Manuale d’uso / di manutenzione del prodotto MP5 del fabbricante Kawai
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Owner ’ s Manual.
2 Import ant Safety Instructions When connecting the AC power cord and other cords, take care not to get them t angled. Pulling the AC power cord itself may damage the cord, causing a fire, electric shock or short-circuit. denotes that care should be taken.
3 Do not place the product near electrical appliances such as TVs and radios. T ake care not to allow any foreign matter to enter the product. Before connecting cords, make sure that the power to this product and other devices is turned OFF . Do not use the product in the following areas.
4 The power supply cord or the plug has been damaged. Object s have fallen, or liquid has been spilled into the product. The product has been exposed to rain. The product does not appear to operate normally or exhibits a marked change in performance. The product has been dropped, or the enclosure damaged.
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7 WELCOME TO THE MP5 Thank you for purchasing the KA WAI MP5. The MP5 Stage Piano featur es 256 Internal Sounds of the highest quality . The MP5 can also be used as a MIDI master controller . On stage, at home, or in the studio, the MP5 has been designed to offer quick and easy ac cess to many sophisticated featur es.
8 WELCOME TO THE MP5..... 7 1. NAMES AND FUNCTIONS.....10 1.1 FRONT PANEL.....10 1.2 HEADPHONE JACK.....12 1.3 REAR PANEL.....12 2. Basic Operations.....14 2.1 Getting Ready .....14 2.2 Selecting a Sound.....15 2.3 Layer .....17 2.4 Split.....17 2.5 Piano Only .
9 8.2.11 Receive Channel.....49 8.2.12 LCD Contrast.....49 8.2.13 LED Brightness.....49 8.2.14 Out Mode.....49 8.2.15 Foot Switch Mode .....49 8.2.16 Wheel Mode .....50 8.2.17 Dump Mode .....50 8.3 System Dump.....50 8.3.1 Dump Current.....50 8.3.2 Dump All Sound.
10 1. NAMES AND FUNCTIONS 1.1 FRONT PANEL [F ADER SECTION] 1. VOLUME F ader The VOLUME fader controls the master volume lev el of the MP5. 2. ZONE SELECT buttons The ZONE SELECT buttons are used to select one of the f our zones for editing. Only one zone can be selected at a time.
11 [EFFECT BUT TONS] 11. SW button This button turns the assigned function ON or OFF . Many different f unctions can be assigned to this switch for your convenience. When in edit mode, pressing the SW button will exit from edit mode. 12. EFX button This button turns the EFX ON or OFF for the selected zone.
12 1.2 HEADPHONE JACK The headphone jack is located in front at the left end of the key slip. Use a headphone with a standard stereo 1/4 inch phone jack. 1.3 REAR PANEL 1. POWER SWITCH T urns the MP5 ON or OFF . 2. POWER RECEPT ACLE Connect the power cable, which is included in the MP5 package, to this receptacle.
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14 2. Basic Operations 2.1 Getting Ready Since the MP5 has no built-in speak ers, you will need to connect a mixer , keyboard amplifier or headphones in order to listen. T urn the MP5 on, using the POWER SWITCH on the rear panel. It is recommended to turn the MP5 on before turning on an y amplifiers in order to avoid switching noise.
15 2.2 Selecting a Sound The MP5 always starts up in SOUND mode when the power is turned ON. The SOUND button will be lit to indicate SOUND mode is active.
16 In Sound mode, the “1” in the display indicates that the z one 1 is currently selected. When the multitimbre is off , the defaul t settings of the zones ar e as follows. It is recomended for simple MIDI transmit/receiv e use on stage etc. The default TXchannel is System Ch (see page45).
17 2.3 Layer Let’s try la yering another sound. T urn the zone 2 on by pressing the ZONE ON/ OFF button for zone 2. The Z ONE SELECT button for zone 2 is automatically selected and the display shows the sound name for zone 2. Select the sound for zone 2 with the SOUND SELECT buttons as shown in the previous section.
18 2.5 Piano Only The Piano Only function lets you quickly r eturn the MP5 sounds to the default settings. Press the PIANO button and the SOUND SELECT but ton 1 simultaneously . Al l the current settings (except f or SYSTEM settings) will go back to original and only Concert Grand sound can be play ed on the whole keyboard.
