Manuale d’uso / di manutenzione del prodotto StudioLive 16.0.2 del fabbricante Presonus
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Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T r oubleshooting and W arranty English StudioLiv e ™ 16.0.2 P er formanc e and Rec ording Digital Mix er O wner ’ s Manual ww w .
14. Ser vicing is requir ed when the apparatus has been damaged in any wa y, such as if a power-supply cor d or plug is damaged; or liquid has been spilled, or objects have fallen, int o the apparatus; or if the apparatus has been exposed t o rain or moisture, does not opera te normally , or has been dropped.
T able of C onten ts 1 Overview — 1 1.1 Introduction — 1 1.2 About This Manual — 1 1.3 Summary of StudioLive 16.0.2 Hardwar e Fea tures — 2 1.4 What is in the Bo x — 3 2 Getting Star ted — 4 2.1 Lev el Setting Procedure — 4 3 Hookup — 9 3.
5.3 Graphic Equalizer — 48 5.3.1 The Graphic EQ Menu and Contr ols — 49 5.3.2 Saving and Loading GEQ Pr esets — 50 5.4 Sy stem Menu — 50 5.5 Using MIDI C ontrol Mode to Remote -Contr ol StudioLive — 52 5.5.1 Recalling Scenes and FX Presets Remotely — 53 5.
StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty 1 Overview 1 Overview 1.1 Introduction Thank y ou for purchasing the P reSonus StudioLive™ 16.0.
2 1.3 Summary of StudioLive 16.0.2 Hardware F eatures Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Overview 1.
3 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Overview 1.4 What is in the Bo x Y our StudioLive package contains the f ollowing: • Pr eSonus StudioLive 16.
4 2.1 Lev el Setting Procedure Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Getting ST arted 2 Getting Star ted Before y ou begin,.
5 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Getting Started 2. Connect the Main outs ( TRS or XLR) of your StudioLive to your pow er amplifier or powered monitors .
6 2.1 Lev el Setting Procedure Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Getting ST arted 6. Plug your StudioLiv e into a power outlet and turn it on. 7. If your microphone requir es phantom power , engage the 48V button on Channel 1 of your StudioLiv e.
7 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Getting Started 9. Pr ess the Input button in the Meter sec tion. 10. Speak or sing into your microphone at appro ximately the same volume you expect during the per formance .
8 2.1 Lev el Setting Procedure Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Getting ST arted 13. Press the Select button on Channel 1 and raise the Channel 1 fader until it reaches “U” (unity gain).
9 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Hookup Hookup 3 Hookup 3.1 Rear-P anel Connections Microphone Inputs. Y our StudioLive is equipped with 12 Pr eSonus XMAX microphone preamplifiers f or use with all types of microphones.
10 3.1 Rear-Panel C onnections Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Hookup Hookup Channels 13/14 and 15/16 have unbalanced RCA c onnec tions, in addition to the balanced TRS connec tions.
11 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Hookup Hookup MIDI I/O . MIDI stands for “Musical I nstrument Digital Interface. ” How ever , MIDI has uses well beyond instruments and sequencing .
12 3.2 T ypical Live Band Hookup Diagram Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Hookup Hookup 3.
13 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Hookup Hookup 3.
14 4.1 The F at Channel Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4 C ontrols 4.
15 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls Polarity In vert Button.
16 4.1 The F at Channel Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls High Pass F ilter On/Off . T urns the High Pass F ilter On/Off for the Selected Channel or Output Bus.
17 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls Compr essor Auto Mode Button.
18 4.1 The F at Channel Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls Limiter On/Off . T urns on the Limiter for the Selected Input Channel or Output Bus. When the limiter is engaged the button will illuminate .
19 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls Mid EQ Gain Control . Sets and Displays the Gain Attenua tion or Boost of the Center F requency for the Mid Band.
20 4.1 The F at Channel Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.1.4 F at Channel Panning and Ster eo Link The P an control f or each input or output bus is set on the F at Channel.
21 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.
22 4.1 The F at Channel Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.1.
23 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.1.9 Channel Pr esets Librar y Y our StudioLive comes with 50 F at Channel presets custom designed b y professional P reSonus users.
24 4.2 Metering Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.2 Metering The StudioLive off ers flexible metering at the touch of a button.
