Manuale d’uso / di manutenzione del prodotto MIC/LINE MIXERS del fabbricante LG Electronics
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CFX SERIES O WN E R’ S MAN U AL AND WARRANTY REGISTRA TION 12, 16, AND 20-CHANNEL MIC/LINE MIXERS WITH DIGIT AL EFFECTS CLIP WIDE BYPASS 10 0 10 0 REVERBS DELAYS CHORUS/FLANGE/PHASER DAMPING DEPTH TIME RATE NORMAL NORMAL EFX SM. ROOM MD. PLATE LG. PLATE LG.
CAUTION AVIS RISK OF ELECTRIC SHOCK DO NOT OPEN RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL ATTENTION: POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE.
3 INTRODUCTION Comprehensive master section, with: • Four 60mm submix mono faders • Separate Left & Right assign for each sub • 60mm main mix stereo fader • TRS insert jacks for main mix .
4 Don’t forget to visit our website at www .mackie.com for more information about this and other Mackie products. CONTENTS MASTER SECTION FEA TURES ................................ 15 MAIN MIX F ADER ........................................ 15 METERS .
5 SUB 1 RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT dB 30 20 10 O O 40 50 5 5 U 60 10 dB 30 20 10 O O 40 50 5 5 U 60 10 dB 30 20 10 O O 40 50 5 5 U 60 10 dB 30 20 10 O O 40 50 5 5 U 60 10 dB 30 20 10 .
6 5 6 7 8 12 11 10 9 2 1 1 2 R L R L R L R L 2 1 CHANNEL INSERTS STEREO EFX RETURNS MAIN INSERT P HONES OUT 12 3 4 CHANNEL INPUTS L L R L R TAPE OUT TAPE IN 12345678 UTIL OUT BAL/UNBAL SUB OUT 75Hz MA.
7 CFX•16 — Large Club Gig or Auditorium using a Subwoofer CFX•20 — Church Sound Reinforcement with Separate Utility Mix 5 6 7 8 91 0 1 1 1 2 16 15 14 13 2 1 1 2 R L R L R L R L 2 1 CHANNEL INS.
8 P A TCHBA Y FEA TURES “tip” This plug connects to one of the mixer’s Channel Insert jacks. “ring” tip ring sleeve SEND to processor RETURN from processor (TRS plug) These unbalanced jacks ar e configured thusly: Direct out with no signal interruption.
9 EFFECTS: SERIAL OR P ARALLEL? Effects devices are used either in serial or in parallel: “Serial” means that the entire signal is routed through the effects device.
10 PHONES FOOT SWITCH EFX LAMP 12V 0.5A MAIN OUT L R 11 LEF T AUX SEND UTILITY OUT SUB OUT TAPE IN PUT T APE OUT PUT LL R 1 2 1 2 L LR R L R EFX SEN D STEREO EFX RET URN MAIN INSERT (MONO) (MONO) L R .
11 T APE INPUT Patch the outputs of your intermission en- tertainment here. Any line-level mono or ster eo device can be used: tape, CD player , television audio, etc. See BREAK SWITCH for more information. When connecting a mono device (just one cord), you’ll need a “Y -splitter” RCA adapter .
12 CHANNEL STRIP FEA TURES Through a stereo channel’ s ster eo LINE IN TRS inputs, there is 20 dB of attenuation fully down and 20 dB of gain fully up, with a “ U ” (unity gain) mark at 12:00 (knob halfway up).
13 PRE F ADER The aux send rule of thumb: For parallel effects processing, use aux sends in post-fader mode. For stage monitors, use pre-fader mode (see diagram below). With this switch disengaged (up), AUX 1 and 2 receive signals in post-fader mode: post- low cut, post-insert, post-EQ, post-mute, and POST -fader .
14 1 3 - 4 1 - 2 MUTE 600 1.5k 150 8k 10 0 12 k HI MID FREQ 80Hz LOW EQ U +1 5 -1 5 U +1 5 -1 5 U +1 5 -1 5 ASSIGN LR PAN dB 30 20 10 O O 40 50 5 5 U 60 10 SOLO PFL PA N PA N adjusts the amount of channel signal sent, left versus right, to the SUB OUT s (and ultimately the MAIN OUT s via the SUB ASSIGN switches).
