Manuale d’uso / di manutenzione del prodotto 60S del fabbricante Roland
Vai alla pagina of 236
AT-90S/80S/60S Owner’s Manual 02568545 ’03-2-A2-41N To resize thickness, move all items on the front cover to left or right Owner’s Manual // Copyright © 2001 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
To resize thickness, move all items on the front cover to left or right.
1 Owner’s Manual Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (Owner’s manual p. 2), “USING THE UNIT SAFELY” (Owner’s manual p. 3), and “IMPORTANT NOTES” (Owner’s manual p. 5). These sections provide important information concerning the proper operation of the unit.
2 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION : RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION : TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
3 USING THE UNIT SAFELY 001 • Before using this unit, make sure to read the instructions below, and the Owner’s Manual. .......................................................................................................... For AT-60S 002a • Do not open or perform any internal modifica- tions on the unit.
4 015 • Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord.
5 Important Notes 291b In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3, please read and observe the following: Power Supply 3.
6 Important Notes 560 • Do not pull the music stand too far forward when setting/ releasing its latches. 562 • Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions. • Some connection cables contain resistors.
7 Main Features Basic concepts of the ATELIER series A full complement of organ sounds A wide range of basic organ sounds, ranging from jazz organ and pipe organ to theatre organ, are onboard so you are sure to enjoy having access to all the sounds you expect from an organ.
8 Main Features “Music Assistant” and “Quick Registration” functions The “Music Assistant” function makes it easy to recall appropriate rhythm and sound settings simply by selecting a desired atmosphere for your song.
9 Index USING THE UNIT SAFELY...................................................................................................................... 3 Important Notes......................................................................................
10 Index Chapter 2 Using Rhythm Performance ............................................... 57 Selecting a Rhythm ................................................................................................................................... 57 Playing Rhythm .
11 Index Chapter 5 Applying Various Effects to the Sound ........................... 106 Adding Harmony to a Melody (Harmony Intelligence) (AT-90S) .................................................. 106 Harmony Intelligence [Others] button (AT-90S) ..
12 Index Chapter 8 Editing Your Musical Performance Data ......................... 149 Deleting a Specific Measure (Delete Measure) ................................................................................... 149 Delete the Recording from a Track (Delete Track) .
13 Index Chapter 10 Connecting with External Device ................................... 178 Name and Functions of Jack and Connectors (AT-90S/80S) ........................................................... 178 Name and Functions of Jack and Connectors (AT-60S) .
14 Panel Descriptions 1. [Power On] switch → p. 19 2. Panel Speaker 3. Harmony Intelligence button → p. 106–p. 109 4. Footage Type buttons (AT-90S only) → p. 45 5. Lower Footage buttons (AT-90S only) → p. 45 6. Upper Footage buttons (AT-90S only) → p.
15 Panel Descriptions 16. Pedal Bass Voice select buttons → p. 38 Pedal Organ Part Pedal Orchestral Part [To Lower] button → p. 126 [Bass Split] button → p. 125 17. Lower [Drums/SFX] button → p. 52 [Manual Perc] button → p. 54 18. Lower Voice [Hold] button → p.
16 Panel Descriptions 1. [Power On] switch → p. 19 2. Panel Speaker 3. [Harmony Intelligence] button → p. 109 4. Transpose [-] [+] buttons → p. 102 5. Composer → p. 129 [Reset] button [Play/Stop] button [Rec] button [Song] button [Registration] button → p.
17 Panel Descriptions 14. Lower Voice [Hold] button → p. 56 15. Sustain → p. 113 [Pedal] button [Lower] button [Upper] button 16. Rhythm select buttons → p. 57 Style Orchestrator buttons → p. 62 Tempo [ ] [ ] buttons → p. 60 Fill In [To Variation] button → p.
18 Before You Start Playing Attaching the Pedalboard (AT-90S) 1. Detach the pedal cable that is temporarily fastened to the board on the upper part of the Expression Pedal. 2. Connect the pedal cable to the connector located at the right side of the Pedalboard.
19 Before You Start Playing Connecting the Power Cord 1. First, make sure that the [Power On] switch at the panel’s left side is OFF (not pushed in). 2. Connect the supplied power cord to the AC Inlet connector, then plug the other end into an AC outlet.
20 Before You Start Playing Using Headphones The AT-90S/80S/60S features a Phones jack. This allows you to play without having to worry about bothering others around you, even at night. fig.00-29 1. Connect the headphones to the Phones jack on the underside of the unit.
21 Before You Start Playing Turning On the Lights (AT-90S/80S) After turning on the power, turn on the [Illumination] switch (located underneath the left-hand side of the keyboard).
22 Before You Start Playing About the Bench The bench seat can be opened, and sheet music and other items can be stored inside. Caution When Using the Bench fig.
23 Before You Start Playing The confirmation message appears on screen. fig.00-40.eps If you touch <Cancel>, the Factory Reset will not be performed, and you will return to the System screen. 5. When you touch <OK>, the Factory Reset operation will begin, and the settings will return to the factory-set condition.
24 About the Display The AT-90S/80S/60S makes use of a Touch Screen. This lets you carry out a wide variety of actions just by touching the screen lightly. ■ Understanding the Main and Related Screens Main Screen fig.04-02 Number Explanations 1 Tempo 2 Measure 3 Beat 4 Bouncing Ball A ball will bounce in time with the rhythm or song.
25 About the Display About the principal icons and the Utility screen 10 Music Assist Press this when you want to use the Music Assistant function (p. 30). 11 Sound/Kbd Select a voice (tone), or make settings for the effect depth, key- board, etc. 12 Rhythm Play the internal rhythms, and play disk rhythms or store them in internal memory.
26 About the Display Sub-windows You can touch <Sound/Kbd> or <Registration> in the Main screen or <Utility> in other screens to access a screen like the following.
27 About the Display ■ About the Quick Guide function The AT-90S/80S/60S offers a Quick Guide function, which makes it easy for you to access various functions. While the Quick Guide screen is displayed, you can press the keyboard, a button, or a foot switch to jump to the related setting screen.
28 About the Display About the Index menu In the Quick Guide screen, you can touch <index> to access the Index Menu. In the Index Menu screen, you can touch a keyword to jump to the setting screen for that keyword. 1. Touch <Quick Guide> on the Main screen.
29 About the Display 3. Touch a letter of the alphabet A–W to select the first letter of the desired keyword. The Quick Guide Index screen appears, and the keywords will be displayed. 4. Touch the desired keyword. The setting screen for the specified keyword appears.
30 About the Display Music Assistant Function A collection of the world’s best, most well-known songs were carefully selected, then the optimum panel settings for each of them were determined, and the resulting data was stored inside the instrument.
31 About the Display 3. Touch a keyword appropriate for the character of the song. Panel settings appropriate for the keyword will automatically be called up for the Registration [1]–[4] buttons. 4. Touch <Exit> to close the Music Assistant screen.
32 Chapter 1 Selecting and Playing Sounds Listening to the Demo Songs The AT-90S/80S/60S provides demo songs. Here’s how to play the Demo songs, and fully appreciate the sounds, Rhythms, and Automatic Accompaniment that are available with the AT-90S/80S/60S.
33 Chapter 1 Selecting and Playing Sounds 5. Touch < > to stop playback of the demo song. 6. Press the [Demo] button to exit the demonstration screen. If the following screen appears If the performance song in the unit has not been saved to floppy disk, the following message appears, and it will not be possible to play the Demo songs.
