Manuale d’uso / di manutenzione del prodotto RD-700 del fabbricante Roland
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Thank you, and congratulations on your choice of the Roland Digital Piano RD-700. . Copyright © 2001 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION : RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION : TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
3 USING THE UNIT SAFELY 001 • Before using this unit, make sure to read the instructions below, and the Owner’s Manual. .......................................................................................................... 002b • Do not open or perform any internal modifica- tions on the unit.
4 014 • Protect the unit from strong impact. (Do not drop it!) .......................................................................................................... 015 • Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices.
5 IMPORTANT NOTES 291b In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2, 3 and 4, please read and observe the following: Power Suppl.
6 Main Features Progressive Hammer Action The RD-700 features a “progressive hammer action,” a new and even more advanced form of Roland's popular keyboard hammer action that realistically reproduces the comfortable, natural touch of a grand piano.
7 Contents USING THE UNIT SAFELY...................................................................................................................... 3 IMPORTANT NOTES ..................................................................................
8 Contents Adding Breadth to the Sound (CHORUS knob) .................................................................................. 47 Changing the Sound’s Pitch in Real Time (Bender/Modulation Lever) .......................................... 48 Adjusting the Level of the Sound’s Low, Mid, and High-Frequency Ranges (EQUALIZER) .
9 Contents Detailed Settings for Each Function ([EDIT]) ........................................................ 68 Parameters That Can Be Set .................................................................................................... 68 Setting Parameters .
10 Contents Making Arpeggio Settings (Arpeggio) .................................................................................... 83 How to Make Settings ..............................................................................................
11 Contents Appendices ..................................................... 99 Troubleshooting ....................................................................................................... 99 Error Messages/Other Messages ..................
12 Panel Descriptions Front Panel 1 VOLUME Slider Adjusts the overall volume that is output from the rear panel OUTPUT jacks and PHONES jack (p. 25). 2 EQUALIZER [ON/OFF] Turns the equalizer on/off (p. 48). [LOW] knob Adjusts the sound's low-frequency range.
13 Panel Descriptions 9 DISPLAY This shows the Tone names and the values of various settings, etc (p. 32). 10 CURSOR [ ], [ ], [ ], [ ] Press these to switch pages and to move the cursor (p. 33). 11 [DEC/NO], [INC/YES]/[ENTER] This is used to modify values.
14 Panel Descriptions Rear Panel 1 GND Terminal Connect using a grounded cable (optional) as conditions require. In some cases, depending on the environment in which the unit is installed, the surface of the panel may sometimes feel rough and grainy. This is due to an infinitesimal electrical charge, which is absolutely harmless.
15 Getting Ready Getting Ready Installing the Wave Expansion Board Up to two optional Wave Expansion Boards (SRX Series) can be installed in the RD-700. Wave Expansion Boards store Wave data, Patches, and Rhythm Sets, and by equipping the RD-700 with these boards, you can greatly expand your sound palette.
16 Getting Ready Getting Ready Installing SRX Series Boards 1 Before installing any Wave Expansion Board, turn off the power on the RD-700 and all devices connected to it. 2 Refer to the following illustration of the RD-700’s rear panel, and remove the screws indicated.
17 Getting Ready Getting Ready 4 Use the Installation Tool supplied with the Wave Expansion Board to turn the holders in the LOCK direction, so the board will be fastened in place. fig.Q-06.e 5 Use the screws that you removed in step 2 to fasten the cover back in place.
18 Getting Ready Getting Ready Checking the Installed Wave Expansion Boards After installation of the Wave Expansion Boards has been completed, check to confirm that the installed boards are being recognized correctly. fig.panel 1 Turn on the power, as described in “Turning On the Power” (p.
19 Getting Ready Getting Ready Installation de la carte d’extension Wave (French language for Canadian Safety Standard) Vous pouvez installer jusqu’à 2 cartes d’extension optionnelles dans le RD- 700.
20 Getting Ready Getting Ready Installer les cartes de série SRX 1 Avant d’installer une carte d’extension Wave, éteindre tous les appareils reliés au RD-700. 2 Détacher la plaque arrière en enlevant les vis indiquées sur le schéma suivant.
21 Getting Ready Getting Ready 4 Pour tourner les supports en position LOCK (verrouillé), utilisez l’outil d’installation de la carte d’extension fournie à cet effet. De cette façon, la carte sera bien fixée à sa place. fig.Q-06.f 5 Reposez le couvercle en remettant les vis enlevées (comme spécifié) à l’étape 2.
22 Getting Ready Getting Ready Connecting the RD-700 to External Equipment The RD-700 is not equipped with an amplifier or speakers. In order to produce sound, you need to hook up audio equipment such as a monitor speaker or a stereo set, or use headphones.
23 Getting Ready Getting Ready 2 Connect supplied AC power cable to the RD-700, and plug the other end into an AC power outlet. 3 Connect the RD-700 and the external device. Use audio cables to connect audio equipment, such as an amp or speakers. Use MIDI cables to connect MIDI devices.
24 Getting Ready Getting Ready Turning the Power On and Off Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
25 Getting Ready Getting Ready Turning Off the Power 1 Before you switch on the power, turn the volume down all the way by rotating the VOLUME Slider. Also completely turn down the volume of any connected audio device and other equipment. 2 Turn off the power to connected external devices.
26 Getting Ready Getting Ready Restoring the Factory Settings (Factory Reset) When using the RD-700 for the first time, start by returning the settings to their factory defaults so that the RD-700 operates as described in the procedures in the owner’s manual.