15 MASTER SECTION FEA TURES CLIP 0dB = 0dBu LEFT RIGHT ZERO LEV EL SE T 48v dB 30 20 10 O O 40 50 5 5 U 60 10 POWER STATUS RUDE SOLO 22 10 7 4 2 0 2 4 7 10 20 30 STEREO M A IN MIX PHANTOM POWER W e hope you’ve understood, if not memo- rized, the CHANNEL STRIP FEA TURES you just read.
16 jacks and engage the BREAK SWITCH . In- stantly , the entire main mix is switched off and the intermission entertainment is switched on. Even if you just want silence during the breaks, this switch can act as a “Master Mute” switch, simply by plugging nothing into T APE INPUT .
17 AUX MASTER SEND Aux send signals are derived by each channel’s AUX knob, mixed together , then sent through this AUX MASTER SEND knob. T urned fully up, it provides 15 dB of additional gain, the center “ U ” mark is unity gain, and fully down is off.
18 EMAC effects, with their levels already deter - mined by the channels’ EFX 2 (EXT) knob, you’ll typically set this knob near the “ U ” mark and then leave it alone. EFFECTS TO MONITOR This works just like the channel AUX knobs, but here, the source signal is the EFX 2 RETURN and the EMAC output.
19 slowest repeats at 10 . DAMPING/DEPTH controls the damping, with the darkest tone at 0 and the brightest tone at 10 . Since the delay effect is not stereo, it is not affected by the WIDE switch. DELA Y 1: One repeat. W orks best for slapback delay used in country and swing gui- tar , and for rockabilly and some country vocals.
20 APPENDIX A: Ser vice Info Bad Output • Are the SUB ASSIGN switches set correctly? • Are the MAIN MIX Fader and SUB Faders turned up? • If it’s one of the MAIN OUT s , try unplugging all the others. For example, if it’s a TRS MAIN OUT , unplug the associ- ated XLR outputs.
21 Repair Se r v i ce f o r t he CFX Series mixers is a v a il - ab l e o n ly at our factor y , located in sunny W oodinville, W ashington. Service for Mackie mixers living outside the United States can b e obtained through local dealers or distributors.
22 Maximum V oltage Gain Mic Input to Insert Output: 50 dB Tape Output: 66 dB Sub Output: 66 dB Main Output: 76 dB Aux Send: 71 dB Line Input to Insert Output: 30 dB Tape Output: 46 dB Sub Output: 46 .
23 A. Mackie warrants all materials, workmanship and proper operation of this CFX Series product for a period of one year from the original date of purchase.
Some of the people at our W oodinville, W ashington factory who helped design, build, sell, and support your product. Some of the people at our W oodinville, W ashington factory who helped design, build, sell, and support your product. ® ® ® ™ Mackie Designs Inc.
Un punto importante, dopo l’acquisto del dispositivo (o anche prima di acquisto) è quello di leggere il manuale. Dobbiamo farlo per diversi motivi semplici:
Se non hai ancora comprato il LG Electronics MIC/LINE MIXERS è un buon momento per familiarizzare con i dati di base del prodotto. Prime consultare le pagine iniziali del manuale d’uso, che si trova al di sopra. Dovresti trovare lì i dati tecnici più importanti del LG Electronics MIC/LINE MIXERS - in questo modo è possibile verificare se l’apparecchio soddisfa le tue esigenze. Esplorando le pagine segenti del manuali d’uso LG Electronics MIC/LINE MIXERS imparerai tutte le caratteristiche del prodotto e le informazioni sul suo funzionamento. Le informazioni sul LG Electronics MIC/LINE MIXERS ti aiuteranno sicuramente a prendere una decisione relativa all’acquisto.
In una situazione in cui hai già il LG Electronics MIC/LINE MIXERS, ma non hai ancora letto il manuale d’uso, dovresti farlo per le ragioni sopra descritte. Saprai quindi se hai correttamente usato le funzioni disponibili, e se hai commesso errori che possono ridurre la durata di vita del LG Electronics MIC/LINE MIXERS.
Tuttavia, uno dei ruoli più importanti per l’utente svolti dal manuale d’uso è quello di aiutare a risolvere i problemi con il LG Electronics MIC/LINE MIXERS. Quasi sempre, ci troverai Troubleshooting, cioè i guasti più frequenti e malfunzionamenti del dispositivo LG Electronics MIC/LINE MIXERS insieme con le istruzioni su come risolverli. Anche se non si riesci a risolvere il problema, il manuale d’uso ti mostrerà il percorso di ulteriori procedimenti – il contatto con il centro servizio clienti o il servizio più vicino.