34 Chapter 1 Selecting and Playing Sounds Selecting Voices You can play the sounds of various instruments on the AT-90S/80S/60S. These sounds are called “Voices.” ■ About the Voices and Parts The AT-90S/80S/60S has two manual keyboards and a pedalboard.
35 Chapter 1 Selecting and Playing Sounds AT-90S The Upper Keyboard and Lower Keyboard each have four parts: “Organ,” “Symphonic,” “Orchestral,” and “Footage.” You can select one voice for each part, meaning that it is possible to layer up to four voices on each keyboard and play them simultaneously.
36 Chapter 1 Selecting and Playing Sounds ■ Functions of the Upper/Lower/Pedal Bass Sound Select Buttons fig.01-06 Each time you press a voice button, its indicator will switch between being lit and being turned off. Voices that have their button indicator lit can be played.
37 Chapter 1 Selecting and Playing Sounds ■ Selecting the Upper and Lower Voices Press the “Organ,” “Symphonic,” or “Orchestral” buttons for each Keyboard (Upper/Lower) to select the desired voice. When the power is turned on, the Upper keyboard will play “Full Organ1” and the Lower keyboard will play “Lower Organ1.
38 Chapter 1 Selecting and Playing Sounds ■ Selecting Pedal Bass Voice Immediately after the power is turned on, the Pedal Bass voice will sound single notes using the “Organ Bass1” voice. Press the buttons of the various parts of “Pedal Organ” and “Pedal Orchestral” to select voices.
39 Chapter 1 Selecting and Playing Sounds ■ Selecting Solo Voice The Solo section of the Upper keyboard is monophonic, that is, the Solo voice will only sound for the highest note played on the Upper keyboard. This allows you to play full chords and have the selected Solo voice playing the highest (solo) note.
40 Chapter 1 Selecting and Playing Sounds ■ Selecting a Voice Using the [Others] Button Notice that there is an [Others] button for each of the “Organ,” “Symphonic,” “Orchestral” sections of the upper and lower voices, and “Solo” voices, and for the “Organ” and “Orchestral” sections of the Pedal bass voice.
41 Chapter 1 Selecting and Playing Sounds 4. In the sub-window, touch a sound group name to select the desired sound group. The indicator of the selected [Others] button will blink. The Others Voice screen appears, showing the sounds of the specified sound group.
42 Chapter 1 Selecting and Playing Sounds ■ Performing with a Human Voice In addition to sounds such as organ and piano, you can also play “human voice,” which produces a vocal-like sound. 1. Press the [Alternate] button to select ON (lit) or OFF (dark).
43 Chapter 1 Selecting and Playing Sounds 4. In the sub-window, touch <Human Voice>. The indicator of the selected [Others] button will blink. The Others Voice screen appears, showing the sounds of the Human Voice group. The Others Voice screen will appear, and the sounds of the Human Voice group will appear.
44 Chapter 1 Selecting and Playing Sounds ■ Performing with an Active Expression Voice Some voices are “Active Expression voices,” for which advancing the expression pedal will not only vary the volume, but will also add other voices.
45 Chapter 1 Selecting and Playing Sounds Footage (AT-90S) The Upper and Lower keyboards provide Footage Tablets that allow you to create a wide variety of organ sounds by combining voices of different pitches.
46 Chapter 1 Selecting and Playing Sounds 1. Press the Footage Type button (indicator lights). Each time you press the button, the indicator will alternate between ON (lit) and OFF. There are a total of three types of Footage voices. 2. Press the Upper Footage button (indicator lights).
47 Chapter 1 Selecting and Playing Sounds If you press the Footage Type button, Lower Footage button, or Upper Footage button to turn it on (button’s indicator lit), a footage screen like the following appears. Footage Screen When the Footage Type is “Flute” The sliders displayed in the screen are called “harmonic bars.
48 Chapter 1 Selecting and Playing Sounds Adjust the Volume Balance The AT-90S/80S/60S allows you to adjust the volume balance individually for each Part.
49 Chapter 1 Selecting and Playing Sounds 1. The volume levels of each part are adjusted using the corresponding [ ▲ ] and [ ▼ ] buttons. Pressing the upper button ([ ▲ ] button) will increase the volume. Pressing the lower button ([ ▼ ] button) will decrease the volume.
50 Chapter 1 Selecting and Playing Sounds Transpose the Pitch in Octave Units (Octave Shift) The pitch of the sound played by the keyboard can be adjusted in one-octave steps.
51 Chapter 1 Selecting and Playing Sounds 3. Touch the part display of the part whose Octave Shift settings you wish to change. fig.01-30.eps 4. Touch < >< > to adjust the settings. The value can be set to a range of +/- 3 octaves. fig.01-30.
52 Chapter 1 Selecting and Playing Sounds Playing Drum Sounds or Sound Effects from the Entire Lower Keyboard (Drums/SFX) You can use the Lower keyboard to play various drum sounds (drum set). In this case, the Lower voices will no longer sound. fig.01-32 1.
53 Chapter 1 Selecting and Playing Sounds ■ Changing Drums/SFX Sets Immediately after the power is turned on, the POP drum set will sound. As the drum set, you can choose from 16 types of drum set and one type of sound effect. When you change the drum set, the sound produced by each note will change.
54 Chapter 1 Selecting and Playing Sounds Simultaneously Playing a Lower Voice with Percussion Instrument Sounds and a Voice Phrase (Manual Percussion) You can play various drum sounds and Sound Effects using the bottom 15 keys of the Lower keyboard.
55 Chapter 1 Selecting and Playing Sounds ■ Changing the Manual Percussion Sets Immediately after the power is turned on, the PERC SET1 drum set will sound. You can choose the type of Manual Percussion Set. When you change the Manual Percussion Set, the sound played by each of the 15 lowest notes of the Lower keyboard will change.
56 Chapter 1 Selecting and Playing Sounds Sustaining Notes Played on the Lower Keyboard (Lower Hold) When the Lower Voice [Hold] button is ON (Lower Voice [Hold] button’s indicator is lit), the note(s) played on the Lower keyboard will continue to sound until you play the next note(s)—even if you release the keys you have played.
57 Chapter 2 Using Rhythm Performance The AT-90S/80S/60S lets you enjoy playing along with a rhythmic accompaniment. Selecting a Rhythm The AT-90S/80S/60S provides various Rhythms and Automatic Accompaniments (Music Styles). These are organized into 10 groups.
58 Chapter 2 Using Rhythm Performance Playing Rhythm There are two ways to start the Rhythm: • Manually by pressing the [Start] button, • Automatically by playing a note on the Lower keyboard or Pedalboard (Sync Start). You can press (Sync Start) or the [Intro/Ending] button to start the rhythm from the intro, or stop the rhythm at the ending.
59 Chapter 2 Using Rhythm Performance ■ Starting the Rhythm Automatically When You Play the Lower Keyboard or Pedalboard (Sync Start) Starting with an Added Intro 1. Press the [Sync Start] button to make the indicator light up. 2. Press the [Intro/Ending] button.
60 Chapter 2 Using Rhythm Performance ■ Stopping the Rhythm Stopping with an Ending 1. Press the [Intro/Ending] button. An Ending is played, then the Rhythm stops. While the Ending is playing, the [Intro/Ending] button indicator will light, until the Ending finishes the button indicator will be turned off.
61 Chapter 2 Using Rhythm Performance Playing the Count Sound at the End of the Intro If an intro is played before your performance, you can have a countdown played to the end of the intro, allowing you to understand easily where you are to start playing.