27 Getting Ready Getting Ready fig.utility1.eps_150 4 Press CURSOR [ ] to select “Factory Reset All.” 5 Press CURSOR [ ]. A screen like the one shown below appears. fig.utility1.eps_150 To cancel the Factory Reset, press [DEC/NO]. 6 Press [INC/YES].
28 Getting Ready Getting Ready Adjusting the Display Contrast (LCD Contrast) The characters in the display may be difficult to view immediately after turning on the power or after extended use; this may also be because of where and how the display is situated.
29 Getting Ready Getting Ready 6 Press [EDIT] to make the indicator go dark. You are returned to the Tone screen. Tuning to Other Instruments’ Pitches (Master Tune) For a cleaner ensemble sound while performing with one or more other instruments, ensure that each instrument’s basic pitch is in tune with that of the other instruments.
30 Getting Ready Getting Ready 4 Press CURSOR [ ] to move the cursor to the “Master Tune” parameter. 5 Press [INC/YES] or [DEC/NO] to select the value (415.3– 440.0–466.2). 6 Press [EDIT] to make the indicator go dark. You are returned to the Tone screen.
31 Overview of the RD-700 Overview of the RD-700 Basic Organization of the RD-700 The RD-700 can be divided into two sections: a keyboard controller section and a sound generator section. The two sections are connected internally by means of MIDI. fig.
32 Overview of the RD-700 Overview of the RD-700 Basic Operation of the RD-700 Main Screens The Tone Screen (Basic Screen) The names of the Tones currently selected for the Local Parts are displayed.
33 Overview of the RD-700 Overview of the RD-700 [WRITE] Stores the current settings to “Setup” [MIDI TX] When [MIDI TX] is pressed, the button’s indicator lights up, and the RD-700 switches to the mode enabling it to control an external MIDI sound generator.
34 Listening to the Demo Listening to the Demo (DEMO PLAY) Here’s how to listen to these songs. The RD-700 features the internal demo songs that exhibit the special capabilities of the instrument. No. Song Name Composer/Copyright 01. RD Party Scott Wilkie © 2001 Roland Corporation 02.
35 Performing Performing with the Keyboard Piano Performances (One Touch [Piano]) Now, try performing with the piano. With the RD-700, you can call up the optimal settings for piano performances with the press of a single button. fig.panel 1 Press ONE TOUCH [PIANO].
36 Performing with the Keyboard Performing Performing with a Variety of Tones The RD-700 provides 468 types of Tones. Each one of these individual sounds is called a tone. Tones are assigned to the TONE SELECT buttons according to the tone category selected.
37 Performing with the Keyboard Performing Specifying the Tone Number to Select a Tone ([NUM LOCK]) Each individual tone has a different tone number. You can select tones with the TONE SELECT buttons by inputting numerals with these buttons to specify tone numbers.
38 Performing with the Keyboard Performing Playing a Rhythm Set Among the tones that can be selected with the TONE SELECT buttons are Rhythm Sets, which are collections of a variety of percussion instrument sounds and special sound effects. Here’s how to select a Rhythm Set and play percussion sounds.
39 Performing with the Keyboard Performing Selecting Wave Expansion Board Tones Up to two optional wave expansion boards (SRX series) can be installed into the RD-700. Use the following procedure when selecting tones stored on an wave expansion board.
40 Performing with the Keyboard Performing Selecting Tones Without Pressing [NUM LOCK] You can select tones stored on expansion boards with [NUM LOCK] off. 1. Press EXPANSION [A] or [B] to make its indicator light. 2. Use the TONE SELECT buttons to specify the tone number.
41 Performing with the Keyboard Performing Playing Two Tones on the Keyboard The setting that determines whether one or two Tones are played by a key is referred to as “Key Mode.”There are three Key modes. ● Single : The same Tone is played by all keys on the keyboard.
42 Performing with the Keyboard Performing Playing with Two Layered Tones ([LAYER]) fig.panel 1 Press [LAYER], getting the indicator to light. PART SWITCH [UPPER1] and [UPPER2] are lit. Try fingering the keyboard. fig.LCD The Tones for UPPER1 and UPPER2 are layered and played.
43 Performing with the Keyboard Performing Playing Different Tones in Two Different Sections of the Keyboard ([SPLIT]) Such a division of the keyboard into right- and left-hand sections is called a “Split,” and the key where the division takes place is called the “Split Point.
44 Performing with the Keyboard Performing Changing the Keyboard’s Split Point You can change the point at which the keyboard is divided (the Split Point) in Split mode. 1 Hold down [SPLIT] for several seconds. A screen such as the following appears, and the current value of the setting is displayed.
45 Performing with the Keyboard Performing Adjust the Volume Level for Individual Parts (PART SWITCH/LEVEL) fig.panel Parts that are played on the RD-700 using the instrument’s internal sound generator are called Local Parts.
46 Performing with the Keyboard Performing Transposing the Key of the Keyboard ([TRANSPOSE]) You can transpose performances without changing the keys you are playing, as well as change the pitch by an octave.
47 Performing with the Keyboard Performing Adding Reverberation to the Sound (REVERB knob) The RD-700 can apply a reverb effect to the notes you play on the keyboard. Applying reverb adds pleasing reverberation to what you play, so it sounds almost as if you were playing in a concert hall.