25 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.3 Input Channel Strip The StudioLive is equipped with all of the standar d input controls of an analog mixer .
26 4.4 Aux and FX Buses Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.4 Aux and FX Buses The aux bus provides outputs t o create auxiliary mixes that are separa te from the main mix.
27 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.4.2 Internal FX Bus C ontrols Internal Eff ec ts Bus Select Button. Enables F at Channel Viewing .
28 4.4 Aux and FX Buses Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls the pan controls f or each of their respective input channels. The meters will display the pan setting of each of the input channels.
29 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.4.4 Creating Monitor Mix es Creating custom monit or mixes is critical. If musicians can ’t hear themselves or their bandmates, their performance will suffer .
30 4.4 Aux and FX Buses Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.4.5 Creating Internal FX Mix es There ar e at least two main advantages to creating an FX mix, r ather than inserting an effect in a channel.
31 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.5 MultiModes Each channel and aux on the StudioLive 16.0.2 fea tures a MultiMode button.
32 4.6 Main Output Bus Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.6 Main Output Bus Main Select Button. Enables F at Channel Viewing. As previously described in Section 4.
33 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.
34 4.8 Solo Bus Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.8.2 Using the Solo Bus for Monitoring When mixing live , or when recording multiple musicians at onc e, it is often necessary to quickly listen in on just one instrument or group .
35 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.
36 4.9 Monitor Bus Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 6. Once you ar e satisfied, bring the fader back down. 7. Next, press the MultiMode button on the snare-mic channel and repeat steps 4-6.
37 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls Monitor Output Lev el Contr ol. Adjusts the Overall Lev el of the Monitor Output. This knob adjusts the overall level of the c ontrol-room monitor outputs .
38 5.1 The Digital FX (Eff ec ts) Menu Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5 Digital E.
39 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.1.1 Creating FX P resets P age 1 of the FX Menu provides access to y our librar y of effects presets.
40 5.1 The Digital FX (Eff ec ts) Menu Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 8. T urn the Value enc oder clockwise or counter-clock wise to change the letter .
41 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.1.3 Delay and its P arameters A delay essentially crea tes an echo, although y ou can often use delays to cr eate more complex time-based effects.
42 5.1 The Digital FX (Eff ec ts) Menu Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.
43 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.
44 5.2 Scenes Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.2 Scenes The StudioLive allow s you to creat e and store a library of Scenes. A Scene is like a snapshot of your mix.
45 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.2.2 Creating a Scene Creating a Scene requir es simply dialing in a mix that you would like t o use at a later date and sa ving it.
46 5.2 Scenes Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol EQ and Dyn: All F at Channel dynamics processing , filter parameters, and pan position f or every channel and bus.
47 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.
48 5.3 Graphic Equalizer Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.3 Graphic Equalizer The StudioLive 16.0.2 f eatures a 31-band, 1/3-octave graphic EQ that can be inserted on the main output bus.
49 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol that, when subtracted from the user’ s cur ve, will produc e the flattest possible response: 0 dB.
50 5.4 Sy stem Menu Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.3.2 Saving and Loading GEQ P resets Like all other parameters on the StudioLive , graphic EQ settings can be stored and recalled.
51 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol Aux Send P osition Pr ess the Page Down button t o access the Aux P re P osition page.
52 5.5 Using MIDI C ontrol Mode to Remote- Con trol StudioLive Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol Lockout Mode Y our StudioLive f eatures a Lockout mode that allo ws you to cr eate a password and lock the c ontrols.
53 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.5.1 Recalling Scenes and FX Pr esets Remotely MIDI stands for “Musical I nstrument Digital Interface.
54 5.5 Using MIDI C ontrol Mode to Remote- Con trol StudioLive Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master.
55 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol Navigate to.
56 5.5 Using MIDI C ontrol Mode to Remote- Con trol StudioLive Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol Scene Recall 1. Select Bank 00 by using the Up or Down pedals.
57 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.5.4 Con trolling the StudioLive 16.0.2 with a Roland FC-300 Roland FC-300 Pa tch Mode offers many flexible wa ys for you to c ontrol your StudioLive 16.
58 5.5 Using MIDI C ontrol Mode to Remote- Con trol StudioLive Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master.
59 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol FXA Assign/Unassign to Mains 1. Next, we will set CTL Pedal 2 to contr ol the Main assignment (“ mute”) f or FXA.