62 Chapter 2 Using Rhythm Performance Adding Variety to the Rhythm or Automatic Accompaniment You can add variety to the rhythm or automatic accompaniment by changing the rhythm pattern of the rhythm or the arrangement of the automatic accompaniment, or by inserting a break (i.
63 Chapter 2 Using Rhythm Performance Playing Chords with Simple Fingering “Chord Intelligence” is a feature that intelligently plays the correct accompaniment chords the moment you play a key specifying a chord on the Lower keyboard during Automatic Accompaniment.
64 Chapter 2 Using Rhythm Performance 4. Touch the Chord Intelligence setting to turn it “ON.” The Chord Intelligence function can now be used. Each time you touch the Chord Intelligence setting, it will be switched ON/ OFF. 5. If you wish to turn off the Chord Intelligence function, switch it “OFF.
65 Chapter 2 Using Rhythm Performance 3. Touch <Options>. The Rhythm Options screen appears. fig.02-11_55 4. Touch the Leading Bass setting to turn it “ON.” Each time you touch the Leading Bass setting, it will be switched ON/OFF. The lowest note of the chord you play on the Lower keyboard will be used as the Bass note.
66 Chapter 2 Using Rhythm Performance A Simple Way to Make Automatic Accompaniment Settings (One Touch Program) The AT-90S/80S/60S provides a very convenient [One Touch Program] button.
67 Chapter 2 Using Rhythm Performance fig.02-15 1. Select a Rhythm (p. 58). 2. Press the [One Touch Program] button. The [One Touch Program] button’s indicator will light. An OTP Group (One Touch Program Group select) screen like the one shown below will be displayed for several seconds.
68 Chapter 2 Using Rhythm Performance Using a Rhythm from a Disk The AT-90S/80S/60S contains built-in Rhythms (Music Styles). Additional Rhythms (Music Styles) are available on the Music Style disk included are available. Here’s how to select a Rhythm (Music Style) from a Music Style disk.
69 Chapter 2 Using Rhythm Performance ■ Reviewing the Styles on a Music Style Disk 1. Press the Rhythm [Disk] button (confirm that its indicator is lit). The Rhythm screen appears. fig.02-20_55 2. Insert the Music Style disk into the disk drive. The Rhythm screen will show the Rhythms on the music style disk.
70 Chapter 2 Using Rhythm Performance ■ Loading Disk Rhythms Into Internal Memory The [Disk] button already contains various Rhythms, but these can be rewritten by Rhythms from a Music Style disk. Rhythms loaded from the disk into internal memory will not be lost even if the power is turned off.
71 Chapter 2 Using Rhythm Performance 4. Touch <Disk Rhythm>. The Loading Disk Rhythm screen appears. fig.02-23_55 5. Touch < >< > to switch screens, and select the Music Style Disk rhythm that you wish to store in internal memory. Rhythm [Disk] button indicator will blink.
72 Chapter 2 Using Rhythm Performance 8. To store the Rhythm in internal memory, touch <OK>. The saving of the rhythm to internal memory begins. Once the Rhythm has been accommodated in memory, the Rhythm screen will reappear.
73 Chapter 2 Using Rhythm Performance ■ Loading Rhythms from World Style Setup Disk Into Internal Memory The Rhythm [World] button contains some preset Rhythms, but by using the included World Style Setup Disk, you can rewrite these to the Rhythms of the desired country.
74 Chapter 2 Using Rhythm Performance 5. Touch the screen to select the country of the Rhythms that you wish to store in the [World] button. The following countries can be selected: USA, UK, Germany, France, Japan The following screen appears. Touch <Cancel> to go back to the Rhythm screen.
75 Chapter 2 Using Rhythm Performance ■ Restoring the Rhythm Stored in the [World] Button to the Factory Settings Use the following procedure to restore only the drum sets stored with the [World] button to their factory settings. 1. Press the [Power On] button to turn off the power.
76 Chapter 3 Using the Registration Buttons The AT-90S/80S/60S allows you to store sound settings and panel settings in the Registration buttons. The AT-90S/80S has a total of twelve registration butt.
77 Chapter 3 Using the Registration Buttons Recalling a Registration Settings that have been registered to Registration buttons [1]–[12] (on the AT-60S, Registration buttons [1]–[8]) can be recalled in two ways: “INSTANT” and “DELAYED.” At the factory this is set to “DELAYED.
78 Chapter 3 Using the Registration Buttons ■ Changing the Timing of Recalling Registrations Settings for Rhythm play and Automatic Accompaniment are recalled when you continue holding a Registratio.
79 Chapter 3 Using the Registration Buttons 4. Touch <Options>. The Registration Options screen appears. fig.03-07_55 5. Touch the Arranger Update setting to switch between “DELAYED” and “INSTANT.” Each time you touch the Arranger Update setting, it will alternate between “DELAYED” and “INSTANT.
80 Chapter 3 Using the Registration Buttons Assigning a Name to a Registration Set When saving Registration sets, names like “REGIST-01–99” will be assigned by default, but you can assign a name that will help you later to identify the contents of the Registration set.
81 Chapter 3 Using the Registration Buttons 4. Touch <Rename>. The Rename screen appears. fig.03-11_55 5. Touch < > to change among uppercase/ lowercase/symbols. Each touch of the character switch button takes you to the next available choice, like this: uppercase → lowercase → symbols → uppercase .
82 Chapter 3 Using the Registration Buttons Formatting Disks Before any floppy disk (new or used) can be used with the AT-90S/80S/60S it must first be formatted (prepared). Formatting a floppy disk erases all information stored on the disk, and puts it in a format that is acceptable for the device in which it will be used.
83 Chapter 3 Using the Registration Buttons 4. Touch <Save>. The Registration Save screen appears. fig.03-09_55 5. Touch <Utility>. The Utility screen appears. 6. Touch <Format Disk>. The Format Disk screen appears. fig. If you touch <Cancel>, you will return to the Registration Save screen without formatting.
84 Chapter 3 Using the Registration Buttons Saving Registration Sets to a Floppy Disk With the settings of Registration buttons [1]–[12] (on the AT-60S, Registration buttons [1]-[8]) considered as one set, a single floppy disk can store up to 99 sets of data.
85 Chapter 3 Using the Registration Buttons Numbers which have not been used in the saving operation will be displayed as “- - - - -.” fig.03-13_55 To cancel the Save operation, touch the <Exit> button to close the Registration Save screen. 5.
86 Chapter 3 Using the Registration Buttons If the following screen appears If you select a number at which a registration has already been saved and touch <Save>, the following screen appears. fig.E-63 If you wish to update the contents of the Registration data 1.
87 Chapter 3 Using the Registration Buttons Loading Previously Saved Registration Sets Into the AT-90S/80S/60S Here’s how to recall a previously saved Registration set from the floppy disk into the memory of the AT90S/80S/60S. Registrations can be selected in the following three ways.
88 Chapter 3 Using the Registration Buttons 3. Touch <Load>. The Registration Load screen appears. fig.03-05_55 4. In the screen, touch < >< > to select the Registration that you wish to load into internal memory. To cancel operation, touch <Exit>.
89 Chapter 3 Using the Registration Buttons ■ Loading an Individual Registration 1. Insert the floppy disk containing the Registration into the disk drive. 2. Touch <Registration> on the Main screen. The sub-window appears. fig.03-04_55 3. Touch <Load>.
90 Chapter 3 Using the Registration Buttons 6. Touch <Load One>. The Load One Registration screen appears. AT-90S/80S AT-60S fig.03-19_50 7. In the screen, touch Disk <1>–<12> (on the AT-60S, Disk <1>–<8>) to select the number of the registration button that you wish to load from disk into internal memory.