48 Performing with the Keyboard Performing Changing the Sound’s Pitch in Real Time (Bender/Modulation Lever) While playing the keyboard, move the lever to the left to lower the pitch, or to the right to raise the pitch. This is known as Pitch Bend. You can also apply vibrato by manipulating the lever away from you.
49 Convenient Functions Using the Convenient Functions in Performances Creating Arpeggios from the Chords You Play ([ARPEGGIO]) Just by playing a chord, you can play an arpeggio (a chord that is played one note at a time) using the notes making up that chord.
50 Using the Convenient Functions in Performances Convenient Functions Changing the Arpeggio Style You can select the way an arpeggio is played (the style) to match a variety of different musical genres. 1 Press [ARPEGGIO], getting the indicator to light.
51 Using the Convenient Functions in Performances Convenient Functions Playing Rhythm ([RHYTHM]) The RD-700 features internal drum patterns complementing Jazz, Rock, and other various musical genres. These drum patterns are referred to as “Rhythms.” You can turn Rhythms on and off individually in any key mode.
52 Using the Convenient Functions in Performances Convenient Functions Changing the Rhythm Pattern You can select the way a Rhythm is played (the pattern) to match a variety of different musical genres. 1 Press PART SWITCH [RHYTHM] to make the button indicator light.
53 Using the Convenient Functions in Performances Convenient Functions Applying Effects to the Sound (MULTI EFFECTS) In addition to chorus (p. 47) and reverb (p.
54 Using the Convenient Functions in Performances Convenient Functions Selecting Stored Settings ([SETUP]) The RD-700’s Local Part (p. 31) and MIDI TX Part (p. 31) tone settings, effect settings, and other such settings are collectively referred to as a “Setup.
55 Using the Convenient Functions in Performances Convenient Functions 4 Try playing the keyboard. The settings are switched to those of the Setup that has been called up. The [RHYTHM] indicator flashes if you select a setup that has Intro/Ending set to ON.
56 Using the Convenient Functions in Performances Convenient Functions Storing Settings to Setups ([WRITE]) When the contents of a Setup are changed, an asterisk (a “*” mark) appears on the right of the tempo indication. If you want to use the changed content as a new Setup, use the following procedure to save the settings to a Setup.
57 Using the Convenient Functions in Performances Convenient Functions 5 Press CURSOR [ ]/[ ] to move the cursor to the positions where the characters are to be input. 6 Press [INC/YES] or [DEC/NO] to enter the characters. The following characters are available.
58 Using the Convenient Functions in Performances Convenient Functions Settings Not Saved in a Setup The following settings cannot be saved to a Setup. - Rec Setting (p. 95) - [CONTROL] knob positions (values) - System settings (p. 69) System settings are saved each time one of these parameters is changed.
59 Master Keyboard Using the RD-700 As a Master Keyboard By connecting an external MIDI device to the MIDI OUT connector on the RD-700’s rear panel, you can then control the external MIDI device with the RD-700.
60 Using the RD-700 As a Master Keyboard Master Keyboard MIDI Send Channel Settings When you have finished connecting the external MIDI device, match the keyboard’s Transmit channel and the Receive channel for each of the external MIDI sound generator’s Parts.
61 Using the RD-700 As a Master Keyboard Master Keyboard Selecting Sounds on an External MIDI Device To switch the tones of an external MIDI device, the program number and the MSB/LSB of the Bank Select message are entered as numerical values on the RD-700.
62 Using the RD-700 As a Master Keyboard Master Keyboard Adjusting the Volume of Each Part (MIDI TX Part) fig.panel When the [MIDI TX] indicator is on, you can use the PART SWITCH/ LEVEL controls to control the MIDI TX parts in the same way as with the Local parts (p.
63 Using the RD-700 As a Master Keyboard Master Keyboard Detailed Settings for Transmitted Parts ([MIDI TX]) After pressing [MIDI TX], you can then set the following parameters affecting MIDI TX parts. fig.LCD How to Make Settings 1. Press [MIDI TX], getting the indicator to light.
64 Using the RD-700 As a Master Keyboard Master Keyboard transmitted (p. 62). Setting the Transposition for Each Individual Part (Key Transpose) You can perform with each part transposed to a different pitch. When the Keyboard Mode is Layer, you can create a richer sound by setting the two Tones to different octaves.
65 Using the RD-700 As a Master Keyboard Master Keyboard Smoothly Changing the Pitch (Portamento) Portamento is a function that causes the pitch to change smoothly from one note to the next note played. The Portamento Time setting determines the time for the change in pitch when the portamento effect is applied to the sound.
66 Piano Edit Making Detailed Settings for the Piano Tones (Piano Edit) You can make more detailed settings to fashion just the Tones you want using the piano Tone selected by pressing ONE TOUCH [PIANO] (p. 35). This function is called “Piano Edit.” The settings made in Piano Edit are stored to ONE TOUCH [PIANO].
67 Making Detailed Settings for the Piano Tones (Piano Edit) Piano Edit Changing the Sense of Space Surrounding the Sound (Ambience) Changing the sound’s ambience allows you give your performances a sound resembling that obtained in a wide open space.
68 Edit Mode Detailed Settings for Each Function ([EDIT]) The process of changing tone parameters to create the tones you like, and changing the settings for various functions is known as “editing.” When [EDIT] is pressed and the indicator is lit, the RD-700 switches to “Edit mode.
69 Detailed Settings for Each Function ([EDIT]) Edit Mode Setting Parameters fig.Q5-01 Making System Settings (System) Functions that affect the RD-700’s overall operating environment are called “System functions.” How to Make Settings 1. Press [EDIT], getting the indicator to light.
