Manuale d’uso / di manutenzione del prodotto 2048 del fabbricante Sound Performance Lab
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Model 2048 Manual P arametric 5-Band Stereo Equalizer.
2 Manual Ster eo Q Model 2048 V ersion 1.0 – 5/2000 R & D: W olfgang Neumann The information in this document has been carefully v erified and is assumed to be correct. Howev er Sound P er formance Lab (SPL) reserves the right to modify the product described in this manual at any time.
3 Co n te n t s Introduction ................................................................................................................... 4 F eatures ..............................................................................................
4 Introduction The Stereo-Q is a parametric 5-band stereo equalizer which ex cels particu- larly in two ways: • It is the first stereo equalizer in its class. • The serial-filter design based on the legendar y QURE equalizer filter gua- rantees the high tonal qualities for which SPL-products hav e become renowned .
5 Hookup • Three fully parametric bands in accordance with the musically effective proportional-Q-pr inciple , Boost/Cut +/- 15 dB, Q 0.5 to 5; LOW band:10-250 Hz, MID band: 140 Hz-3,5 kHz, HIGH band: 940 Hz to 24 kHz.
6 C onnections Rear front/ wiring Console inputs/ stereo returns or inser ts of any equipment 2 1 3 1 = GND , 2 = hot (+), 3 = cold (-) 1 2 3 Pin wiring XLR output Pin wiring XLR input 1 = GND , 2 = h.
7 C onnections General A dvice C onnections Sockets Again, while Stereo Q’ s housing is EMV-proof and protects against HF-inter- ference , placement of the unit is ver y important. Please read hookup instruc- tions first (page 4). Before connecting the the unit or any other equipment turn off all power .
8 Opera tion General A dvice Proportional-Q principle Low-, Mid- and High filters operate to the propor tional-Q principle. This means that maximum possible boost and cut is dependant upon the selected bandwidth. If the bandwidth is increased the measure of boost or cut (=amplitude) decreases automatically with the setting of the Cut/Boost control.
9 Opera tion Po wer , Active , Sub Bass Pow e r The power switch is used to turn the unit on or off . The positive and negativ e paths of the power supply are separated in front of the po wer unit to ensure that the switched off unit is reliably separated from the mains current.
10 Opera tion Low Coils additionally produce a more pleasant harmonic spectrum, which is especially impor tant for the precision and tangibility of bass sounds. The Sub Bass filter is exc eptionally suitable in presenting voluminous and powerful deep bass sound and produces a fat bass layer .
11 Opera tion Mid, High Mid The Mid filter covers a frequency range of 140 Hz to 3.5 kHz (F requency control). The frequency range of the M id filter reaching down to 140 Hz offers a problem-free access to sounds in this range.
Air The Air filter comprises of a passive network of capacitor , resistor and coil in the same way as the Sub Bass filter . I t possesses a so called bell-characteri- stic with a center frequency at 17.5 kHz. At this frequency the maximal possible boost or cut is +/- 9 dB.
13 P o wer Supply Specifications Built around a toroidal transformer , the power supply allows f or a minimal electromagnetic field with no hum or mechanical noise. The pow er supply's output side is filtered by an RC circuit to extract noise and hums caused by your pow er ser vice.
14 Wa r r a n t y SPL electronics GmbH (hereaf ter called SPL) products are warranted only in the countr y where purchased , through the authorized SPL distributor in that country , against defec ts in material or w ork manship .
15 C op y Master Production: ......................................................... Ar tist: ............................................ .......... Date: ........................... Sound Engineer: .................................................
16 Notes ..................................................................... ..................................................................... ..................................................................... ................................
Un punto importante, dopo l’acquisto del dispositivo (o anche prima di acquisto) è quello di leggere il manuale. Dobbiamo farlo per diversi motivi semplici:
Se non hai ancora comprato il Sound Performance Lab 2048 è un buon momento per familiarizzare con i dati di base del prodotto. Prime consultare le pagine iniziali del manuale d’uso, che si trova al di sopra. Dovresti trovare lì i dati tecnici più importanti del Sound Performance Lab 2048 - in questo modo è possibile verificare se l’apparecchio soddisfa le tue esigenze. Esplorando le pagine segenti del manuali d’uso Sound Performance Lab 2048 imparerai tutte le caratteristiche del prodotto e le informazioni sul suo funzionamento. Le informazioni sul Sound Performance Lab 2048 ti aiuteranno sicuramente a prendere una decisione relativa all’acquisto.
In una situazione in cui hai già il Sound Performance Lab 2048, ma non hai ancora letto il manuale d’uso, dovresti farlo per le ragioni sopra descritte. Saprai quindi se hai correttamente usato le funzioni disponibili, e se hai commesso errori che possono ridurre la durata di vita del Sound Performance Lab 2048.
Tuttavia, uno dei ruoli più importanti per l’utente svolti dal manuale d’uso è quello di aiutare a risolvere i problemi con il Sound Performance Lab 2048. Quasi sempre, ci troverai Troubleshooting, cioè i guasti più frequenti e malfunzionamenti del dispositivo Sound Performance Lab 2048 insieme con le istruzioni su come risolverli. Anche se non si riesci a risolvere il problema, il manuale d’uso ti mostrerà il percorso di ulteriori procedimenti – il contatto con il centro servizio clienti o il servizio più vicino.