19 2.8 Using the MP5 as a MIDI controller The MP5 can control external devices via MIDI. MIDI Connection Connect the MIDI OUT on the MP5 to the MIDI IN on an external MIDI device with a MIDI cable. Selecting the MIDI Channel The MIDI T ransmit Channel of the MP5 must be matched with the Receive Channel of any MIDI devices connected to the MP5.
20 The transmit ted program number is shown in the displa y . Y ou can also send program change numbers by using V ALUE buttons. Note: Full program change numbers including bank numbers can be transmitted by setting them in MENU and saving it as a SETUP.
21 3. SW Button The SW button is a progr ammable realtime switch which can be assigned to one of 8 different functions. Press and hold the SW button. The display shows the currently assigned function. Press the SW button again to exit without changing the function.
22 When the SW button is OFF : The display briefly shows as follows and the rotary speed changes to slow . Note: When the Rotary effect is not in use, the display briefly shows as follows. 3.4 EQ Bypass On/Off Y ou can temporarily bypass the EQ by turning the SW button on.
23 3.6 Foot Switch Lock Y ou can lock the assignable foot switch to avoid unnecessary mov ement by accident. First, connect a foot switch to the FSW jack on the rear panel of the MP5. When the SW button is lit the F oot Switch Lock is on. F oot Switch Lock On: The display briefly shows as f ollows and the assignable foot switch is locked.
24 3.8 External Sequencer Start/Stop Y ou can start and stop the external sequencer connected to the MP5 with SW button. First, connect an external sequencer to the MIDI OUT jack on the rear panel of the MP5. Make sure that the sequencer is capable to receiving external MIDI clock and commands.
25 4. EFX/REVERB The internal sounds of the MP5 can be enhanced using the built in REVERB and EFX generators. There are 7 REVERB types and 22 differ ent EFX types to choose from. MP5 contains 4 variations of EFX t ype per INT section, and different EFX can be added to the sound of each ZONE.
26 Auto Wah: Auto W ah creates an automatic filter sweep at the attack of each note. Pedal W ah: P edal W ah creates a filter sweep with the expression pedal connected to the MP5. Enhancer: Enhancer produces a crisper tone, so the sound is more easily discernible.
27 5. Control Knobs Select the function with the but tons on the left and use the knobs to change the values. Y ou can also mov e the cursor with the MENU buttons and change the value with the V ALUE buttons while the displa y is showing Control Knobs function.
28 17 . ROT ARY 1 r ate slow/fast wet balance 18. ROT ARY 2 r ate slow/fast drive 19. AUT O WAH sense 0 -100 (%) wet balance 20. PEDAL WAH sense 0 -100 (%) wet balance 21. ENHANCER intensity 0 -100 (%) send level 22. OVERDRIVE drive 0 -100 (%) wet balance REVERB parameter list REVERB Time REVERB Depth 1.
29 5.3 TONE MODIFY The MP5 allows certain characteristics of the sounds to be custom tailored to suit a particular musical or playing style, or to create many v ariations and different t ypes of sounds. TONE MODIFY set tings can be done for each zone individually .
30 CUTOFF : Raising the CUT OFF level makes the sound brighter , lowering the level makes the sound duller . A T T ACK: As the value increases, the attack time becomes longer , which means a slower attack is produced. DECA Y : This parameter controls the amount of time from the peak level to the sustain level of the sound.
31 When the selected zone is set to EXT , the display shows the MIDI CC numbers. The default parameters assigned f or each knob are as follows. A: #10 Panpot (P AN) B: #70 Sustain Level (STN) C: #76 V.
32 6. MENU The MENU buttons allow access to the edit par ameters in the MP5. This collection of settings together with other editable par ameters can be stored as a SETUP . The MP5 provides 256 SETUPs, and all are user progr ammable. A SETUP consists of four zones.
33 6.1 Editing Procedure and Parameters First, press the ZONE SELECT but ton for the zone to be edited. Next, press the MENU buttons until the par ameter you want to edit appears in the DISPLA Y . When a zone is set as Both, pressing the ZONE SELECT button again will switch the menu list from Internal to External or vice versa.