70 Detailed Settings for Each Function ([EDIT]) Edit Mode Adjusting the Volume (Master Volume) Adjusts the volume of the entire RD-700. Preventing Equalizer Settings from Being Switched (EQ Control) You can store different equalizer settings (p. 74) for each individual Setup (p.
71 Detailed Settings for Each Function ([EDIT]) Edit Mode NOTE When the Control Channel settings are transmitted along with the part’s MIDI receive channel, switching of Setups takes priority over the switching of tones. For more information about “Switching Setups” (p.
72 Detailed Settings for Each Function ([EDIT]) Edit Mode Changing the Key Touch (Key Touch) The setting below allows you to adjust the response you get from the keyboard when you finger the keys. NOTE This setting is switched automatically according to the value of Key Touch Offset, which follows.
73 Detailed Settings for Each Function ([EDIT]) Edit Mode Pedal, [CONTROL] Knob, and Equalizer Settings (Control/EQ) You can change the functions assigned to the pedals and [CONTROL] knob and change the equalizer settings. How to Make Settings 1. Press [EDIT], getting the indicator to light.
74 Detailed Settings for Each Function ([EDIT]) Edit Mode Changing the [CONTROL] Knob Settings (Control/Src) Normally, the [CONTROL] knob is used for making settings that adjust the multi-effects (MFX Control), but they can also be used for settings that change the way tones are played or the tempo.
75 Detailed Settings for Each Function ([EDIT]) Edit Mode Simulating the Creation of Organ Tones (Tone Wheel Mode) When any of the “Tone Wheel 1–10” Tones is selected for any of the Local Parts (UPPER1, UPPER2, LOWER), you can perform in “Tone Wheel mode,” in which the creation of organ sounds is simulated.
76 Detailed Settings for Each Function ([EDIT]) Edit Mode Changing the PART LEVEL Slider Feet Assignments (Harmonic Bar) You can change the Feet assigned to each of the PART LEVEL sliders used in Tone Wheel mode. 1. Press [EDIT], getting the indicator to light.
77 Detailed Settings for Each Function ([EDIT]) Edit Mode 4. Press CURSOR [ ] or [ ] to switch screens, and press CURSOR [ ] or [ ] to move the cursor to the parameter to be set. 5. Press [INC/YES] or [DEC/NO] to set the value. 6. When you have finished making the settings, press [EDIT], extinguishing its indicator.
78 Detailed Settings for Each Function ([EDIT]) Edit Mode Making Reverb Settings Reverb adds the reverberation characteristics of halls or auditoriums. Four different types are offered, so you can select and use the type that suits your purpose. You can set the amount of reverb applied separately for each individual part (p.
79 Detailed Settings for Each Function ([EDIT]) Edit Mode Chorus Feedback Sets the level at which the chorus sound is re-input (fed back) into the chorus. By using feedback, a denser chorus sound can be created. Higher values result in a greater feedback level.
80 Detailed Settings for Each Function ([EDIT]) Edit Mode Selecting the Part to Be Set (<Part>, Tone) Choose the Part for which you want to make settings. Setting the Reverb/Chorus Depth (Reverb/Chorus Amount) This sets the depth of the reverb and chorus effects.
81 Detailed Settings for Each Function ([EDIT]) Edit Mode Creating Smooth Pitch Changes (Portamento Switch/Time) Portamento is a function that causes the pitch to change smoothly from one note to the next note played.
82 Detailed Settings for Each Function ([EDIT]) Edit Mode Making the Rhythm Settings (Rhythm Pattern) The RD-700 features internal drum patterns complementing Jazz, Rock, and other various musical genres. This kind of drum pattern is called a “Rhythm.
83 Detailed Settings for Each Function ([EDIT]) Edit Mode Changing the Drum Set (Rhy Set) You can change a rhythm’s drum set (set of drum and percussion tones). You can select Tones other than Rhythm Sets. When this setting is changed, the Part 10 Tone also changes.
84 Detailed Settings for Each Function ([EDIT]) Edit Mode Adjusting the Tempo (Tempo) This sets the speed of the arpeggio. NOTE The RD-700 has one tempo setting. You can change this setting in the tempo display in the Tone screen; or alternatively, you can change the rhythm’s tempo setting (p.
85 Detailed Settings for Each Function ([EDIT]) Edit Mode Changing the octave range in arpeggio style (Octave Range) Sets the key range in octaves over which arpeggio will take place. If you want the arpeggio to sound using only the notes that you actually play, set this parameter to 0.
86 Detailed Settings for Each Function ([EDIT]) Edit Mode Changing the Groove Feel (Beat Pattern/Accent Rate/Shuffle Rate) Beat Pattern Select the beat pattern from the choices below. This setting will affect the location of the accent and length of the notes to determine the beat (rhythm).
87 Detailed Settings for Each Function ([EDIT]) Edit Mode NOTE If the Beat Pattern (p. 86) is 1/4, there will be no shuffle effect even if the Shuffle Rate value is increased. Keeping the Force of the Notes Constant (Velocity) This sets how strongly sounds are played when you press the keys.
88 Detailed Settings for Each Function ([EDIT]) Edit Mode 6. When you have finished making the settings, press [EDIT], extinguishing its indicator. You are returned to the Tone screen. Selecting the Part to Be Set (<Local Part>) Choose the Local Part for which you want to make settings.