91 Chapter 3 Using the Registration Buttons 9. When you’re done making the settings, touch <OK>. The following display appears. fig.03-22_55 When the Registration has been loaded, the basic screen will reappear.
92 Chapter 3 Using the Registration Buttons ■ Recalling the Order that the Registrations are Saved on the Floppy Disk (Load Next) On the AT-90S/80S/60S, you can simply press the [Load Next] button to successively recall registrations in the order in which they were saved on the floppy disk.
93 Chapter 3 Using the Registration Buttons Checking the next registration set 1. Access the Main screen. 2. Touch the < > icon several times to switch to < >. The Main screen display will switch to the registration. If the next registration set is loaded “Next” will indicate the name of the next registration set.
94 Chapter 3 Using the Registration Buttons Deleting a Set of Registrations from a Floppy Disk Here’s how to delete a Registration set that was saved to a floppy disk. 1. Insert the floppy disk containing the Registration into the disk drive. 2. Touch <Registration> on the Main screen.
95 Chapter 3 Using the Registration Buttons 4. In the screen, touch < >< > to select the registration that you wish to delete. 5. Touch <Delete>. The following display appears. fig.03-16_55 To cancel operation, touch <Cancel>. 6.
96 Chapter 3 Using the Registration Buttons Changing the Order of Registration on Floppy Disk After saving registrations on floppy disk, you can change the order or name of the registrations (p. 80), or delete a registration (p. 94). This is very convenient when you are preparing to use the [Load Next] button (Load Next function → p.
97 Chapter 3 Using the Registration Buttons Using Registrations Created on an Earlier Model Registrations that were created on the ATELIER series (AT-90/80/30) or ATELIER-R series (AT-90R/80R/60R/30R/20R) can be used on the AT- 90S/80S/60S.
98 Chapter 3 Using the Registration Buttons 4. Touch < >< > to select the registration that you wish to load into internal memory. fig.03-17_55 To cancel operation, touch <Exit>. 5. Touch <Load>. The following screen appears. fig.
99 Chapter 3 Using the Registration Buttons If internal memory does not contain a rhythm specified by the registration The number of the included music style disk that contains that rhythm will be displayed. AT-90S/80S AT-60S fig.03-27_55 8. Make a note of the number of the music style disk, and touch <Exit>.
100 Chapter 3 Using the Registration Buttons Choose a Keyword for Quick Registration Selection You can select a voice appropriate for your performance by selecting from keywords representing your situation, location, musical genre, etc.
101 Chapter 3 Using the Registration Buttons 3. Touch < >< > to switch pages, and touch the desired keyword. Voice selections appropriate for that keyword appears in the display. 4. Touch either <Total>, <Upper>, <Lower>, or <Pedal> to select the keyboard for which you want to select a voice.
102 Chapter 4 Using the Performance Functions Transposing to a Different Key (Key Transpose) You can transpose the key of a performance without having to shift the position of your fingers on the keyboard.
103 Chapter 4 Using the Performance Functions Adjusting the Overall Volume Using an Expression Pedal You can use the expression pedal to adjust the overall volume. When you depress the Expression Pedal, the volume increases. The volume decreases as you tilt the pedal back.
104 Chapter 4 Using the Performance Functions Pitch Bend and Vibrato Effects When you move the Pitch Bend/Vibrato lever to the left or right, you can obtain a smooth change in the pitch of the notes being played (Pitch Bend effect). Move the lever to the right to raise the pitch, and to the left to lower it.
105 Chapter 4 Using the Performance Functions Using the Foot Switches On either side of the expression pedal are two Foot Switches. Different functions are assigned to each of these two foot switches. fig.04-07 With the factory settings, the following functions are assigned to the left and right Foot Switches.
106 Chapter 5 Applying Various Effects to the Sound The AT-90S/80S/60S allows you to apply various effects to the sounds you play from the keyboard. Adding Harmony to a Melody (Harmony Intelligence) (AT-90S) Harmony appropriate for the chord you play in the lower keyboard can be added to the highest note played in the upper keyboard.
107 Chapter 5 Applying Various Effects to the Sound ■ Harmony Intelligence [Others] button (AT-90S) The Harmony Intelligence [Others] button contains various types of Harmony Intelligence. To select Harmony Intelligence settings from the Harmony Intelligence [Others] button, use the following procedure.
108 Chapter 5 Applying Various Effects to the Sound Type How notes pressed are sounded Harmony [Organ] Upper Voice Upper Voice.
109 Chapter 5 Applying Various Effects to the Sound Adding Harmony to a Melody (Harmony Intelligence) (AT-80S/60S) 1. Press the [Harmony Intelligence] button, getting its indicator to light up. Each time you press the button, the indicator will alternate between ON (lit) and OFF.
110 Chapter 5 Applying Various Effects to the Sound 2. Touch < >< > to switch screens, and touch the screen to select the desired harmony intelligence. The [Harmony Intelligence] button’s indicator will blink. 3. Press the [Harmony Intelligence] button once again.
111 Chapter 5 Applying Various Effects to the Sound Adding Modulation to the Sound (Rotary Effect) Rotary is an effect which simulates the sound of rotating speakers. There is a choice of two settings: Fast and Slow. fig.05-06_70 1. Select the voice to which you wish to apply the Rotary effect.
112 Chapter 5 Applying Various Effects to the Sound Chorus Effect Chorus is an effect that adds expansiveness to a sound, making one instrument sound like several. You can apply a chorus effect for the “Upper Symphonic,” “Upper Orchestral,” “Lower Symphonic,” and “Lower Orchestral” voices.
113 Chapter 5 Applying Various Effects to the Sound 3. For the part to which you wish to apply the chorus effect, touch the Chorus “ON/OFF” display to change the setting. Each time you touch the Chorus setting, it will alternate ON/OFF. fig.05-22 4.
114 Chapter 5 Applying Various Effects to the Sound Reverb Effect Reverb is an effect that adds a sense of spaciousness to the sound, creating the illusion of playing in a large or small concert hall, a large or small room, a small club, etc. fig.05-16-1_70 1.
115 Chapter 5 Applying Various Effects to the Sound ■ Changing the Reverb Type By changing the reverberations of the notes, you can enjoy the atmosphere of performance in a wide variety of different locations. You can select from the following 11 types of Reverb.
116 Chapter 5 Applying Various Effects to the Sound ■ Changing the Wall Type By changing the type of reverb (p. 115) you can experience the feeling of performing in various different locations, and by changing the Wall Type (wall material) you can make further adjustments to the way in which reverberation occurs.
117 Chapter 5 Applying Various Effects to the Sound ■ Changing the Depth of the Reverb The depth of the Reverb can be set (0–10). Reverb (p. 114) To adjust the reverb depth for Upper/ Lower/Pedal/Solo 1. Touch <Sound/Kbd> on the Main screen.
118 Chapter 5 Applying Various Effects to the Sound To adjust the reverb depth for something other than Upper/Lower/ Pedal/Solo 1. Touch <Sound/Kbd> on the Main screen. fig.05-08_50 The sub-window appears. fig.05-10_50 2. In the sub-window, touch <Effect>.
119 Chapter 5 Applying Various Effects to the Sound ■ Rotary Speed You can make fine adjustments to the speaker rotation speed of the rotary effect (p. 111). 1. Touch <Sound/Kbd> on the Main screen. fig.05-08_50 The sub-window appears. fig.05-10_50 2.