34 6.2.4 String Resonance (Int Piano only) The volume of string resonance can be changed to the lev el you prefer . The value changes fr om 0 (off ) to 10.
35 6.2.8 TX Prg # (Ext only) This parameter determines if a Progr am Change Number will be transmit ted (On) or not (Off ) when a SETUP is recal led. If you want to switch sounds on external MIDI devices every time you call the Setup turn this par ameter ON.
36 6.2.14 Velocity Switch V elocity switching is an extremely useful and creative tool f or customizing a performance. Using V elocity Switching, it is possible to hav e either one sound switch to ano.
37 Note: Each zone can have a separate Velocity Switch Value. By setting the Soft Zone Velocity Switch Value higher than that of the Loud Zone, a dynamic area where both sounds play can be created. It is also possible to switch Internal Zones with External Zones for even more possibilities.
38 6.2.19 Transmitting Volume (Ext only) This parameter determines if an initial MIDI V olume message will be transmitted (On) to an external MIDI device or not (Off ) when a SETUP is recalled. Note: In a zone set to External or Both, moving the faders will still transmit volume messages even if TX Volume is set to Off.
39 6.2.25 Foot Switch This parameter determines if a F oot Switch connected to the FOO T SWIT CH jack is active (On) or not (Off ) for the selected zone. The type of controller assigned to the footswitch is a common Setup par ameter and is used for all zones of a Setup as a global parameter .
40 6.3 Common Parameters Common parameters ar e affecting all zones. 6.3.1 Stretch Tuning The hearing ability of a human is unev en and is not accurate with high fr equency and low frequency as it is with the middle r ange. The tuning of an acoustic piano is stretched to compensate f or this so the sound will be heard naturally to the ears.
41 for the Mersenne pure temper ament. It produces chords that are more beautiful than those with the equal temper ament. W erkmeis/Kirnberg: These two temperaments are placed in between Meantone and Pythagorean.
42 6.3.7 Modulation Wheel Control Change Number This parameter assigns a Control Change Number to the Modulation Wheel on the right side of the front panel.
43 7. STORE Y ou can save the changes of the settings made as either a SOUND or a SETUP . Up to 256 SOUNDs or 256 SETUPs can be stored. Moreover , the Common parameters can also be stored as the initial setting in SOUND mode. The following groups of parameters ar e stored.
44 7.2 Storing the COMMON settings While in SOUND mode, press the ST ORE button. The display will show the following screen: Press the V ALUE DOWN button, the displa y will show the following screen: Press the V ALUE UP button to confirm.
45 8. SYSTEM Use this mode to set the System parameters of MP5. T o enter the SYSTEM mode, press the SYSTEM button. 8.1 System Menu Use the MENU buttons to scroll through the System par ameters.
46 8.2.2 Touch This parameter adjusts the touch response curv e of the keyboard. Heavy +: This Curve has a steep rise as velocity incr eases, and a shallower curve at low velocities. (see 1) This curve requires the most striking f orce to produce a loud volume.
47 8.2.3 System Tuning This parameter sets the global master tuning of the MP5. The v alue changes from 427 .0 to 453.0 (Hz). 8.2.4 Volume Slider Action This selects how the volume sliders react, when you change the v olume. Normal: The value changes immediately , when the v olume slider is moved.
48 8.2.9 Multi-Timbral Mode Multi- Timbral Mode allows the MP5 to receive data on more than one MIDI channel simultaneously . In this mode, the MP5 can play different musical parts with different sounds for each part. On1/2: This is a flexible 16 part multi-timbral setup.
49 8.2.11 Receive Channel This parameter determines whether or not a particular MIDI channel will receive incoming MIDI data from an external source. This parameter can be used to filter out data on specific MIDI channels that are not intended for the MP5.
50 8.3 System Dump 8.3.1 Dump Current This function transmits the curr ent and active settings of the MP5 as a S ystem Exclusiv e Message via the MIDI OUT . Press the SYSTEM button. Then press the MENU-DOWN but ton until “Dump Current” appears on the display .
51 Note: Loading the data back to the MP5 will change the current settings. SETUP and SYSTEM data will not change. You can use this function to temporarily change the setting from your sequencer. If you want to save the setting, you must use the STORE procedure and save as Setup.