89 Detailed Settings for Each Function ([EDIT]) Edit Mode Turning the Controllers in Each Part On and Off These settings determine whether the pedals connected to each PEDAL jack (Damper, FC1, FC2), the Modulation lever, the Bender, and the [CONTROL] knob are used to control the Parts (ON), or not (OFF).
90 Detailed Settings for Each Function ([EDIT]) Edit Mode Selecting the Part to Be Set (<Part>, Tone) Choose the Part for which you want to make settings.
91 Detailed Settings for Each Function ([EDIT]) Edit Mode Setting Reception and Blocking of MIDI Messages from External MIDI Controllers You can change the RD-700’s tones by reception of MIDI messages generated through the actions of modulation levers, pedals, knobs, and other such external MIDI devices controls.
92 Detailed Settings for Each Function ([EDIT]) Edit Mode Other Functions (Utility) Utility includes functions for sending data to external MIDI sequencers and other devices and for restoring the settings to their original factory state. For more on “Rec Setting” in Utility menu, refer to “Settings for Recording (Rec Setting)” (p.
93 Detailed Settings for Each Function ([EDIT]) Edit Mode Bulk Dump SETUP 6 Press CURSOR [ ]. A screen like the one shown below appears. 7. Press CURSOR [ ] / [ ] and [INC/YES]/[DEC/ NO] to set the transmitted SETUPs. 8. Press CURSOR [ ]. A screen like the one shown below appears.
94 Detailed Settings for Each Function ([EDIT]) Edit Mode Restoring the settings to the factory condition (Factory Reset) The settings stored in the RD-700 can be returned to their factory settings. NOTE Executing “Factory Reset All” results in deletion of the Setups (p.
95 Connecting MIDI Devices Connecting External MIDI Devices Recording RD-700 Performances to an External MIDI Sequencer Now, try using an external sequencer to record your music onto multiple tracks, and then play back the recorded performance. Connecting to an External Sequencer fig.
96 Connecting External MIDI Devices Connecting MIDI Devices Recording the Performance Use the following procedure when recording to an external sequencer. 1. Turn on the external sequencer’s Thru function. For details, refer to the following section “About Local Switch.
97 Connecting External MIDI Devices Connecting MIDI Devices Playing the RD-700’s Internal Sound Generator from an External MIDI Device Try Playing the RD-700 from an External MIDI Device. Making connections fig. 1. Before starting the connection procedure, make sure that the power to all devices has been turned off.
98 Connecting External MIDI Devices Connecting MIDI Devices Using the RD-700 as a GM Sound Module (GM Mode) The RD-700 features a GM mode —a convenient way to play back or create GM score data (music files for GM sound module).
99 Appendices Troubleshooting If the RD-700 does not function in the way you expect, first check the following points. If this does not resolve the problem, consult your dealer or a nearby Roland Service Station. * If certain messages appear in the display during operation, please refer to “Error Messages/Other Messages” (p.
100 Troubleshooting Appendices Tones Are Al- tered Did you call up a Setup? • When a Setup is called up, the cur- rent Tone, effect, and other settings are disabled, and the selected Set- up goes into effect (p. 54). Resave required settings to a Setup (p.
101 Troubleshooting Appendices Effects Not Ap- plied/Effects Sound Wrong In some cases where the delay timing selected in the DELAY settings in MFX/Reverb/Chorus is set to a note value, the delay sound may not be heard. Either adjust the tempo or change the numerical value of the de- lay timing (p.
102 Troubleshooting Appendices Song Data Not Played Back Correctly Song Data Not Played Back Correctly Is the Receive GM/GM2 System On Switch set to ON? • Set the System Rx GM System On or System Rx GM2 System On to ON in Edit mode (p.
103 Appendices Error Messages/Other Messages Error messages Indication: MIDI Buffer Full Situation: Due to an inordinate volume of MIDI messages received, the RD-700 has failed to process them properly. Action: Reduce the amount of MIDI messages to be transmitted.
104 Appendices Effect/Parameter List * Parameters with the “#” showing can be assigned to the MULTI-EFFECTS [CONTROL] knob. Set “MFX CONTROL” following the instructions in “How to Make Settings” (p. 76). 01: STEREO EQ (Stereo Equalizer) This is a four-band stereo equalizer (low, mid x 2, high).
105 Effect/Parameter List Appendices 04: PHASER A phaser adds a phase-shifted sound to the direct sound, producing a twisting modulation that creates spaciousness and depth. Manual # Adjust the basic frequency from which the sound will be modulated. Rate # Adjust the frequency (period) of modulation.
106 Effect/Parameter List Appendices 08: ROTARY The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the high range and low range rotors can be set independently, the unique type of modulation characteristic of these speakers can be simulated quite closely.
107 Effect/Parameter List Appendices Delay Dev (Pre Delay Deviation) Pre Delay determines the time from when the direct sound begins until the processed sound is heard. Pre Delay Deviation adjusts the differences in Pre Delay between each chorus sound.
108 Effect/Parameter List Appendices Balance (Effect Balance) # Adjust the volume balance between the direct sound and the chorus sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the chorus sound will be output.
109 Effect/Parameter List Appendices Mode (Feedback Mode) Select the way in which delay sound is fed back into the effect. NORMAL : The left delay sound will be fed back into the left delay, and the right delay sound into the right delay.
110 Effect/Parameter List Appendices HF Damp Adjust the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS. Low Gain Adjust the gain of the low frequency range.