120 Chapter 5 Applying Various Effects to the Sound ■ Rotary Color This setting allows you to choose the brightness of the Rotary sound obtained when using the Rotary effect (p. 111). 1. Touch <Sound/Kbd> on the Main screen. fig.05-08_50 The sub-window appears.
121 Chapter 5 Applying Various Effects to the Sound ■ Changing the Sustain Length The sustain length can be set independently (SHORT, MIDDLE (Medium) or LONG) for the Upper and Lower keyboards and Pedalboard. You can make a separate setting for each keyboard.
122 Chapter 6 Using the Lower Keyboard Effectively Making Effective Use of the Lower Keyboard Since the lower keyboard of the AT-90S/80S/60S provides a generous 76 notes, you can use it to play piano pieces with ease.
123 Chapter 6 Using the Lower Keyboard Effectively Playing Drum Sounds from the Entire Lower Keyboard By changing the combination of voices that are played on the Lower keyboard, and by changing the Solo Split Point (p. 127) and Bass Split Point (p. 128), you can create the following types of setup.
124 Chapter 6 Using the Lower Keyboard Effectively Playing the Solo Voice on the Lower Keyboard (Solo [To Lower] Button) Normally, the solo voice will sound on the upper keyboard. By using the Solo [To Lower] button, you can play the solo voice in the right- hand side of the lower keyboard that includes the B4 key.
125 Chapter 6 Using the Lower Keyboard Effectively Using the Lower Keyboard to Play the Bass Voice ([Bass Split] Button) By using the [Bass Split] button you can play the bass voice in the left-hand side (including C3) of the lower keyboard.
126 Chapter 6 Using the Lower Keyboard Effectively Using the Lower Keyboard to Play the Bass Voice ([To Lower] Button) By using the Pedal [To Lower] button, you can sound the Pedal Bass voice by playing the root note (see p. 212) of a chord on the Lower keyboard in the area that is playing the Lower voice.
127 Chapter 6 Using the Lower Keyboard Effectively Changing the Split Point ■ Solo Split Point This setting is used to determine the Solo Split Point (lower limit of the playable range of the Solo voice) on the Lower keyboard to any desired position.
128 Chapter 6 Using the Lower Keyboard Effectively ■ Bass Split Point You can assign the Bass Split Point (the highest key up to which the Pedal Bass voice will sound), to any key of the Lower keyboard. 1. Touch <Sound/Kbd> on the Main screen.
129 Chapter 7 Recording/Playing Back What You Play The AT-90S/80S/60S’s Composer allows you to record what you played on the instrument. fig.07-01 Before Recording/Playing Back What You Play ■ What is a Track Button? The recorded performance will be automatically assigned to the seven Track buttons according to the recorded part.
130 Chapter 7 Recording/Playing Back What You Play ■ Displaying the Track Buttons The track buttons will be displayed in the screen when you record or play back a performance. 1. Touch <Rec/Play> on the Main screen. fig.07-03_50 The Rec/Play screen appears.
131 Chapter 7 Recording/Playing Back What You Play When the performance song loaded from a disk is a Standard MIDI File, “ ” will be displayed on the Main screen. fig.07-06 2. Press the [Demo] button. fig.01-01 All performance data saved on the floppy disk will be played consecutively.
132 Chapter 7 Recording/Playing Back What You Play Recording a Performance fig.07-12 1. Select the panel settings needed for recording the performance. 2. Make sure that a floppy disk is not inserted in the disk drive. If a floppy disk is in the disk drive, press the Eject button and remove the floppy disk.
133 Chapter 7 Recording/Playing Back What You Play Playing Back a Performance Song fig.07-08* 1. Touch <Rec/Play> on the Main screen. fig.07-03_50 The Rec/Play screen appears. fig.07-04_50 2. Touch <Reset>. The location at which playback will start will return to the beginning of measure 1.
134 Chapter 7 Recording/Playing Back What You Play Silencing a Specific Track (Track Mute) When the Rec/Play screen is displayed, the track button will light to indicate a track in which a performance has been recorded. By turning off these track buttons, you can temporarily silence the sound.
135 Chapter 7 Recording/Playing Back What You Play Recording Each Part Separately In this method, each part (track button) is recorded one after another: first the Rhythm part, then the bass part, etc. If there are any previously recorded performances, you can listen to them as you record additional parts.
136 Chapter 7 Recording/Playing Back What You Play Re-Recording If you made a mistake in your performance during recording etc., you can re-record just a portion of the musical data in the track. NOTE If you wish to re-record with different settings for voices, tempo, part balance, erase the recorded song (p.
137 Chapter 7 Recording/Playing Back What You Play Erasing a Performance Song (Song Clear) If you wish to discard your recording and re-record from the beginning, or if you wish to record a new performance, you must erase the previously-recorded data.
138 Chapter 7 Recording/Playing Back What You Play 4. Touch <Utility> to open the Utility screen. fig.07-23 5. Touch <Rename>. The Rename screen appears. fig.07-25_50 6. Touch the character select button ( )to switch among uppercase/lowercase/symbols.
139 Chapter 7 Recording/Playing Back What You Play Saving Performance Songs Onto Floppy Disk The performance data that you recorded will disappear when the power of the AT-90S/80S/60S is turned off. If you wish to keep the performance data, you can save it on a floppy disk.
140 Chapter 7 Recording/Playing Back What You Play If the following screen appears If you select a number at which a performance data has already been saved and touch <Save>, the following screen appears. fig.E-62 If you wish to update the contents of the performance data 1.
141 Chapter 7 Recording/Playing Back What You Play If the following screen appears The message below is shown when the performance song in the unit has not been saved to disk. fig.E-62 If you wish to erase the performance song 1. Touch the <OK> button.
142 Chapter 7 Recording/Playing Back What You Play When SMF music file is loaded into the AT-90S/80S/ 60S, it will be stored in the following tracks. 7. Select the panel settings needed for recording the performance. 8. Touch the <Bwd> button and <Fwd> button to move to the measure at which you wish to begin recording.
143 Chapter 7 Recording/Playing Back What You Play Re-Recording Part of Your Performance (Punch-in Recording) After you have recorded a performance, you can re-record a specified portion of the performance. With this method, you listen to the recorded performance, and re-record just the desired area.
144 Chapter 7 Recording/Playing Back What You Play Recording and Layering Drum Parts (Loop Recording) You can repeatedly record over a specified region of the rhythm part, adding additional notes at each pass. This type of recording is called “Loop Recording.
145 Chapter 7 Recording/Playing Back What You Play Count-In Recording This setting (ON/OFF) determines whether or not a metronome count-in (2 measures) will be heard after pressing the [Play/Stop] button on recording. 1. Touch <Rec/Play> on the Main screen.
146 Chapter 7 Recording/Playing Back What You Play 8. Touch <Score>. The Score screen appears. fig.07- Touching the illustration of speaker on screen, you can mute the part. ■ Changing the Score Settings 1. Touch <Rec/Play> on the Main Screen The Rec/Play screen appears.
147 Chapter 7 Recording/Playing Back What You Play fig.07- 5. Touch the button for the item whose setting you want to change. 6. Touch < >< > to change the setting. fig.07- When you touch <Key>, the following screen appears. fig.07- fig.
148 Chapter 7 Recording/Playing Back What You Play Some notes on a Score screen • When you start playback of music files, the marks appears. While this appears on the score, the AT-90S/ 80S/60S is reading data from the floppy disk and making the score.
149 Chapter 8 Editing Your Musical Performance Data Song files that you record can be edited using five different functions. The following editing functions are provided.