60 6.1 Stereo Microphone Plac ement Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources 6 Resourc es 6.1 Stereo Microphone Plac ement The follo wing are a few rec ording applications to help you get started with your StudioLive.
61 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources Acoustic Guitar Poin t a small- diaphragm c ondenser microphone at the 12th fret, appro ximately 8 inches awa y .
62 6.1 Stereo Microphone Plac ement Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources Drum Overheads (XY example) Place two small-diaphragm condenser microphones on an XY stereo-microphone holder (bar).
63 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources 6.
64 6.2 EQ Fr equency Guides Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources T able 2 • bass “pluck” • acoustic/elec.
65 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources 6.3 T echnical Specifica tions Microphone Preamp T ype XLR Female , balanced Frequency Response to Direct Output (at unity gain) 20 Hz-40 kHz, ± 0.
66 6.3 T echnical Specifications Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources Aux Outputs T ype ¼” TRS Female , bala.
67 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources Digital Audio ADC Dynamic Range (.
68 6.4 StudioLive 16.0.2 Block Diagr am Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources 6.
69 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources Main Mix L Main Mix R Solo Bus L .
70 6.5 StudioLive 16.0.2 Recall Sheet Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources 6.
71 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources 7 T roubleshooting and W arranty 7.1 T roubleshooting Please check the Pr eSonus W eb site (ww w .
72 7.2 PreSonus Limited W arranty Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty T roubleshooting and W arranty 7.
73 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty T roubleshooting and W arranty Declar ation of C onformity Responsible P ar ty : PreSonus A udio Elec tronics Addr ess: 7257 Florida Blv d.
EMC Stat ement: NO TE: This equipment has been t ested and found to c omply with the limits for a Class B digital devic e, pursuant to part 15 of the FCC Rules. These limits are designed t o provide reasonable pr otection against harmful inter fer ence in a residential installation.
Added bonus: P reSonus’ pr eviously T op S ecr et recipe f or … Chick en and Andouille Gumbo Ingredients: • 1 C all-purpose flour • ¾ C vegetable oil • 1 large onion (diced) • 1 small oni.
7257 Florida Boulevard • Bat on Rouge, Louisiana 70806 USA • 1-225-216-7887 ww w .presonus.c om Part# 820-SL0002-C StudioLiv e ™ 16.0.2 P er formanc e and Rec ording Digital Mix er O wner ’ s .
Un punto importante, dopo l’acquisto del dispositivo (o anche prima di acquisto) è quello di leggere il manuale. Dobbiamo farlo per diversi motivi semplici:
Se non hai ancora comprato il Presonus StudioLive 16.0.2 è un buon momento per familiarizzare con i dati di base del prodotto. Prime consultare le pagine iniziali del manuale d’uso, che si trova al di sopra. Dovresti trovare lì i dati tecnici più importanti del Presonus StudioLive 16.0.2 - in questo modo è possibile verificare se l’apparecchio soddisfa le tue esigenze. Esplorando le pagine segenti del manuali d’uso Presonus StudioLive 16.0.2 imparerai tutte le caratteristiche del prodotto e le informazioni sul suo funzionamento. Le informazioni sul Presonus StudioLive 16.0.2 ti aiuteranno sicuramente a prendere una decisione relativa all’acquisto.
In una situazione in cui hai già il Presonus StudioLive 16.0.2, ma non hai ancora letto il manuale d’uso, dovresti farlo per le ragioni sopra descritte. Saprai quindi se hai correttamente usato le funzioni disponibili, e se hai commesso errori che possono ridurre la durata di vita del Presonus StudioLive 16.0.2.
Tuttavia, uno dei ruoli più importanti per l’utente svolti dal manuale d’uso è quello di aiutare a risolvere i problemi con il Presonus StudioLive 16.0.2. Quasi sempre, ci troverai Troubleshooting, cioè i guasti più frequenti e malfunzionamenti del dispositivo Presonus StudioLive 16.0.2 insieme con le istruzioni su come risolverli. Anche se non si riesci a risolvere il problema, il manuale d’uso ti mostrerà il percorso di ulteriori procedimenti – il contatto con il centro servizio clienti o il servizio più vicino.