111 Effect/Parameter List Appendices Level (Output Level) Adjust the output level. 22: 2V PCH SHIFT (2 Voice Pitch Shifter) A Pitch Shifter shifts the pitch of the direct sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the direct sound.
112 Effect/Parameter List Appendices Time (Reverb Time) # Adjust the time length of reverberation. HF Damp Adjust the frequency above which the reverberant sound will be cut. As the frequency is set lower, more of the high frequencies will be cut, resulting in a softer and more muted reverberance.
113 Effect/Parameter List Appendices Flg Bal (Flanger Balance) # Adjust the volume balance between the overdrive sound that is sent through the flanger and the overdrive sound that is not sent through the flanger. With a setting of “D100:0W,” only the overdrive sound will be output.
114 Effect/Parameter List Appendices Flg Bal (Flanger Balance) # Adjust the volume balance between the enhancer sound that is sent through the flanger and the enhancer sound that is not sent through the flanger. With a setting of “D100:0W,” only the enhancer sound will be output.
115 Effect/Parameter List Appendices Delay Bal (Delay Balance) # Adjust the volume balance between the flanger sound that is sent through the delay and the flanger sound that is not sent through the delay. With a setting of “D100:0W,” only the flanger sound will be output.
116 Effect/Parameter List Appendices StpRateSw (Step Rate Switch) This setting determines whether the pitch is changed in a stepped fashion (ON) or not (OFF). Mix (Mix Level) Adjust the volume of the phase-shifted sound, relative to the direct sound. Low Gain Adjust the low frequency gain (amount of boost or cut).
117 Effect/Parameter List Appendices Manual # Sets the point at which the two vowels will be switched. When set to 50, Vowels 1 and 2 switched in the same amount of time. Setting this higher than 50 increases the time for Vowel 1; setting this lower than 50 decreases the time for Vowel 1.
118 Effect/Parameter List Appendices HF Damp Adjust the frequency at which the high frequency range of the delayed sound returned to the input will be cut. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS. Low Gain Adjust the low frequency gain (amount of boost or cut).
119 Effect/Parameter List Appendices High Gain Adjust the high frequency gain (amount of boost or cut). Positive (+) settings will emphasize (boost) the high frequency range. Balance (Effect Balance) # Sets the volume balance between the direct sound and the effect sound.
120 Effect/Parameter List Appendices PreFilter (Pre Filter Type) Adjust the type of filter that will be applied before the sound passes through the Lo-Fi effect. PostFilter1 (Post Filter 1 Type) Adjust the type of filter that will be applied after the sound passes through the Lo-Fi effect.
121 Effect/Parameter List Appendices Mic Set (Mic Setting) Adjust the location of the mic that is recording the sound of the speaker. This can be adjusted in three steps, with the mic becoming more distant in the order of 1, 2, and 3. Mic Lvl (Mic Level) # Adjust the volume of the microphone.
122 Effect/Parameter List Appendices High Gain Adjust the high frequency gain. Positive (+) settings will emphasize (boost) the high frequency range. Level (Output Level) # Adjust the output level. 57: GATE The Gate effect cuts the reverb’s delay according to the volume of the sound input to the effects device.
123 Effect/Parameter List Appendices AP Mid Sw (Anti Phase Middle Switch) This turns the Anti-Phase function on and off and sets the level settings for the Middle frequency ranges. When turned on, the counter-channel of stereo sound is inverted and added to the signal.
124 Effect/Parameter List Appendices Cutoff (Cutoff Frequency) Sets the cutoff frequency when a specific frequency band is cut off by a filter. StpRateSw (Step Rate Switch) Determines whether the pitch is changed in a stepped fashion (ON) or not (OFF).
125 Effect/Parameter List Appendices Pkg Freq This sets the reference frequency for the filter used in adjusting the specific range of frequencies. When not cutting bass frequencies, set this to BYPASS. Pkg Q The range of frequencies is based on the frequency set in Pkg Freq.
126 Effect/Parameter List Appendices Effects Parameter List ➔ “Making Multi-Effects Settings” (p. 77) Multi-effects Types are indicated in bold characters. “Parameter” refers to the parameter assigned to <Other Prm> in MFX Control. “Value” refers to the values that can be set using the [CONTROL] knobs or in Value.
127 Effect/Parameter List Appendices 10: LIMITER Parameter Value Threshold Threshold level 0–127 Ratio Compression ratio 1.5:1, 2:1, 4:1, 100:1 Release Release time 0–127 Post Gain Post gain 0, +6.
128 Effect/Parameter List Appendices 18: MOD DELAY Parameter Value Delay L Delay time left 0.0–500.0 ms Delay R Delay time right 0.0–500.0 ms Feedback Feedback level -98– +98% Mode Feedback mode NORMAL, CROSS Rate Rate 0.
129 Effect/Parameter List Appendices 25: GATED REVERB Parameter Value Type Gated Reverb type NORMAL, REVERSE, SWEEP1, SWEEP2 Pre Delay Pre delay time 0.
130 Effect/Parameter List Appendices 36: FLANGER → DELAY Parameter Value Flg Delay Flanger pre delay time 0.0–100.0 ms Flg Rate Flanger rate 0.05–10.00 Hz Flg Depth Flanger depth 0–127 Flg Fbk Flanger feedback level -98– +98% Flg Bal Flanger balance D100:0W–D0:100W DelayTime Delay time 0.