150 Chapter 8 Editing Your Musical Performance Data 6. Touch < >< > to set “From” (the first measure that you wish to delete). fig.08-05_50 7. When you’re done making the settings, touch <Exit>. 8. Touch the “For” value (the number of measures that you wish to delete).
151 Chapter 8 Editing Your Musical Performance Data 2. In the Rec/Play screen, touch <Utility> to open the Utility screen. fig.08-03_50 3. In the Utility screen, touch <Edit>. The Edit Menu screen appears. fig.08-08_50 4. Touch <Delete Track>.
152 Chapter 8 Editing Your Musical Performance Data Erase Recording (Erase Event) You can erase a specified portion of the performance in a specified area without making the song shorter.
153 Chapter 8 Editing Your Musical Performance Data 7. When you’re done making the settings, touch <Exit>. 8. Touch the “Track” value (the track from which data will be erased). 9. Touch < >< > to specify the “Track” (the track from which data will be erased).
154 Chapter 8 Editing Your Musical Performance Data Copying Measures (Copy) This function lets you copy a portion of recorded song to a different measure (bar) location in the same track. If a recording already exists at the copy destination, it will be erased.
155 Chapter 8 Editing Your Musical Performance Data 9. Touch < >< > to set “From” (the measure at which copying will begin). 10. When you’re done making the settings, touch <Exit>. 11. Touch the “For” value (the number of measures to be copied).
156 Chapter 8 Editing Your Musical Performance Data 4. Touch <Quantize>. fig.08-17-2_50 The Quantize screen appears. fig.08-17_50 5. Touch the “Track” value (the track that will be quantized). 6. Touch < >< > to specify the “Track” (the track that will be quantized).
157 Chapter 9 Various Other Settings Adjusting How the Instrument Responds ■ Turning Aftertouch On/Off This setting is used to turn ON/OFF the Aftertouch feature. Aftertouch applies vibrato when additional pressure is placed on the keys that are being played.
158 Chapter 9 Various Other Settings ■ Turning Initial Touch On/Off Initial Touch is a function that translates the force used in playing the keys into a directly proportional amount of volume. It can be switched ON/OFF independently for the Upper and Lower keyboards.
159 Chapter 9 Various Other Settings ■ Changing How the Solo Voice Responds When the Solo voice is assigned to the Upper keyboard or the Lower keyboard, you can specify how the Solo voice will respond when more than one key is pressed. 1. Touch <Sound/Kbd> on the Main screen.
160 Chapter 9 Various Other Settings Performance Function Settings ■ Changing the Function of the Foot Switch You can select any of the following functions and assign them to either Foot Switch on the right or left side of the Expression Pedal. 1. Touch <Sound/Kbd> on the Main screen.
161 Chapter 9 Various Other Settings ■ Using the Foot Switch to Switch Registrations You can use the Foot Switch as a dedicated switch for selecting Registrations in order. 1. Touch <Sound/Kbd> on the Main screen. The sub-window appears. 2. In the sub-window, touch <Controller>.
162 Chapter 9 Various Other Settings ■ Changing the Function of the Expression Pedal Specify how the Expression Pedal will function when your performance is being recorded and when ATELIER song files are being played back.
163 Chapter 9 Various Other Settings ■ Adjusting the Depth of the Expression Pedal 1. Touch <Sound/Kbd> on the Main screen. The sub-window appears. 2. In the sub-window, touch <Controller>. The Controller screen appears. 3. Touch < >< > to display the Damper Pedal.
164 Chapter 9 Various Other Settings ■ Changing the Pitch Bend Range This setting allows you to choose the maximum amount of Pitch change (range) permissible when using Pitch Bend. The range can be set anywhere between 1-12 (in semitone units; with a maximum of one octave).
165 Chapter 9 Various Other Settings ■ Turning Chord Hold On/Off The Chord Hold function can be switched ON/OFF. When Chord Hold is ON, the Automatic Accompaniment will continue playing even when you lift your hand from the keyboard to play a new chord.
166 Chapter 9 Various Other Settings ■ Count Down Sound You can change the sound that is used for the count played at the end of the intro with the Intro Countdown function (p. 61). 1. Touch <Rhythm> on the Main screen. The Rhythm screen appears.
167 Chapter 9 Various Other Settings ■ Changing the Timing at Which Transposition Settings are Recalled You can specify how the transpose setting will be recalled when you press a Registration button. 1. Touch <Registration> on the Main screen.
168 Chapter 9 Various Other Settings ■ Changing the Key When Playing Back Songs (Playback Transpose) SMF music files or a performance that you yourself recorded can be transposed for playback. 1. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears.
169 Chapter 9 Various Other Settings ■ Adjusting the Metronome Volume You can adjust the volume of the metronome. 1. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears. 2. Touch <Utility>. The Utility screen appears. 3. Touch <Options>.
170 Chapter 9 Various Other Settings ■ Setting the Beat This setting determines the beat to be used when recording performance songs. 1. Touch <Rec/Play> on the Main screen. The Rec/Play screen appears. 2. Touch <Utility>. The Utility screen appears.
171 Chapter 9 Various Other Settings 4. Touch the screen to select the channel that you wish to mute. The number will change to “–,” indicating that it has been muted. 5. If you once again touch a channel that is displayed as “–,” the channel number will appear and channel mute will be defeated.
172 Chapter 9 Various Other Settings ■ Mic Echo You can adjust the Mic echo. Connecting the Microphone (p. 20) 1. Touch <System> on the Main screen. The System screen appears. 2. Touch < >< > to display the Mic Echo. 3. Touch <Mic Echo> setting.
173 Chapter 9 Various Other Settings ■ Setting the PC Number You can specify the Program Change number that will be transmitted from MIDI Out when a Registration is selected. 1. Touch <System> on the Main screen. The System screen appears. 2. Touch either <Bank MSB>, <Bank LSB>, or <PC Number> setting.
174 Chapter 9 Various Other Settings 4. Touch <Exit>. There are limitations on the types of MIDI messages that can be received by the keyboard sound source. For details refer to the “MIDI IMPLEMENTATION” (sold separately). This setting remains stored in memory even while power is turned off.
175 Chapter 9 Various Other Settings ■ Repositioning the Touch Screen If you’ve been using the Touch Screen for some time, the pointer may be shifted, making the AT-90S/80S/60S react incorrectly. You should correct this displacement when necessary by performing calibration (repositioning).
176 Chapter 9 Various Other Settings 6. Touch <BMP Installer>. The BMP Installer screen appears. The AT-90S/80S can store up to three images. If two or more images are stored in internal memory, those images will be displayed consecutively after the power is turned on.
177 Chapter 9 Various Other Settings ■ Deleting an Image Stored in Internal Memory 1. Touch <System> on the Main screen. The System screen appears. 2. In the System screen, touch <Utility>. 3. Touch <BMP Installer>. The BMP Installer screen appears.
178 Chapter 10 Connecting with External Device Name and Functions of Jack and Connectors (AT-90S/80S) The functions of the jacks on the bottom of the keyboard are described below. 1. Illumination Switch → p. 21 2. Phones Jack → p. 20 3. Mic Volume Knob → p.
179 Chapter 10 Connecting with External Device Name and Functions of Jack and Connectors (AT-60S) The functions of the jacks on the bottom of the keyboard are described below. 1. Phones Jack → p. 20 2. Mic Volume Knob → p. 20 3. Mic In Jack → p.