52 8.4 System Reset 8.4.1 Reset One SOUND/SETUP This function resets one SOUND or SETUP back to the original f actory default settings. Press the SYSTEM button. Then press the MENU-DOWN but ton until “Reset X - X - X” (X - X -X stands for the setup number) appears on the display .
53 9. OTHER 9.1 MIDI IN When the Multi- Timbral Mode is Off , the MP5 receives the MIDI information coming in the System Channel only . (see page45) F or changing the internal sounds via MIDI, refer to the SOUND Pr ogram Number List on the next page.
54 9.3 SOUND Program Number List Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB Piano 1 A Concert Grand 1 0 0 1 95 16 B S tudio Grand 2 0 0 1 95 17 C Mellow Grand .
55 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB 5 A Crystal EP 49 0 0 6 9 5 1 B New Age EP 50 0 0 6 9 5 2 C New Age EP2 51 0 0 6 95 3 D New Age EP3 52 0 0 6 9 5 .
56 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB Organ 1 A Church Organ 97 0 0 20 121 0 B Full Pipes 98 0 0 2 0 95 9 C Full Ensemble 99 0 0 21 95 1 0 D Church Organ 2 100 0 0 20 121 1 2 A PrincipleChoir 101 0 0 20 95 23 B Small Ensemble 102 0 0 20 9 5 8 C Small Ens.
57 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB 5 A Passionate Vln 17 0 1 41 121 0 B Classic V iolin 18 0 1 4 1 95 3 C Passionate Vc 19 0 1 43 121 0 D Classic Ce.
58 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB Pad & Synth 1 A New Age Pad 65 0 1 89 121 0 B New Age Pad 2 66 0 1 89 95 1 C New Age Pad 3 67 0 1 89 95 2 D N.
59 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB 5 A Rhythm Guitar 1 13 0 1 2 8 121 0 B Overdrive 114 0 1 30 121 0 C Distortion 1 15 0 1 31 121 0 D Muted Electric.
60 9.4 Notes about USB The MP5 can be connected to a personal computer with a USB cable for exchanging MIDI data. Y ou need a USB driver installed in your computer . [For W indows XP/Me users] A standard USB driver is already installed in your computer .
61 Specifications K eyboard 88 keys with Advanced Hammer Action IV # of Z one 4 zones # of Internal Sound 256 sounds P olyphony Maximum 192 Effect 7 Rev erbs 22 Effects 4-band Equalizer Internal Memor.
62 MP5 MIDI Implementation Contents 1. Recogniz ed data 1.1 Channel V oice Message 1.2 Channel Mode Message 1.3 System Real time Message 2. T ransmitted data 2.1 Channel V oice Message 2.2 Channel Mode Message 2.3 System Real time Message 3. Exclusive data 3.
63 1. Recognized Data 1.1 Channel V oice message Note off Status 2nd Byte 3rd Byte 8nH kkH vvH 9nH kkH 00H n=MIDI channel number :0H-fH(ch.1 ~ ch.16) kk=Note Number :00H - 7fH(0 ~ 127) vv=V elocity :00H - 7fH(0 ~ 127) Note on Status 2nd Byte 3rd Byte 9nH kkH vvH n=MIDI channel number :0H-fH(ch.
64 Damper Pedal Status 2nd Byte 3rd Byte BnH 40H vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) vv=Control V alue :00H - 7fH(0 ~ 127) Default = 00H 0 - 63=OFF , 64 - 127=ON Sostenuto Pedal Status 2nd Byte 3rd Byte BnH 42H vvH n=MIDI channel number :0H-fH(ch.
65 01H 64H mmH Decay time mm:00H - 7FH(-64 ~ 0 ~ +63) Default = 40H 01H 66H mmH Release time mm:00H - 7FH(-64 ~ 0 ~ +63) Default = 40H * Ignoring the LSB of data Entry * It is not affected in case of modifying cutoff if tone does not use the DCF . RPN MSB/LSB Status 2nd Byte 3rd Byte BnH 65H mmH BnH 64H llH n=MIDI channel number :0H-fH(ch.
66 MONO Status 2nd Byte 3rd Byte BnH 7eH mmH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) mm=mono number :01H(M=1) POL Y Status 2nd Byte 3rd Byte BnH 7fH 00H n=MIDI channel number :0H-fH(ch.1 ~ ch.16) 1.3 System R ealtime Message Status FEH Active sensing 2.