131 Effect/Parameter List Appendices 45: MULTI TAP DLY Parameter Value Delay 1 Delay time 1 0–1800 ms, note Delay 2 Delay time 2 0–1800 ms, note Delay 3 Delay time 3 0–1800 ms, note Delay 4 Dela.
132 Effect/Parameter List Appendices 51: LOFI NOISE Parameter Value Type LoFi type 1–9 Pst Filter Post Filter type OFF, LPF, HPF Frequency Post Filter cutoff frequency 200-8000 Hz:(*1) Radio Dtn Rad.
133 Effect/Parameter List Appendices 60: 3D CHORUS Parameter Value Pre Delay Pre delay time 0.0–100 ms Rate LFO rate 0.05–10.00 Hz, note Depth LFO depth 0–127 Phase Phase 0–180 degree Fltr Typ.
134 Effect/Parameter List Appendices → “Making Reverb Settings” (p. 78) “Parameter” refers to the parameter assigned to <Other Prm>. “Value” refers to the values that can be set in Value.
135 Appendices Tone List MSB: Bank Select MSB (Control Number: 0) LSB: Bank Select LSB (Control Number: 32) PC: Program Change [PIANO] No. Tone Name MSB LSB PC 001 St.Concert 1 087 064 001 002 St.Concert 2 087 064 002 003 Dynamic Pno1 087 064 003 004 Dynamic Pno2 087 064 004 005 St.
136 Tone List Appendices [GTR/BASS] No. Tone Name MSB LSB PC 130 Nylon Gtr 1 087 070 001 131 Nylon Gtr 2 087 070 002 132 Steel Gtr 087 070 003 133 Solo Steel 087 070 004 134 Steel Away 087 070 005 135.
137 Tone List Appendices No. Tone Name MSB LSB PC 303 Beef FM Bass 121 001 040 304 RubberBass 2 121 002 040 305 Attack Pulse 121 003 040 306 Violin 121 000 041 307 Slow Violin 121 001 041 308 Viola 12.
138 Tone List Appendices 21 23 22 27 24 26 25 C1 28 29 31 33 35 30 32 34 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86 85 51 52 53 55 57 59 54 56 58 48 50 49 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 83 78 80 82 72 74 73 C2 C3 C4 C5 C6 Note No.
139 Tone List Appendices 96 100 89 91 93 95 90 92 94 C7 98 97 99 108 101 103 105 107 102 104 106 C8 Note No. RD Pop Kit Falamenco Hi-Timbale Falamenco Lo-Timbale Falamenco Tmbl Flam Shekere 1 Shekere .
140 Tone List Appendices 28 29 31 33 35 30 32 34 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86 85 51 52 53 55 57 59 54 56 58 48 50 49 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 83 78 80 82 72 74 73 C2 C3 C4 C5 C6 Note No. 27 GM2 STANDARD High-Q Slap ScratchPush [EXC7] ScratchPull [EXC7] Sticks SquareClick Mtrnm.
141 Tone List Appendices 28 29 31 33 35 30 32 34 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86 85 51 52 53 55 57 59 54 56 58 48 50 49 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 83 78 80 82 72 74 73 C2 C3 C4 C5 C6 Note No. 27 GM2 JAZZ High-Q Slap ScratchPush [EXC7] ScratchPull [EXC7] Sticks SquareClick Mtrnm.
142 Appendices Arpeggio Style List Style Motif Beat Pattern Accent Rate Shuffle Rate 1/4 all 1/ 4 0–100% 50–90% 1/6 all 1/ 6 0–100% 50–90% 1/8 all 1/ 8 0–100% 50–90% 1/12 all 1/12 0–100%.
143 Appendices Rhythm Pattern List No. Rhythm Pattern Recommended Tempo 000 OFF --- 001 ShufflePop 1 92 002 ShuffleR&B 1 96 003 R&B 1 108 004 Funk 1 124 005 8Beat Pop 1 92 006 16Beat Pop 1 86 .
144 Appendices Setup List → Owner’s Manual “Selecting Stored Settings ([SETUP])” (p. 54). No.001–020 “RHY: Setup”: These Setups let you enjoy performing with a session-like feel while playing a Rhythm. Be sure to check it out. For more on Rhythms, refer to the “Playing Rhythm ([RHYTHM])” (p.
145 Appendices Shortcut List You can easily change settings for the following functions using a number of related buttons. * “[A] + [B]” indicates that you are to hold down [A] and press [B].
146 Appendices MIDI Implementation Model: RD-700 (Digital Piano) Date: Mar. 1, 2001 Version: 1.00 1. Receive data ■ Channel Voice Messages ● Note off Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H n = MIDI channel number: 0H - FH (ch.
147 MIDI Implementation Appendices ❍ Release Time (Controller number 72) Status 2nd byte 3rd byte BnH 48H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Release Time value (relative change): 00H - 7FH (-64 - 0 - +63), * The Release Time parameter (EDIT:Tone Edit:Release Time) will change.
148 MIDI Implementation Appendices ■ Channel Mode Messages ● All Sounds Off (Controller number 120) Status 2nd byte 3rd byte BnH 78H 00H n = MIDI channel number: 0H - FH (ch.1 - 16) * When this message is received, all notes currently sounding on the corresponding channel will be turned off.
149 MIDI Implementation Appendices ❍ GM2 System On Status Data byte Status F0H 7EH 7FH 09H 03H F7H Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID .
150 MIDI Implementation Appendices pp=3 Feedback vv = 00H - 7FH 0 - 127 pp=4 Send To Reverb vv = 00H - 7FH 0 - 127 F7H EOX (End Of Exclusive) ❍ Channel Pressure Status Data byte Status F0H 7FH, 7FH,.