180 Chapter 10 Connecting with External Device Connecting to Audio Equipment When you connect the AT-90S/80S/60S to audio equipment, you can play the sounds from the AT-90S/80S/60S through the speakers on the audio equipment or record your performances on a tape recorder or other recording device.
181 Chapter 10 Connecting with External Device 2. Turn off the power to the AT-90S/80S/60S and other connected equipment. 3. Use audio cables (sold separately) to make the connection. 4. Switch on the AT-90S/80S/60S. 5. Switch on the connected device.
182 Chapter 10 Connecting with External Device 4. Turn on the computer. 5. Turn on the AT-90S/80S/60S. 6. Make the settings for baud rate (transmission speed) for the computer and the software. For more information on this procedure, please refer to the owner’s manual for your computer.
183 Chapter 10 Connecting with External Device Connecting MIDI Devices By connecting an external MIDI device and exchanging performance data, you can control the performances on one device from the other. For instance, you can output sound from the other instrument or switch Tones on the other instrument.
184 Chapter 10 Connecting with External Device Connecting a Television to View the Lyrics (AT-90S/80S only) You can connect a television to view the lyrics from SMF music files. Making the Connections NOTE When connecting, turn on power to your various devices in the order specified.
185 Chapter 10 Connecting with External Device Connecting External Speakers or an external Reverb Unit to Broaden the Reverb (RSS Reverb) The AT-90S/80S has an Aux Out jack on the bottom of the instrument. By using this Aux Out jack to connect external speakers, you can sound the reverb (reverberation) from the speakers.
186 Troubleshooting If the AT-90S/80S/60S does not function in the way you except, first check the following chart. If this does not resolve the problem, consult your dealer or a nearby Roland Service Station. Problem Check Solution Page When you press the [Power On] switch, the power doesn’t come on.
187 Troubleshooting Can’t use the function as- signed to the foot switch. If “Regist Shift” (change Registra- tions) is “RIGHT” or “LEFT,” the foot switch will be dedicated to switching the Registration. Turn “Regist Shift” off. p. 162 When the human voice “Jazz Scat” is selected, playing dy- namics do not change the sound.
188 Troubleshooting Pitch is off Transpose is in effect. Simultaneously press the Transpose [-][+] buttons to cancel the transposi- tion (the Transpose [-][+] buttons’ in- dicators will go out). p. 102 The tuning is incorrect. Adjust the standard pitch.
189 Troubleshooting Bass is heard even though you are not playing the Bass Pedalboard. The Pedal [To Lower] button or the [Bass Split] button is ON. When the Pedal [To Lower] button is ON, the Bass will be sounded by the Lower keyboard. In the Pedal part, press the Pedal [To Lower] button or [Bass Split] button to turn the button off (dark).
190 Troubleshooting Score is not indicated proper- ly in the display. In the Score screen, some lyrics or notes could extend beyond the edges of the screen, and not be displayed. This is not a malfunction. - - - The score display feature is particu- larly unsuitable for the display of difficult, complex musical works that demand accurate notation.
191 Error Message Error Message Meanings Copy Protected. Can’t Save To protect the copyright, this music file cannot be saved as SMF format. When you want to save as Atelier format, you can save only original disk. Can’t Save This Song. You can only play the music data.
192 Error Message Error Message Meanings Internal Memory Near Limit The AT-90S/80S/60S is warning you that its memory will soon become full to capacity, so not much more recording can be done. Clear Song OK? To carry out the procedure, you first need to erase performance data in the AT-90S/80S/ 60S.
193 *1 : Rotary: effective, Chorus: ineffective *2 : VIbrato: effective, Aftertouch: effective : Active Expression Voice Voice List (AT-90S/80S) ■ Organ Full Organ1 *1 Full Organ2 *1 Full Organ3 *1 .
194 Voice List (AT-90S/80S) *1 : Rotary: effective, Chorus: ineffective *2 : VIbrato: effective, Aftertouch: effective : Active Expression Voice ■ Piano Grand Piano Piano1 Piano2 Piano3 AEx PianoStr Honky-tonk Honky-tonk2 Stage Rhodes *2 Dyno Rhodes *2 E.
195 Voice List (AT-90S/80S) *3 : The sounds will also be produced when you take your finger off the key. HumanWhistle *2 Bagpipe *2 Uillean Pipe *2 ■ Lead Synth.
196 *1 : Rotary: effective, Chorus: ineffective *2 : VIbrato: effective, Aftertouch: effective : Active Expression Voice Voice List (AT-60S) ■ Organ Full Organ1 *1 Full Organ2 *1 Full Organ3 *1 Full.
197 Voice List (AT-60S) *3 : The sounds will also be produced when you take your finger off the key. Overdrive Gt *2 Hawaiian Gt. *2 Banjo *2 Banjo Treml *3 Mandolin Koto *2 Taisho Koto *2 Shamisen *2 Harp *2 Harpvox *2 Sitar *2 Organ Harp *2 ■ Brass BrassSect.
198 Drums/SFX Set List --- : no sound [EXC] : will not sound simultaneously with other percussion instruments of the same number 28 29 31 33 35 30 32 34 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86.
199 Drums/SFX Set List --- : no sound [EXC] : will not sound simultaneously with other percussion instruments of the same number 28 29 31 33 35 30 32 34 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86.
200 Drums/SFX Set List --- : no sound [EXC] : will not sound simultaneously with other percussion instruments of the same number 28 29 31 33 35 30 32 34 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86.
201 Drums/SFX Set List --- : no sound [EXC] : will not sound simultaneously with other percussion instruments of the same number 28 29 31 33 35 30 32 34 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86.
202 Manual Percussion List (AT-90S/80S) 28 29 31 33 35 30 32 34 39 40 41 42 36 38 37 C2 Mallet Cymbal Slap Stick Ratchet Concert Cymbal Concert BD2 Bar Chime Finger Snap Timpani 2 (Low) Timpani 2 (Hi).
203 Manual Percussion List (AT-60S) 28 29 31 33 35 30 32 34 39 40 41 42 36 38 37 C2 Mallet Cymbal Slap Stick Ratchet Concert Cymbal Concert BD2 Bar Chime Finger Snap Timpani 2 (Low) Timpani 2 (Hi) Chu.
204 Rhythm List (AT-90S) ■ Big Band/Swing Big Band 3 Cool Swing Big Serenade BigBand Pop Jazzy Choir Organ Swing Scat Swing Club Swing Fast BigBand New Big Band BigBandSwing BigBndBallad Vocal Swing.
205 Rhythm List (AT-90S) Latin Rhumba Bossa Nova Bossa Nova 2 FastBosaNova NewBossaNova Chacha Chacha 2 Salsa Samba Rhumba 2 Beguine Mambo Tango 1 Tango 2 Latin Fusion Samba Rio ■ Waltz/March Parade.
206 Rhythm List (AT-80S) ■ Big Band/Swing Cool Swing Big Serenade Organ Swing Scat Swing Fast BigBand New Big Band Big Band Jazz Band BigBandSwing BigBndBallad Vocal Swing Club Swing Medium Swing A .
207 Rhythm List (AT-80S) ■ Waltz/March Jazz Waltz Slow Waltz Summer Days Last Dance March March 4/4 March 6/8 March 2/4 StringsWaltz Waltz Musette Vienna Waltz Simple March ■ Trad/Showtime Foxtrot.
208 Rhythm List (AT-60S) ■ Big Band/Swing Fast BigBand New Big Band Big Serenade Organ Swing Scat Swing Club Swing BigBandSwing BigBndBallad Big Band Big Band 2 Jazz Band Medium Swing Combo A Cappel.
