 (Master Fine Tuning) llH Master Fine Tuning LSB mmH Master Fine Tuning MSB F7H EOX (End Of Exclusive) mm, ll : 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.
287 MIDI Implementation Appendices ❍ Scale/Octave Tuning Adjust Status Data byte Status F0H 7EH,7FH,08H,08H,ffH,ggH,hhH,ssH... F7H Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-.
288 MIDI Implementation 7EH ID number (Universal Non-realtime Message) dev Device ID (dev: 00H - 1FH (1 - 32), the initial value is 10H (17).) 7CH ID number (Wait) ppH Packet number F7H EOX (End Of Exclusive) ● Data Transmission This instrument can use exclusive messages to exchange many varieties of internal settings with other devices.
289 MIDI Implementation Appendices ❍ Panpot (Controller number 10) Status 2nd byte 3rd byte BnH 0AH vvH n = MIDI channel number:0H - FH (Ch.1 - 16) vv = Panpot: 00H - 40H - 7FH (Left - Center - Right), Initial value = 40H (Center) ❍ Portamento (Controller number 65) Status 2nd byte 3rd byte BnH 41H vvH n = MIDI channel number:0H - FH (Ch.
290 MIDI Implementation ● Sample Dump Standard * Transmitted only in Sample Dump mode. ❍ Dump Header Status Data byte Status F0H 7EH, dev, 01H, ssH, ssH, eeH, ffH, ffH, ffH, ggH, F7H ggH, ggH, hhH.
291 MIDI Implementation Appendices | 00 00 00 | Temporary Patch *1-3-1| | 10 00 00 | Temporary Rhythm *1-3-2| +—————————————————————————————.
292 MIDI Implementation |—————————————+———————————+—————————————————————————————————.
293 MIDI Implementation Appendices |# 01 0D | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | MFX Parameter 32 (12768 - 52768) | | | | -20000 - +20000 | |—————————.
294 MIDI Implementation | | | -64 - +63 | | 00 14 | 0aaa aaaa | Part Release Time Offset (CC# 72) (0 - 127) | | | | -64 - +63 | |—————————————+——————————.
295 MIDI Implementation Appendices | | | TVA-ATK, TVA-DCY, TVA-REL, | | | | TMT, FXM, MFX1, MFX2, MFX3, MFX4 | | 00 45 | 0aaa aaaa | Matrix Control 3 Sens 4 (1 - 127) | | | | -63 - +63 | |————.
296 MIDI Implementation | 00 03 | 0000 00aa | Chorus Output Select (0 - 2) | | | | MAIN, REV, MAIN+REV | |—————————————+———————————+——————.
297 MIDI Implementation Appendices | | | 600, 700, 800, 900, 1000, 1100, | | | | 1200 | | 00 04 | 0aaa aaaa | Tone Pan (0 - 127) | | | | L64 - 63R | | 00 05 | 000a aaaa | Tone Pan Keyfollow (54 - 74) .
298 MIDI Implementation | | | 32 - 127 [ASCII] | | 00 01 | 0aaa aaaa | Rhythm Name 2 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 02 | 0aaa aaaa | Rhythm Name 3 (32 - 127) | | | | 32 - 127 [ASCII] | | 0.
299 MIDI Implementation Appendices |# 00 14 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 5 (12768 - 52768) | | | | -20000 - +20000 | |# 00 18 | 0000 aaaa | | | .
300 MIDI Implementation | 00 3C | 0aaa aaaa | WMT1 Velocity Fade Width Lower (0 - 127) | | 00 3D | 0aaa aaaa | WMT1 Velocity Fade Width Upper (0 - 127) | |—————————————+—.
301 MIDI Implementation Appendices | 40 01 39 | 0aaa aaaa | Chorus Pre-LPF (0 - 7) | | 40 01 3A | 0aaa aaaa | Chorus Level (0 - 127) | | 40 01 3B | 0aaa aaaa | Chorus Feedback (0 - 127) | | 40 01 3C |.
302 MIDI Implementation * Drum Setup Parameter +——————————————————————————————————————————————————.
303 MIDI Implementation Appendices during the song and then rewound or fast-forwarded, the sequencer may not be able to transmit the correct status, and the sound generator will then misinterpret the data.
304 MIDI Implementation As the data size of Rhythm Tone is 00 00 01 41H, summation of the size and the start address of Tone 4 of Part 16 at Temporay Patch in Performance mode will be; 14 70 00 00H 01.
Function... Basic Channel Mode Note Number : Velocity After Touch Pitch Bend Control Change Program Change System Exclusive System Common System Real Time Aux Messages Notes Transmitted Recognized Rem.
306 Specifications XV-5080 128 voice sound module GM Level 2 system Compatible ● Parts 32 ● Maximum Polyphony 128 voices ● Wave memory 64MB (16-bit linear format) ● Expansion slots Wave Expans.
307 Index Numerics 2VOICE PITCH SHIFTER ............................................. 56 3D AUTO SPIN ............................................................. 105 3D CHORUS ................................................................... 77 3D DELAY .
308 LIMITER .......................................................................... 48 Loading .................................................................. 181, 190 LOFI COMPRESS ........................................................... 72 LOFI NOISE .
309 V V. Range ......................................................................... 133 V.L .......................................................................... 133, 174 V.U ..................................................................
Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. As of June 1, 2002 (Roland) ARGENTINA Instrumentos Musicales S.
2 For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.
02019812 ’02-6-F2-61K.
Un punto importante, dopo l’acquisto del dispositivo (o anche prima di acquisto) è quello di leggere il manuale. Dobbiamo farlo per diversi motivi semplici:
Se non hai ancora comprato il Roland XV-5080. è un buon momento per familiarizzare con i dati di base del prodotto. Prime consultare le pagine iniziali del manuale d’uso, che si trova al di sopra. Dovresti trovare lì i dati tecnici più importanti del Roland XV-5080. - in questo modo è possibile verificare se l’apparecchio soddisfa le tue esigenze. Esplorando le pagine segenti del manuali d’uso Roland XV-5080. imparerai tutte le caratteristiche del prodotto e le informazioni sul suo funzionamento. Le informazioni sul Roland XV-5080. ti aiuteranno sicuramente a prendere una decisione relativa all’acquisto.
In una situazione in cui hai già il Roland XV-5080., ma non hai ancora letto il manuale d’uso, dovresti farlo per le ragioni sopra descritte. Saprai quindi se hai correttamente usato le funzioni disponibili, e se hai commesso errori che possono ridurre la durata di vita del Roland XV-5080..
Tuttavia, uno dei ruoli più importanti per l’utente svolti dal manuale d’uso è quello di aiutare a risolvere i problemi con il Roland XV-5080.. Quasi sempre, ci troverai Troubleshooting, cioè i guasti più frequenti e malfunzionamenti del dispositivo Roland XV-5080. insieme con le istruzioni su come risolverli. Anche se non si riesci a risolvere il problema, il manuale d’uso ti mostrerà il percorso di ulteriori procedimenti – il contatto con il centro servizio clienti o il servizio più vicino.