151 MIDI Implementation Appendices ❍ Data set 1DT1 This is the message that actually performs data transmission, and is used when you wish to transmit the data.
152 MIDI Implementation Appendices ❍ Panpot (Controller number 10) Status 2nd byte 3rd byte BnH 0AH vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Panpot: 00H - 40H - 7FH (Left - Center - Right) * These messages are transmitted when Pan value is set in MIDI Tx Mode.
153 MIDI Implementation Appendices ■ System Realtime Messages ● Continue Status FBH * This message is sent on START operation when START/STOP function is selected on Foot Controller. ● Stop Status FCH * This message is sent on STOP operation when START/STOP function is selected on Foot Controller.
154 MIDI Implementation Appendices ❍ System Onetouch Piano Tone Backup +——————————————————————————————————————————.
155 MIDI Implementation Appendices | | 0000 dddd | MFX Parameter 1 (12768 — 52768) | | | | —20000 — +20000 | |# 00 09 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | MFX Para.
156 MIDI Implementation Appendices |# 00 1A | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Reverb Parameter 7 (12768 — 52768) | | | | —20000 — +20000 | |# 00 1E | 0000 aaaa .
157 MIDI Implementation Appendices ❍ Setup Tone Backup +———————————————————————————————————————————————.
158 MIDI Implementation Appendices | 40 1x 24 | 0000 000a | Rx. Bank Select LSB (0 — 1) | | | | OFF, ON | |—————————————+———————————+—————.
159 MIDI Implementation Appendices ■ Arpeggio Parameter List ● Arpeggio Style +—————————————————————————+—————————————.
160 MIDI Implementation Appendices ■ Examples of Actual MIDI Messages <Example1> 92 3E 5F 9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), and velocity 95.
161 MIDI Implementation Appendices ■ The Scale Tune Feature (address: 40 1x 40) The scale Tune feature allows you to finely adjust the individual pitch of the notes from C through B. Though the settings are made while working with one octave, the fine adjustments will affect all octaves.
162 MIDI Implementation Appendices Function... Basic Channel Mode Note Number : Velocity After Touch Pitch Bend Control Change Transmitted Recognized Remarks Default Changed Default Messages Altered T.
163 MIDI Implementation Appendices Program Change System Exclusive System Common System Real Time Aux Messages Notes 72 73 74 75 76 77 78 80 81 82 83 84 91 92 93 94 95 1–31, 33–95 1–31, 33–95 .
164 Main Specifications RD-700: Digital Piano (Conforms to General MIDI 2 System) ● Keyboard 88 keys (Progressive Hammer Action Keyboard) ● Part 16 ● Maximum Polyphony 128 voices ● Wave Memory.
165 Index A AC Inlet ............................................................................ 14 Accent Rate ...................................................................... 86 Adjusting the Display Contrast .................................
166 Index G Gain .................................................................................. 74 GM Mode ........................................................................ 98 GM Sound Module ................................................
167 Index Recording To an External MIDI Sequencer ............................. 95 REL Release Time (MIDI TX Part) .................................. 64 Release Time (Tone) ....................................................... 81 RES Resonance (MIDI TX Part) .
168 Purpose-Oriented Index This index lists the main setting items relevant to play of the RD-700's keyboard. * [Edit]: aaa: bbb” indicates the bbb parameter in Edit screen aaa. Volume Setting Changing the Volume for the entire RD-700 .........
169 MEMO RD-700_e.book 169 ページ ２００４年４月２６日 月曜日 午前１１時５４分.
Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. As of May 1, 2004 (Roland) ARGENTINA Instrumentos Musicales S.
CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION : RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION : TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
Thank you, and congratulations on your choice of the Roland Digital Piano RD-700. . Copyright © 2001 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
Un punto importante, dopo l’acquisto del dispositivo (o anche prima di acquisto) è quello di leggere il manuale. Dobbiamo farlo per diversi motivi semplici:
Se non hai ancora comprato il Roland RD-700 è un buon momento per familiarizzare con i dati di base del prodotto. Prime consultare le pagine iniziali del manuale d’uso, che si trova al di sopra. Dovresti trovare lì i dati tecnici più importanti del Roland RD-700 - in questo modo è possibile verificare se l’apparecchio soddisfa le tue esigenze. Esplorando le pagine segenti del manuali d’uso Roland RD-700 imparerai tutte le caratteristiche del prodotto e le informazioni sul suo funzionamento. Le informazioni sul Roland RD-700 ti aiuteranno sicuramente a prendere una decisione relativa all’acquisto.
In una situazione in cui hai già il Roland RD-700, ma non hai ancora letto il manuale d’uso, dovresti farlo per le ragioni sopra descritte. Saprai quindi se hai correttamente usato le funzioni disponibili, e se hai commesso errori che possono ridurre la durata di vita del Roland RD-700.
Tuttavia, uno dei ruoli più importanti per l’utente svolti dal manuale d’uso è quello di aiutare a risolvere i problemi con il Roland RD-700. Quasi sempre, ci troverai Troubleshooting, cioè i guasti più frequenti e malfunzionamenti del dispositivo Roland RD-700 insieme con le istruzioni su come risolverli. Anche se non si riesci a risolvere il problema, il manuale d’uso ti mostrerà il percorso di ulteriori procedimenti – il contatto con il centro servizio clienti o il servizio più vicino.