209 Music Style Disk List (AT-90S/80S/60S) ■ Disk 1 01 BigBndBalld2 02 Boogie 03 Jazz Band 04 Blues 2 05 Blues 3 06 Big Band 4 07 Swing 08 MidiumSwing2 09 Slow Swing 2 10 Bluegrass 1 11 Bluegrass 2 .
210 Chord List ● symbol: Indicates the constituent not of chord. ★ symbol: Chord shown with an “ ★ ”can be played by pressing just the key marked with the “ ★ .
211 Chord List F# G A A B B F#M7 GM7 A M7 AM7 B M7 BM7 F#7 G7 A 7 A7 B 7 B7 F#m Gm A m Am B m Bm F#m7 Gm7 A m7 Am7 B m7 Bm7 F#dim Gdim A dim Adim B dim Bdim Gm7 ( 5 ) Am7 ( 5 ) Bm7 ( 5 ) F#aug Gaug A .
212 Glossary Arrangement This refers to changes that have been made in an original tune, by adding a new accompaniment or by changing the instruments used. Automatic Accompaniment Automatic Accompaniment is automatic accompaniment when just a few keys in the lower section of the keyboard are pressed to specify the chord.
213 Glossary ■ About ATELIER Series Sound Generator The ATELIER series come equipped with GM2/GS sound generators. General MIDI The General MIDI is a set of recommendations which seeks to provide a way to go beyond the limitations of proprietary designs, and standardize the MIDI capabilities of sound generating devices.
214 Replacing the Illumination Bulbs • Before replacing any light bulbs, you must turn off the power and disconnect the power cord from the AC outlet. • Wait until the bulb has cooled to room temperature before attempting to replace it. • Never touch a bulb while it is still hot.
215 Replacing the Illumination Bulbs Remove/install the light bulb 5. Slightly raise the cover. 6. Grasping the body of the light bulb, pull it slowly toward yourself to remove it. fig.03 7. Align the pins of the new light bulb with the holes of the socket, and insert the bulb straight in.
216 Replacing the Illumination Bulbs ■ Music stand illumination (AT- 90S only) Remove the music stand lamp cover 1. Unplug the power cord from the AC outlet. 2. Use a Phillips screwdriver to remove the screw that fasten the music stand lamp cover. fig.
217 Replacing the Illumination Bulbs ■ Pedal illumination (AT-90S only) Remove the foot lamp cover 1. Unplug the power cord from the AC outlet. 2. Insert a screwdriver vertically into the slot of the foot lamp cover, and pull the screwdriver toward yourself to remove the foot lamp cover.
218 Remplacement des ampoules • Avant de remplacer les ampoules, éteignez l’appareil et débranchez le câble d’alimentation de la prise électrique. • Remplacez l’ampoule une fois qu’elle est refroidie (à la température de la pièce). • Ne touchez pas une ampoule chaude.
219 Remplacement des ampoules Retrait de l’ampoule grillée et installation de l’ampoule de remplacement 5. Soulevez légèrement le couvercle. 6. Saisissez l’ampoule. $B!$(B et tirez-la lentement vers vous pour la retirer. fig.03 7. Alignez les broches de la nouvelle ampoule et les trous de la douille et insérez l’ampoule tout droit.
220 Remplacement des ampoules ■ Éclairage du lutrin (AT-90S uniquement) Retirer le couvercle de la lampe du lutrin 1. Débranchez le câble d’alimentation de la prise. 2. À l’aide d’un tournevis à tête cruciforme, retirez les vis qui retiennent le couvercle de la lampe du lutrin.
221 Remplacement des ampoules ■ Éclairage des pédales (AT-90S uniquement) Retirer le couvercle de la lampe inférieure 1. Débranchez le câble d’alimentation de la prise. 2. Insérez un tournevis pour écrous à fente verticalement dans la fente du couvercle de la lampe et tirez-le vers vous pour retirer le couvercle.
222 Settings That Are Stored After the Power Is Turned Off ■ Settings That Are Stored After the Power Is Turned Off Arranger Update Transpose Update Master Tune Rotary Speed Rotary Color Registratio.
223 Function... Basic Channel Mode Note Number : Velocity After Touch Pitch Bend Control Change Prog Change System Exclusive System Common System Real Time Aux Message Notes Transmitted Recognized Rem.
224 Demo Song List AT-90S/80S AT-60S Profile Hal Vincent Hal consistently delights his audiences with his keyboard artistry. He is equally at home on either the organ, piano, or electronic keyboard. Around the world, his concerts generate the often heard comment “.
225 Demo Song List Hector Olivera Hector Olivera was born in Argentina. He received his education at the Conservatory and the University of Buenos Aires followed by a scholarship at the famous Juilliard School of Music in New York.
226 Main Specifications AT-90S/80S/60S: Music ATELIER Controller/Function AT-90S AT-80S AT-60S Keyboard Upper keyboard 56 notes (C3 - G7), Lower keyboard 76 notes (E1 - G7) Pedalboard 25 notes (C2 - C4) 20 notes (C2 - G3) Sound Generator Conforms to GS/GM2 Max.
227 Main Specifications Composer Tracks 7 Tracks Note Storage Approx. 40,000 notes Song Length Max. 999 measures Tempo Quarter note = 20–250 Resolution 120 ticks per quarter note Recording Realtime .
228 Main Specifications * In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
229 Index A Active Expression Voice ............................................... 44 Aftertouch .................................................................... 157 Aftertouch Sensitivity ................................................. 157 Arranger Update .
230 Index O Octave Shift .................................................................... 50 One Touch Program ...................................................... 66 P Part Balance ...............................................................
231 Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. As of January 1, 2002 (Roland) ARGENTINA Instrumentos Musicales S.
232 This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
To resize thickness, move all items on the front cover to left or right.
AT-90S/80S/60S Owner’s Manual 02568545 ’03-2-A2-41N To resize thickness, move all items on the front cover to left or right Owner’s Manual // Copyright © 2001 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
Un punto importante, dopo l’acquisto del dispositivo (o anche prima di acquisto) è quello di leggere il manuale. Dobbiamo farlo per diversi motivi semplici:
Se non hai ancora comprato il Roland 60S è un buon momento per familiarizzare con i dati di base del prodotto. Prime consultare le pagine iniziali del manuale d’uso, che si trova al di sopra. Dovresti trovare lì i dati tecnici più importanti del Roland 60S - in questo modo è possibile verificare se l’apparecchio soddisfa le tue esigenze. Esplorando le pagine segenti del manuali d’uso Roland 60S imparerai tutte le caratteristiche del prodotto e le informazioni sul suo funzionamento. Le informazioni sul Roland 60S ti aiuteranno sicuramente a prendere una decisione relativa all’acquisto.
In una situazione in cui hai già il Roland 60S, ma non hai ancora letto il manuale d’uso, dovresti farlo per le ragioni sopra descritte. Saprai quindi se hai correttamente usato le funzioni disponibili, e se hai commesso errori che possono ridurre la durata di vita del Roland 60S.
Tuttavia, uno dei ruoli più importanti per l’utente svolti dal manuale d’uso è quello di aiutare a risolvere i problemi con il Roland 60S. Quasi sempre, ci troverai Troubleshooting, cioè i guasti più frequenti e malfunzionamenti del dispositivo Roland 60S insieme con le istruzioni su come risolverli. Anche se non si riesci a risolvere il problema, il manuale d’uso ti mostrerà il percorso di ulteriori procedimenti – il contatto con il centro servizio clienti o il servizio più vicino.