67 V olume Status 2nd Byte 3rd Byte BnH 07H vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) v=V olume :00H - 7fH(0 ~ 127) Default = 64H Panpot Status 2nd Byte 3rd Byte BnH 0aH vvH n=MIDI channel number :0H-fH(ch.
68 RPN MSB/LSB Status 2nd Byte 3rd Byte BnH 65H mmH BnH 64H llH n=MIDI channel number :0H-fH(ch.1~ch.16) mm=MSB of the RPN parameter number ll=LSB of the RPN parameter number RPN number implemented in.
69 2.3 System R ealtime Message Status F8H Clock F AH Start FCH Stop *Sending [SW] External Seq. Start/Stop 3. Exclusive Data 3.1 Universal R ealtime Exclusiv e Message Master V olume Format:F0 7F 7F 04 01 ll mm F7 mm=MSB of Master V olume ll=LSB of Master V olume 3.
70 3.3 Sound Data F ormat The structure of the one Sound patch [48bytes] No. PARAMETER VALUE 1 Sound Data ID 2 2 Reverb T ype 0~6 (see page26) 3 Reverb Time 0-127 4 -undifiend- 5-47 <Int Parameters> *see table3.
71 3.4.2 Z one 1-4 Internal DA T A No. PARAMETER VALUE 1 T one Number MSB 0-2 2 T one Number LSB 0-127 3 V oicing 0-5 (0:Normal,1~2:Mellow1~2,3:Dynamic,4~5:Bright1~2) 4 -reserved- 5 Damper Resonance 0-10 (0:off , 1-10) 6 String Resonance 0-10 (0:off, 1-10) 7-40 <Both Parameters> *see table3.
72 4. Control Change Number (CC#) T able Control Number Control Function Decimal Hex 0 0 Bank Select (MSB) 1 1 Modulation Wheel or lever 2 2 Breath Controller 3 3 (undefined) 4 4 Foot Controller 5 5 P.
73 [ST AGE PIANO] Date: F ebruary 2007 Model: KAW AI MP5 V ersion: 1.0 Function T r ansmit Receive Remarks Multi Off(*5) Multi On Basic Default 1-16 1-16 1-16 Channel Changed 1-16 1-16 1-16 Default 3 .
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Copyright © 2007 KA WAI Musical Instruments Mfg. Co . ,Ltd. All Rights R eserved. MP5 Owner’s Manual OW1007E-C0704 V ersion.2 Printed in Indonesia KMSZ-0016 815921.
Un punto importante, dopo l’acquisto del dispositivo (o anche prima di acquisto) è quello di leggere il manuale. Dobbiamo farlo per diversi motivi semplici:
Se non hai ancora comprato il Kawai MP5 è un buon momento per familiarizzare con i dati di base del prodotto. Prime consultare le pagine iniziali del manuale d’uso, che si trova al di sopra. Dovresti trovare lì i dati tecnici più importanti del Kawai MP5 - in questo modo è possibile verificare se l’apparecchio soddisfa le tue esigenze. Esplorando le pagine segenti del manuali d’uso Kawai MP5 imparerai tutte le caratteristiche del prodotto e le informazioni sul suo funzionamento. Le informazioni sul Kawai MP5 ti aiuteranno sicuramente a prendere una decisione relativa all’acquisto.
In una situazione in cui hai già il Kawai MP5, ma non hai ancora letto il manuale d’uso, dovresti farlo per le ragioni sopra descritte. Saprai quindi se hai correttamente usato le funzioni disponibili, e se hai commesso errori che possono ridurre la durata di vita del Kawai MP5.
Tuttavia, uno dei ruoli più importanti per l’utente svolti dal manuale d’uso è quello di aiutare a risolvere i problemi con il Kawai MP5. Quasi sempre, ci troverai Troubleshooting, cioè i guasti più frequenti e malfunzionamenti del dispositivo Kawai MP5 insieme con le istruzioni su come risolverli. Anche se non si riesci a risolvere il problema, il manuale d’uso ti mostrerà il percorso di ulteriori procedimenti – il contatto con il centro servizio clienti o il servizio più vicino.
